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Hardcore Research: Punk, Practice, Politics provides a comprehensive insight into the most active, outspoken, and widely received scholarly positions in the academic discourses on hardcore and punk.
»Grinding California« provides the first academic analysis of the subculture of skate punk at book-length. It establishes highly critical evaluations of the discourses that influenced early skateboarding and punk cultures. Based on an examination of songs, flyers, magazines, and videos, Konstantin Butz revisits American popular cultures of the 1980s and approaches them from a variety of theoretical and methodological angles. He introduces contemplations of the rebellious potential that can be located within skate punk's material and corporeal contestations of the site-specific locale of suburban Southern California. Theoretical recourses to thinkers such as Gilles Deleuze, Félix Guattari, Jean Baudrillard and Hans Ulrich Gumbrecht are topped off with excerpts from interviews with some of the most influential protagonists of the 1980s skate punk scene.
Which theoretical and methodological approaches of contemporary cultural criticism resonate within the field of disability studies? What can cultural studies gain by incorporating disability more fully into its toolbox for critical analysis? Culture - Theory - Disability features contributions by leading international cultural disability studies scholars which are complemented with a diverse range of responses from across the humanities spectrum. This essential volume encourages the problematization of disability in connection with critical theories of literary and cultural representation, aesthetics, politics, science and technology, sociology, and philosophy. It includes essays by Lennard J. Davis, Rosemarie Garland-Thomson, Dan Goodley, Robert McRuer and Margrit Shildrick.
Punk Beyond the Music: Tracing Mutations and Manifestations of the Punk Virus expands the conversation about punk from a focus on the musical genre to its surrounding cultural manifestations. Focusing on some of the most recurring practices and characteristics of punk culture —DIY, attitude, outsider identities, symbols, and politics—Iain Ellis engages many illustrative examples to investigate punk beyond the music without losing sight of its significance. Early chapters look at arts that have always existed within the punk subculture (writings, visual arts, films, and humor); subsequent sections examine areas rarely recognized as exhibiting punk characteristics (such as education, sports, crafts, and comics). Taken together, the chapters invite readers on an extensive and unpredictable journey through the evolution of punk’s developments and adaptations.
"Berlin Sports: Spectacle, Recreation, and Media in Germany's Metropolis presents a series of case studies that explore the history of sports in Berlin from the late nineteenth- to the early twenty-first century against the backdrop of the city's sharp political shifts, diverse populations, and status as a major metropolis with both regional and global resonance. Focal points include a long-distance equestrian race in the 1890s; the role of media in discourses around urban life, gender, and celebrity from the 1890s to the 1920s; the intersection of grassroots participation and spectatorship with international diplomacy at the elite level in the postwar and divided period; the relationship be...
Skateboarding is not immediately associated with university research projects. It is first and foremost a physical activity, and no scholarly approach can substitute for the empirical knowledge gained through the act of skateboarding itself--the movement of the body with and on a skateboard.Nevertheless, the theoretical implications of this movement and its spatial, cultural, and social settings are ripe for exploration within a number of different academic disciplines. The publication provides a comprehensive insight into these discourses.Since skateboarding can influence and touch upon so many aspects of our everyday life through its unique appropriation of and relation to the urban environment, the theoretical reflections and discursive explorations it triggers can alter the way we think and move.
The story of the simple skateboard is part thriller, part underground, underdog success tale. It’s chock-full of innovations, far-out graphic artistry, and ever-more-incredible hot-dogging feats. And the story’s told in this book with contributions from the stars themselves—Tony Hawk, Stacey Peralta, Jeff Ho, the Dogtown Z-Boys, and more. Beautifully illustrated with historical posters, ads, and memorabilia along with new action photography, studio skateboard shots, and unique portraits of the stars, this is a fitting tribute to an American classic.
Der vorliegende Band reflektiert die gegenwärtige Entwicklung des Mediums Fotografie anhand von zwei Diskursfeldern, den Werkzeugen und den Archiven. Die Fotografie ist seit 30 Jahren mit ihrer digitalen Entgrenzung beschäftigt. Aus Produzent*innensicht sind dabei die digitalen Werkzeuge entscheidend: Dieser Symposiumsband erforscht frühe Satellitenbilder und erste 3D Animationen vor dem Hintergrund gegenwärtiger digitaler fotografischer Produktion. Es wird die In Game-Fotografie als gängige fotografische Praxis vorgestellt und die (Re)Materialisierung von digitalen Fotografien fokussiert. Ebenso befinden sich die Bildarchive gegenwärtig in einer Phase der Transformation: mit ihrer Überführung ins Digitale werden ethnologische Archive einer Dekolonialisierung unterzogen. Außerdem werden die neuen kuratorischen Herausforderungen im Umgang mit digitalen Archiven vorgestellt.
When rock ’n’ roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music’s demonic origins. The big beat, said Billy Graham, was “ever working in the world for evil.” Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil’s Music tells the story of this transformation. Rock’s origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock ’n’ roll...
Here are the stories of how music archives are preserving independent music and saving a part of our cultural heritage. Music Preservation and Archiving Today moves beyond the how-to and assembles the work currently being done to preserve music and "scenes" via essays, case studies, and overviews of work by academic archives as well as communitydriven preservation projects.