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Metabolism in Architecture
Even in a country where outstanding achievements have become almost a commonplace, the Japanese architect, Kisho Kurokawa, appears as both a remarkable and a remarkably successful man. With buildings in the United States and Eastern and Western Europe as well as in Japan, he has established an international reputation as a leading figure amongst the younger generation of architects. At the age of forty he already had thirty-five major buildings and seventeen books to his credit; four new towns are being built to his designs; he heads a company of over a hundred employees, he runs a think-tank and an urban design bureau and for variety he has his own television programme with a regular audience of some 30 million. Behind these statistics lies a prodigious vitality expressed in original and stimulating buildings. -- from book jacket.
Kishō Kurokawa
THE MASTER ARCHITECT SERIES is a series of monographs on some of the greatest architects and architectural firms of our time. Each monograph will contain 256 pages displaying several hundred color photographs, drawings, sketches and renderings. Although primarily a pictorial essay, the books will contain selected projects described in concise detail, along with a critique or overview of the firm, a resume of the partners, and a comprehensive bibliography.
Kisho Kurokawa
The numerous museums designed or constructed by Kisho Kurokawa illustrated here provide a picture of the style and conceptual vision that has made him one of the leading figures on the modern-day cultural scene.
Project Japan
Metabolism was a movement launched in Japan that took inspiration for buildings and cities from biological systems. With interviews and commentary and hundreds of images, Project Japan unearths a history that casts new light on the key issues that both enervate and motivate architecture today.
Each One a Hero
"The word symbiosis comes from the Greek term for "living together" - referring to a relationship between two or more organisms that is not only advantageous but necessary to both. Today, as national boundaries give way to larger economic alliances, increased discussion and interchange is imperative. Kisho Kurokawa, the noted Japanese architect and urban planner, argues that symbiosis is the means to this end. Symbiosis differs basically from concepts of harmony or peace, because it encompasses both opposition and competition." "The author sees evidence everywhere that an increasingly symbiotic attitude is taking root around the world, not only in shifts toward democracy and interreliance bu...
David Adler, Architect
A collection of photocopied articles published about the David Adler exhibition held at the Art Institute of Chicago, December 6, 2002 to May 18, 2003.
Metabolism, the City of the Future
First presented as a manifesto in the 1960s in Japan, "Metabolism" is a theory of architecture contending that "buildings and cities should be designed and developed in the same continuous way that the material substance of a natural organism is produced." From the time of Japan's postwar redevelopment to its period of rapid economic growth, the theory gave birth to grand visions of future cities, encouraged the realization of much experimental architecture, and also provided the foundation on which many of Japan's contemporary world-renowned architects and designers could build their careers. It is the most widely known modern architecture theory to have emerged from Japan. This exhibition ...
Kisho Kurokawa, Architect and Associates
"By combining the abstraction of the 20th century with the iconography of history and the cultural identity of topos in a cosmology of culture, I am trying to tackle the philosophical challenge of Abstract Symbolism."--BOOK JACKET.
Shinkenchiku
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Obsolescence
Things fall apart. But in his innovative, wide-ranging, and well-illustrated book, Daniel Abramson investigates the American definition of what falling apart entails. We build new buildings partly in response to demand, but even more because we believe that existing buildings are slowly becoming obsolete and need to be replaced. Abramson shows that our idea of obsolescence is a product of our tax code, which was shaped by lobbying from building interests who benefit from the idea that buildings depreciate and need to be replaced. The belief in depreciation is not held worldwide which helps explain why preservation movements struggle more in America than elsewhere. Abramson s tour of our idea of obsolescence culminates in an assessment of recent tropes of sustainability, which struggle to cultivate the idea that the greenest building is the one that already exists."
