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Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics.
Wagner is one of the most controversial of composers, and much that has been written about him--including his autobiography--is misleading. Barry Millington draws on the best previous scholarship and his own original research to set the record straight. The first part of this book is devoted to biography; the second, to a detailed study of the operas. Millington offers a historical review of the critical interpretation of each opera, including a discussion of recent methods of formal analysis. In this revised edition, two chapters, those on Tannhauser and Die Meistersinger, include significant new material. The bibliography has also been updated.
Ambrose Lincoln is one of the government’s prized operatives, a trained assassin, a man whose past is continually erased by mind control tactic and shock treatments. His days have no meaning. He no longer fears death. As far as he is concerned, a man without a memory is a man who’s already dead. From Germany come rumors of a mad man threatening to rule Europe and maybe the world. On the Night of Broken Glass, his browns shirts and storm troopers move into Baden-Baden and begin their methodical termination of the Jews. In America, so far away, the violence is nothing more than a protest over a Jewish boy who murdered a German diplomat because the Third Reich had removed and maybe killed h...
Beyond Reason relates Wagner's works to the philosophical and cultural ideas of his time, centering on the four music dramas he created in the second half of his career: Der Ring des Nibelungen, Tristan und Isolde, Die Meistersinger von Nürnberg, and Parsifal. Karol Berger seeks to penetrate the "secret" of large-scale form in Wagner's music dramas and to answer those critics, most prominently Nietzsche, who condemned Wagner for his putative inability to weld small expressive gestures into larger wholes. Organized by individual opera, this is essential reading for both musicologists and Wagner experts.
Until now, this essential reference book has only been available in its hard-to-find German version - Helion are pleased to announce not only a complete translation of this important source. The text lists all known recipients (over 7,000 of them), giving name, rank, unit, and date of award for each. Recipients of the higher classes of this decoration, such as the Knight's Cross with Oak Leaves, are also included. Elite of the Third Reich is destined to become a standard reference work on the Second World War German Armed Forces - Army, Kriegsmarine, Luftwaffe and Waffen-SS. The publication of occasional updates is planned, containing corrections and amendments.
"The CD-Rom includes the transcript files described in volume II"--Page 4 of cover.
This book constitutes the refereed proceedings of the 24th International Colloquium on Automata, Languages and Programming, ICALP '97, held in Bologna, Italy, in July 1997. ICALP '97 celebrated the 25th anniversary of the European Association for Theoretical Computer Science (EATCS), which has sponsored the ICALP meetings since 1972. The volume presents 73 revised full papers selected from a total of 197 submissions. Also included are six invited contributions. ICALP is one of the few flagship conferences in the area. The book addresses all current topics in theoretical computer science.
This book presents contributions to the 18th biannual symposium of the German Aerospace Aerodynamics Association (STAB). The individual chapters reflect ongoing research conducted by the STAB members in the field of numerical and experimental fluid mechanics and aerodynamics, mainly for (but not limited to) aerospace applications, and cover both nationally and EC-funded projects. By addressing a number of essential research subjects, together with their related physical and mathematics fundamentals, the book provides readers with a comprehensive overview of the current research work in the field, as well as its main challenges and new directions. Current work on e.g. high aspect-ratio and low aspect-ratio wings, bluff bodies, laminar flow control and transition, active flow control, hypersonic flows, aeroelasticity, aeroacoustics and biofluid mechanics is exhaustively discussed here.
Richard Wagner: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer.
This book explains the development of theoretical computer science in its early stages, specifically from 1965 to 1990. The author is among the pioneers of theoretical computer science, and he guides the reader through the early stages of development of this new discipline. He explains the origins of the field, arising from disciplines such as logic, mathematics, and electronics, and he describes the evolution of the key principles of computing in strands such as computability, algorithms, and programming. But mainly it's a story about people – pioneers with diverse backgrounds and characters came together to overcome philosophical and institutional challenges and build a community. They collaborated on research efforts, they established schools and conferences, they developed the first related university courses, they taught generations of future researchers and practitioners, and they set up the key publications to communicate and archive their knowledge. The book is a fascinating insight into the field as it existed and evolved, it will be valuable reading for anyone interested in the history of computing.