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Conversations with Dostoevsky
Conversations with Dostoevsky presents a series of fictional conversations taking place between November 2018 and Spring 2019 in the narrator's Glasgow apartment and elsewhere in the city. At the beginning of the conversations, the narrator has been reading Dostoevsky's story A Gentle Spirit, which concludes with a dramatic statement of protest atheism. This statement suggests that love is not possible in a purely mechanical universe in which all living beings are condemned to death and ultimate extinction. The conversations spell out Dostoevsky's response to this view and his advocacy of faith in God, Christ, and immortality. The themes discussed include suicide, truth and lies, guilt, dete...
Dostoevsky’s Religion
Any reader of Dostoevsky is immediately struck by the importance of religion within the world of his fiction. That said, it is very difficult to locate a coherent set of religious beliefs within Dostoevsky’s works, and to argue that the writer embraced these beliefs. This book provides a trenchant reassessment of his religion by showing how Dostoevsky used his writings as the vehicle for an intense probing of the nature of Christianity, of the individual meaning of belief and doubt, and of the problems of ethical behavior that arise from these questions. The author argues that religion represented for Dostoevsky a welter of conflicting views and stances, from philosophical idealism to nationalist messianism. The strength of this study lies in its recognition of the absence of a single religious prescription in Dostoevsky's works, as well as in its success in tracing the background of the ideas animating Dostoevsky’s religious probing.
A Radical Worker in Tsarist Russia
Semën Kanatchikov, born in a central Russian village in 1879, was one of the thousands of peasants who made the transition from traditional village life to the life of an urban factory worker in Moscow and St. Petersburg in the last years of the nineteenth century. Unlike the others, however, he recorded his personal and political experiences (up to the even of the 1905 Revolution) in an autobiography. First published in the Soviet Union in the 1920s, this memoir gives us the richest and most thoughtful firsthand account we have of life among the urban lower classes in Imperial Russia. We follow this shy but determined peasant youth's painful metamorphosis into a self-educated, skilled patt...
Christian Fiction and Religious Realism in the Novels of Dostoevsky
This study offers a literary analysis and theological evaluation of the Christian themes in the five great novels of Dostoevsky - 'Crime and Punishment', 'The Idiot', 'The Adolescent', 'The Devils' and 'The Brothers Karamazov'. Dostoevsky's ambiguous treatment of religious issues in his literary works strongly differs from the slavophile Orthodoxy of his journalistic writings. In the novels Dostoevsky deals with Christian basic values, which are presented via a unique tension between the fictionality of the Christian characters and the readers' experience of the existential reality of their religious problems. This study is based on a balanced method of literary analysis and theological eval...
Introduction à la littérature berbère. 1. La poésie
This volume contains selected papers presented at a conference on Orthodox Christianity and its contemporary European setting. The conference was held in England, at the University of Leeds, in June 2001 and drew together historians, theologians, philosophers, specialists in theological education and political scientists. Countries with an Orthodox Christian history were well represented, as well as Orthodoxy in the diaspora and other Christian confessions by representatives from Western Europe and the United States and Canada. The coherence of Orthodox Christianity and contemporary threats to its coherence formed one main strand for reflection, but discussion also broadened out to consider ...
Hagia Sophia and the Byzantine Aesthetic Experience
Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identit...
Christian Martyrdom in Late Antiquity (300-450 AD)
The present volume’s focus lies on the formation of a multifaccetted discourse on Christian martyrdom in Late Antiquity. While martyrdom accounts remain a central means of defining Christian identity, new literary genres emerge, e.g., the Lives of Saints (Athanasius on Antony), sermons (the Cappadocians), hynms (Prudentius) and more. Authors like Eusebius of Caesarea and Augustine employ martyrological language and motifs in their apologetical and polemic writings, while the Gesta Martyrum Romanorum represent a new type of veneration of the martyrs of a single site. Beyond the borders of the Roman Empire, new martyrs’ narratives can be found. Additionally, two essays deal with methodological questions of research of such sources, thereby highlighting the hitherto understudied innovations of martyrology in Late Antiquity, that is, after the end of the persecutions of Christianity by Roman Emperors. Since then, martyrology gained new importance for the formation of Christian identity within the context of a Christianized imperium. The volume thus enlarges and specifies our knowledge of this fundamental Christian discourse.
