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Johannes Brus
Edited by Klaus Gallwitz. Text by Klaus Gallwitz, Michael Schwarz.
Picasso at 90
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The Baroque World of Fernando Botero
Colombian-born Fernando Botero (b. 1932) is a painter, sculptor, and draftsman renowned for his extravagantly rounded figures combining the polish and excess of Spanish colonial baroque with the social realism of the Mexican muralists. Their humorous exaggeration belies the more serious content of Botero’s work—commentary on colonialism, political instability in Latin America, and the vernacular artistic traditions of the region, as well as European art history. Accompanying the artist’s first American retrospective in over thirty years, The Baroque World of Fernando Botero is the most extensive study of his life and work to date. Drawn exclusively from Botero’s private collection, t...
Practices of Abstract Art
Recent decades have seen a renewed interest in the phenomenon of abstract art, particularly regarding its ability to speak to the political, social, and cultural conditions of our times. This collection of essays, which looks at historical examples of artistic practice from the early pioneers of abstraction to late modernism, investigates the ambivalent role that abstraction has played in the visual arts and cultures of the last hundred years. In addition, it explores various theoretical and critical narratives that seek to articulate new perspectives on its legacy in the visual arts. From metaphysical considerations and philosophical reflections to debates on interculturality and global perspectives, the contributors examine and reconsider abstraction in the visual arts from a contemporary point of view that acknowledges the many social, economic, cultural, and political aspects of artistic practice. As such, the volume progressively expands the boundaries of thinking about abstract art by engaging it in its increasingly diverse cultural environment.
Of 'truths Impossible to Put in Words'
This volume of essays relate Max Beckmann's work to the tangible circumstances of its production and reception. The essays contextualise aspects of Beckmann's early, middle, and late career by way of detailed reference to contemporary music, film, philosophy, theatre, history, sports and exile.
Anselm Kiefer
While most major museums in the United States and abroad hold examples of the German artist Anselm Kiefer's work, the nature and extent of his achievement are the subject of intense debate. This volume reproduces in full The Heavenly Palaces - Merkabah, an important large-scale artist's book created by Kiefer in 1990. Featuring highly evocative images beautifully reproduced here in full color, this work is accompanied by three penetrating essays by experts who approach the book from various perspectives, explicating its many layers of meaning to an unprecedented degree. The first essay deals impressionistically with the motifs and iconography of The Heavenly Palaces - Merkabah. The next treats its themes and meaning, concentrating especially on Jewish references and resonances, an especially challenging aspect of this German artist's oeuvre. In the final essay, the importance of the medium of photography is addressed by surveying its use by Kiefer since the beginning of his career.
Gustav and Alma Mahler
This revised edition of Garland's 1989 publication updates the core bibliography on Gustave Mahler (as well as his spouse and fellow composer Alma Mahler) by incorporating new research gathered over the past dozen years on his life and professional works. Gustave Mahler, renowned conductor and composer of symphonies and song cycles, is one of the foremost musical figures of the late nineteenth and early twentieth centuries. His symphonies continue to be widely performed and studied through the twenty-first century. Organized in sections according to subject matter, references are arranged alphabetically by the names of authors or editors. Filler’s research has produced sources for musicologists and students in nineteen languages, offering a resource that expands traditional English-language music scholarship.
Max Beckmann in New York
In December 1950, the German Expressionist Max Beckmann set out from his Manhattan apartment to see his Self-Portrait in Blue Jacket, on view at The Met, when he suffered a fatal heart attack. Inspired by the poignant circumstances of the artist’s death, Max Beckmann in New York focuses on 40 beautifully illustrated works that Beckmann painted in the city during the last 16 months of his life, as well as earlier works in New York collections. An informative and accessible essay by art historian Sabine Rewald, as well as detailed catalogue entries for each work and generous excerpts from the artist’s letters, diaries, and ephemera, illuminate Beckmann’s difficult and tumultuous life and make this an essential volume for anyone interested in the artist.
