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Print, Power, and Cultural Hegemony
Federico Dal Bo examines the design of early Hebrew books from the late fifteenth and sixteenth centuries, focusing not only on the words in these early books but also on how they were arranged on the page. He follows in the tradition of scholars such as Christopher de Hamel, Marvin J. Heller, and David Stern, who have explored the importance of these Hebrew books in influencing Jewish learning and attracting the interest of Christians. The author discusses important prints, such as the first Talmud and rabbinical bibles, which marked a shift from being for Jewish readers only to being for both Jews and Christians. The collaboration between Jewish editors and Christian printers changed the w...
Print Culture and Music in Sixteenth-Century Venice
This volume discusses the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. Music printers occupied a unique niche in the Renaissance printing world because their product appealed to those with sophisticated taste and was not readable by the entire literate public. Bridging the gap between music and other disciplines, Bernstein demonstrates here that the role of a music printer can be discussed as part of the larger cultural and economic question of the success of a commercial enterprise.
Texts in Transit
After Gutenberg’s Bible had appeared in print in 1455, other early printers found different ways to solve problems set by the new technique. Survival of printer’s copy or proofs permits rare views of compositors and printers manipulating a text before it emerged in its new form. Versions were corrected to be fit for purpose, and might be adapted for a much enlarged readership, especially if the language was vernacular. The printing press itself required careful measuring and fitting of texts. In twelve case-studies Lotte Hellinga explores what is revealed in printer’s copy and proofs used in diverse printing houses, covering the period from 1459 to the 1490s, and ranging from Rome and Venice to Mainz and Westminster. See also the companion volume by the same author, Incunabula in Transit (Brill, 2017).
The Myth of Print Culture
The Myth of Print Culture is a critique of bibliographical and editorial method, focusing on the disparity between levels of material evidence (unique and singular) and levels of text (abstract and reproducible). It demonstrates how the particulars of evidence are manipulated in standard scholarly arguments by the higher levels of textuality they are intended to support. The individual studies in the book focus on a range of problems: basic definitions of what a book is; statistical assumptions; and editorial methods used to define and collate the presumably basic unit of 'variant.' This work differs from other recent studies in print culture in its emphasis on fifteenth-century books and its insistence that the problems encountered in that historical milieu (problems as basic as cataloguing errors) are the same as problems encountered in other areas of literary criticism. The difficulties in the simplest of cataloguing decisions, argues Joseph Dane, tend to repeat themselves at all levels of bibliographical, editorial, and literary history.
If Not, Not
In the 1560's and the 1570’s, several authors outside of Spain recorded the text of an oath supposedly uttered by the Aragonese people when they received their king. While most modern historians doubt the authenticity of the oath, they agree that it has frequently served the purposes of political propaganda whenever an Aragonese patriot has wished to epitomize his nation’s tradition of resistance to tyranny. This book studies the oath "We, who are worth as much as you, take you as our king, provided that you preserve our laws and liberties, and if not, not" as an example of historiographical fiction which belongs to a complex of legal-historical legends about the origins of Aragon. Origi...
Continuity and Change: The Harvest of Late-Medieval and Reformation History
Offered here for the first time, a wide variety of specialists explore continuity and change in pre-modern Europe. Collectively, they contribute to the current historiographical debates about continuity and discontinuity between the Middle Ages and the Early Modern era. The themes reflect eminent scholar Heiko A. Oberman’s vast range of interests in religious, cultural and political history across a broad chronological and conceptual spectrum that seeks to overcome the limits of the divide between Medieval and Early Modern History. Publications by Heiko A. Oberman: • Edited by Thomas A. Brady, Jr., Heiko A. Oberman, and James D. Tracy, Handbook of European History 1400-1600: Late Middle ...
In His Image and Likeness
In this ground-breaking book, Zapalac brings together the methods of social, intellectual, and art history in showing how the Protestant Reformation altered the terms of political discourse in a German free imperial city. In Zapalac's view, visual and verbal images, many of them having their origins in conceptions of the sacred, were more central to sixteenth-century political thought within the city walls than was the rationalized language of law. Drawing on a wealth of sources, she traces the impact of religious change on the languages of judgment and authority used in the city of Regensburg, and thereby sheds light on the nature of political thought in early modern Germany.
Old Books, New Technologies
As we rely increasingly on digital resources, what is our responsibility to preserve 'old books' for the future? How was the question of preservation approached historically? David McKitterick's lively and wide-ranging study explores how 'old books' have been represented and interpreted from the eighteenth century to the present day.
