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Poetry. Southeast Asia Studies. VISITING INDIRA GANDHI'S PALMIST by Kirun Kapur is the winner of the 2013 Antivenom Poetry Award published by Elixir Press. "Kirun Kapur's debut volume VISITING INDIRA GANDHI'S PALMIST offers worlds of striking richness. From family lore marked by the 1947 partition of British India and the chaos that ensued, Kapur crafts a saga that is both personal and public. Her exploration of lives intersecting yet separated across time, culture, and continent reveals the many ways in which we carry, renounce, and rediscover the past. Kapur introduces us to an astonishing range of characters a father who 'speaks five languages, quotes Frost as easily as Ghalib' ('Meat and...
Poetry
Misery Islands blends geographical and metaphorical landscapes of family and the choices we make to know who we are truly meant to be
Poetry. "In LOST LETTERS AND OTHER ANIMALS Carrie Bennett explores what words can and cannot express. Animals abound--birds sing and stop singing, dogs breathe and stop breathing, deer appear and disappear. All along the human brainbox records, remembers, and then forgets. In five long fragmented poems, we put together a collage that is a meditation on the eternal tension between beauty and truth. Bennett's touch is light but cuts deeply into the impermanence that marks our lives. A beautiful collection."--Barbara Hamby
A revealing scrutiny of contemporary marriage; winner of the 2015 Lexi Rudnitsky First Book Prize in Poetry. Can the notion of Romantic love withstand our endless postmodern moment? In these extraordinary poems, Kimberly Grey explores our abiding need for neatness, order, and symmetry in matrimony, considering our ideals for love and language in this digital age—its weightless, distracting, and inescapable pressures. She portrays the ways in which love reflects us back to ourselves: familiar but strange, predetermined but new. There is “a drop of blue light,” she writes. “But no high-tech way / to say you’re mine. No way to love / each other but with these ancient bodies."
"Beneath the obvious beauty of Lisa Dordal's poetry lies a subtle ferocity that threatens to undo the reader on every page of WATER LESSONS. 'Anyone can become / animal or a flicker of light' warns the speaker as she embarks on a journey of recovery: of the memories surrounding a mother's addiction and death; of a father's dementia, which softens him even as it steals him away; and of the speaker's own complicity in mid-century suburban oblivion, a complicity that makes both a mother's and a Black maid's miseries equally tragic. Dordal demands that we not only see the past, but that we step into its deceptively gentle tide, one that sweeps us back to the people, places, and eras that still h...
Poetry. "Go ahead, try all you want pulling on Ruth Madievsky's emergency brake but just remember it won't do you any good. This will be the most exciting and inventive first book you have read in years, and this poet's take-no-prisoners attitude makes for an ecstatic joyride. These deeply moving poems reflect the raw darkness paring at the edges of our lives, and they reveal how that dark can sometimes move to the very centers of our being. Sexy, irreverent, sorrowful, thrilling the poems of EMERGENCY BRAKE become a young woman's survival manual for the Twenty-First Century: ignore it at your own peril." David St. John"
Renga for Obama is an occasional poem.
Constellarium chronicles the author's gender transition from biological male to female, and engages the ontological quandaries that arise from this experience. Family history and religious heritage must be reckoned with along the way. In Rice's poems, the evolving nature of the self, the fluidity of identity, and the lasting influence of the past are all held up to the soul's penetrating gaze.