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Women in the Piast Dynasty
This book analyses the role of women in the Polish Piast dynasty from c. 965 to c.1144. It discusses gender expectations and the literary topoi employed to describe rulers’ wives and daughters as well as showing their importance in religious donations, the creation of dynastic memory, and naming patterns, as well as examining Piast women’s involvement in female monasticism. Pac takes a comparative approach to these themes, analysing Polish sources alongside sources from other areas of early and high medieval Europe.
The Juggler of Notre Dame and the Medievalizing of Modernity.
This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of...
The Use of Models in Medieval Book Painting
Until recently, the phenomenon of copying in medieval book painting has been considered mainly in terms of the reconstruction of pictorial sources used for the composition or iconography of miniatures, initials, or decorative elements. Although historic sources only rarely mention the circumstances of manuscripts’ production, one particular widely-accepted hypothesis has prevailed until now, according to which artists used model drawings or sketch books with the aim of facilitating the production of copies and the creation of new picture cycles. However, it is no longer sufficient to regard medieval book painting in its diachronic dimension only through these lenses. Rather, one should consider Robert W. Scheller’s critique that “When using the model hypothesis one must always be mindful of other factors which are known to have played a part in the transmission of art in the Middle Ages”. The contributions of this volume deal with these issues by focusing on book painting between the 10th and 16th centuries.
A Companion to the Abbey of Quedlinburg in the Middle Ages
The imperial convent of St. Servatius at Quedlinburg (founded in 936) was one of the wealthiest, most prestigious, and most politically powerful religious houses of medieval Germany, subject only to the authority of the emperor and the pope. This is the first English-language volume to provide an introduction to this important female religious community. The twelve essays by a team of international scholars address an array of topics in Quedlinburg’s medieval history, with a particular focus on how the Quedlinburg community of learned aristocratic women used architecture and the visual arts to assert the abbey's illustrious history, ongoing political importance, and cultural significance. Contributors are: Clemens Bley, Karen Blough, Shirin Fozi, Tobias Gärtner, Eliza Garrison, Evan A. Gatti, G. Ulrich Großmann, Annie Krieg, Manfred Mehl, Katharina Ulrike Mersch, Christian Popp, Helene Scheck, and Adam R. Stead.
Domus Bolezlai: Values and social identity in dynastic traditions of medieval Poland (c.966-1138)
Between the middle of the 10th century and the middle of the 12th century both the cultural and the national identities of the Poles were formed. They were determined by political decisions made by the rulers from the Piast ruling house and built on a framework consisting of stories focused on the Piasts’ past. In all of this a dynastic tradition supported by the current ruler and his entourage was created and re-created. Tradition was understood as communication, the aim of which was to transmit values which define ways of perceiving the world by those people who accept this tradition as their own – by the Poles. The aim of the work is to seek traces of these traditions and values still alive in Polish culture.
Illuminating the Word in the Early Middle Ages
This richly illustrated study addresses the essential first steps in the development of the new phenomenon of the illuminated book, which innovatively introduced colourful large letters and ornamental frames as guides for the reader's access to the text. Tracing their surprising origins within late Roman reading practices, Lawrence Nees shows how these decorative features stand as ancestors to features of printed and electronic books we take for granted today, including font choice, word spacing, punctuation and sentence capitalisation. Two hundred photographs, nearly all in colour, illustrate and document the decisive change in design from ancient to medieval books. Featuring an extended discussion of the importance of race and ethnicity in twentieth-century historiography, this book argues that the first steps in the development of this new style of book were taken on the European continent within classical practices of reading and writing, and not as, usually presented, among the non-Roman 'barbarians'.
Die liturgische Gegenwart des abwesenden Königs
It has for decades been part of the canon of maxims of basic research that most images of rulers in early medieval book illustrations have been transmitted in liturgical manuscripts, i.e. manuscripts originally intended for divine worship. There have however to date been few investigations which draw serious consequences from this and which also view miniatures of rulers in the light of their functional aspects, for example as ‘memorial depictions’ (O.G. Oexle), or on the basis of the social reality of the pious motives behind their presentation. This study gives a more precise explanation of the function and purpose of ruler-images by examining a few selected early medieval miniatures. It analyzes the historical and social contexts of their genesis and the liturgical and commemorative aims of their use against the setting of the social form of remembrance of confraternity.
Illuminating a Legacy
This anthology honors Lawrence Nees’ expansive contributions to medieval art historical inquiry and teaching on the occasion of his retirement from the University of Delaware. These essays present a cross-section of recent research by students, colleagues, and friends; the breadth of subjects explored demonstrates the pertinence of Nees’ distinctive approach and methodology centering human agency and creativity. The contributions follow three main threads: Establishing Identity, Patronage and Politics, and Beyond the Canon. Some authors draw upon Nees’ systematic analysis of iconographic idiosyncrasies and ornamental schemes, whether adorning manuscripts or monumental edifices, which elucidates their unique visual and material characteristics. Others apply a Neesian engagement with the complex dynamics of cultural exchange, visual manifestations of political ambitions and ideologies, and selective mining of the classical past. Ultimately, this collection aims to illustrate the impact of Nees’ transformative scholarship, and to celebrate his legacy in the field of medieval art history.
Eclecticism in Late Medieval Visual Culture at the Crossroads of the Latin, Greek, and Slavic Traditions
This volume builds upon the new worldwide interest in the global Middle Ages. It investigates the prismatic heritage and eclectic artistic production of Eastern Europe between the fourteenth and seventeenth centuries, while challenging the temporal and geographical parameters of the study of medieval, Byzantine, post-Byzantine, and early-modern art. Contact and interchange between primarily the Latin, Greek, and Slavic cultural spheres resulted in local assimilations of select elements that reshaped the artistic landscapes of regions of the Balkan Peninsula, the Carpathian Mountains, and further north. The specificities of each region, and, in modern times, politics and nationalistic approac...
The Foundations of Royal Power in Early Medieval Germany
Provocative interrogation of how the Ottonian kingdom grew and flourished, focussing on the resources required. The Ottonians were the most powerful monarchs in Europe during the tenth and early eleventh century, exercising hegemony in West Francia, Burgundy, and much of Italy in addition to ruling the German realm. Despite their enormous political and military success, however, the foundations of Ottonian royal power remain highly contested and largely misunderstood, with previous scholarship tending to have considered it as depending upon the ability of the king to shape and harness the power of the nobles. This study challenges the dominant historiographical paradigm, rebutting the notion...
