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Caroline's Bikini
'Alright' I said, 'I'll try...' This is how Emily Stuart opens her intricate tale of a classic love affair that becomes Caroline's Bikini: a swirling cocktail of infatuation, obsession, and imagination.The moment that Emily's friend Evan Gordonstone - a successful middle-aged financier - meets Caroline Beresford - a glamorous former horsewoman, and now housewife, hostess, and landlady - there is a 'PING!' At least, that's how Evan describes it to Emily when he persuades her to record his story: the story of falling into unrequited love, which is as old as Western literature itself. Thus begins a hypnotic series of conversations set against the beguiling backdrop of West London's bars, fuelled in intensity by endless G&Ts and Q&As. From the depths of mid-winter to July's hot swelter, Emily's narration of Evan's passion for Caroline will take him to the brink of his own destruction.Written in a voice so playful, so charismatic, and so thoughtfully aware of the responsibilities of fiction it can only be by Kirsty Gunn, Caroline's Bikini is a swooning portrait of courtly love - in a modern world not celebrated for its restraint and abstraction. Ready. Steady. Go!
The Big Music
The Big Music tells the story of John Sutherland of 'The Grey House', who is dying and creating in the last days of his life a musical composition that will define it. Yet he has little idea of how his tune will echo or play out into the world - and as the book moves inevitably through its themes of death and birth, change and stasis, the sound of his solitary story comes to merge and connect with those around him. In this remarkable work of fiction, Kirsty Gunn has created something as real as music or as magical as a dream. One emerges at the end of it altered and changed. Not so much a novel as a place the reader comes to inhabit and know, The Big Music is a literary work of undeniable originality and power.
Imagined Spaces
Exciting and provocative essays in a collection that is fun, entertaining, and deeply serious. In words and images that explore our environment, culture and architecture, that reflect on literary and artistic creation, mortality, mental health, depression, the North (as a place both real and imagined) and education, Imagined Spaces returns the essay to its original activity of having a go, trying and weighing something out, taking a risk.
My Katherine Mansfield Project
In 2009, Kirsty Gunn returned to spend the winter in her hometown of Wellington, New Zealand, also the place where Katherine Mansfield grew up. In this exquisitely written “notebook,” which blends memoir, biography, and essay, Gunn records that winter-long experience and the unparalleled insight it allowed her into Mansfield’s fiction. Gunn explores the idea of home and belonging—and of the profound influence of Mansfield’s work on her own creative journey. She asks whether it is even possible to “come home”—and who are we when we get there?
The Boy and the Sea
From the author of Rain and Featherstone comes a story of a sun-drenched, sea-soaked day which changes a boy's life forever. At the start of a summer's day, Ward is waiting on the beach. His friend, Alex, wants him to come to a party at Alison's where there'll be girls and drinks and the possibilities of fun. But Ward is shy and self conscious and struggling to move from under the weight of his powerful father. He'd rather wait on the beach for the surf to come up. As the the sun moves towards its highest point and the girls' laughter carries along the wind towards Ward, the tide changes and Ward is faced with a dramatic event that will change his life forever. This beautiful and intense coming-of-age story captures perfectly the discomforts and challenges of being fifteen years old with the world stretching out in front of you. Sensual, heady, as though dazed by the heat of her pages, Gunn slowly unfolds a tale of danger and sexuality, of mothers and sons and the fathers who rule them, and of the sea.
This Place You Return to is Home
In these eleven stories Kirsty Gunn explores the paradox of home as both a place of departure and return.
Going Bush
Kirsty Gunn is known for the powerful use of landscape in her fiction. In Going Bush, landscape again comes to the forefront as she revisits the vistas of her childhood in New Zealand, evoking an ethereal and meditative autobiography of place. Revisiting with words the landscapes she once explored by sight, sound, and touch, Gunn uncovers what is wild about these places, in particular the bush. Interweaving essay, memoir, and narrative, she recalls the ways in which the landscape's very foreignness could also have provided refuge to a child--an escape from the suffocating cultural norms of colonial society. Gunn's words are accompanied by a series of images made specially for the cahier by her sister, Merran Gunn, which extend the exploration of words' capabilities--and their limitations--in attempting to address the particularities of place.
Goblin Market
The classic poem, Goblin Market (1862) by Christina Rossetti, tells the story of Lizzie and Laura, who are tempted by the fruit sold by the goblin merchants. In this fully illustrated and beautiful volume, illustrator Georgie McAusland brings the words and story to life. SHORTLISTED in the V&A Illustration Awards and the World Illustration Awards. Breathing new life into the Victorian tradition of illustrated poems, this book reads like a picture story book. The stunning illustrations illuminate and drive the narrative forward as in all good story books. It tells the tale of the two sisters drifting apart as Laura succumbs to the forbidden fruit sold by the goblins, but the bonds of sisterho...
Featherstone
The mysterious disappearance and absence of a young woman from an isolated Scottish town has a profound impact on the lives of everyone she touched, but her possible homecoming could provide even more unsettling changes in their lives.
Rain
The debut of an astonishing new literary talent, Rain proves that its author, Kirsty Gunn, is already a master of her craft. Written in luminous prose and embroidered with sensuous imagery, Rain is an unforgettable novel. Twelve-year-old Janey and her younger brother, Jim spend summers at a lake with their parents. Ignored for long stretches and then called upon suddenly to mix drinks or receive drunken kisses, the children huddle together in tender, compulsive closeness. Nourished only by their devotion to one another, the two fill their neglected hours exploring the lush, dangerous landscape and protecting each other from the unpredictable moods of the dark adult world that surrounds them. A haunting, beautifully rendered story that explores the hidden dangers of childhood, Rain has established Kirsty Gunn as one of the most promising and original writers of her generation.
