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Prophet und König im Nordreich Israel
The present book deals with the so-called “pre-classical” prophecy in the Northern Kingdom of Israel. It becomes evident that the introduction of kingship in the early period of prophecy marks the beginning of a consideration of social situations. The prophet is placed over the king and stylized as the actual saviour figure. This development is examined along with the extensive prophetic traditions of Samuel, Elijah and Elisha. The texts are first analyzed from a diachronic standpoint to determine pre-deuteronomistic text components. These texts are then linked to their historical context and examined with respect to their medium and historicity. This book throws new light on the social and socio-structural importance of prophecy in this early period.
Cantata No. 71 -- Gott ist mein König (God Is My King)
A choral worship cantata for SATB with SATB Soli composed by Johann Sebastian Bach.
Domestic Bliss
The low-stress, high-fun way to entertain, shop, decorate and indulge your way to domestic nirvana. What is domestic bliss? It's bringing the office party home just because you have fresh mint and a secret mojito recipe. It's making your houseguest feel like he's at the Ritz even when he's crashing on your sofa. It's retreating home after a harried day and taking solace in a perfectly placed flea market find. Home is the new hot spot and inDomestic Bliss, London's favorite young style expert makes all your nesting fantasies come true. This blueprint for domestic bliss will work whether your posse is coming to your castle or you're planning an evening for one. With wit and savoir faire, Konig shows how to: Mix family hand-me-downs and new treasures Tackle clutter with simple solutions Turn your world around even when you feel fat, lonely and hate all your clothes and furniture. Domestic Blissis about creating moments of perfection in an otherwise chaotic world.
Sigmar Polke, Film und Kunst
For more than 30 years, the artist Sigmar Polke not only painted and photographed, but also filmed many scenes of his everyday life: work, travel, meeting friends.Only very few of these films were shown in public and authorised by him during his lifetime.Here the question as to which new insights this thus far barely accessible work group opens up on the reception of Polke's oeuvre is pursued.English and German text
