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The combination of traditional Tolstoyan verbiage with the time-worn universal theme of war has not prevented this Russian author (Days and Nights) and journalist from creating an intense and absorbing World War II documentary of the first months at Russia's Western Front, as the Germans advance relentlessly toward Moscow. More than an accurate, exciting record of the actual battles, retreats, and encirclements, the novel is meaningfully overcast with an aura of war—any war of any nation—not only its horrors, but its rewards, its spirit, and above all, its blind disregard for any ""disparity between the living and the dead"". In microcosm, the hero of the book is Vanya Sintsov, a young m...
A totally original and truly funny play which recounts an hilarious confrontation between the super-sophisticate Oscar Wilde and the rough-and-ready citizens of Leadville, Colorado, in the 1800s. Touring America under the aegis of Rupert D'Oyly Carte, of
In the “Thaw” following Stalin’s death, probing conversations about the nation’s violent past took place in the literary journal Novyi mir (New World). Readers’ letters reveal that discussion of the Terror was central to intellectual and political life during the USSR’s last decades. Denis Kozlov shows how minds change, even in a closed society.
This anthology offers a rich array of documents, short fiction, poems, songs, plays, movie scripts, comic routines, and folklore to offer a close look at the mass culture that was consumed by millions in Soviet Russia between 1917 and 1953. Both state-sponsored cultural forms and the unofficial culture that flourished beneath the surface are represented. The focus is on the entertainment genres that both shaped and reflected the social, political, and personal values of the regime and the masses. The period covered encompasses the Russian Revolution and Civil War, the mixed economy and culture of the 1920s, the tightly controlled Stalinist 1930s, the looser atmosphere of the Great Patriotic War, and the postwar era ending with the death of Stalin. Much of the material appears here in English for the first time. A companion 45-minute audio tape (ISBN 0-253-32911-6) features contemporaneous performances of fifteen popular songs of the time, with such favorites as "Bublichki," "The Blue Kerchief," and "Katyusha." Russian texts of the songs are included in the book.
Out of the hundreds of wars that ravaged the twentieth century, the three wars covered in this book were the longest and blackest. In total they lasted 20 years and killed nearly 100,000,000 people. The writers in this collection of stories and poems are friend and foe - British and German, Russian and American. The first story is from All Quiet on the Western Front by the German Erich Maria Remarque, perhaps the most moving war novel ever written. Other writers - Russian, German, and English - convey in verse the tragedy and waste of the 'Great War'. The six British Children's writers write about World War II - Robert Westall and Robert Swindells on the 'home' war, Michael Morpugo about a 'war horse', Jill Paton Walsh on the war at sea, and Ian Serraillier and Anne Hohn on refugees in occupied Europe. Young girls - Anne Frank and Tatiana Vassieleva - provide war diaries. Since 1945 no one has suffered as much as the people of Vietnam. In her moving story Rachel Anderson shows not only a nation's suffering but how war can brutalise soldiers. Finally, the women's poems on the two world wars show that war is a woman's affair as well as a man's.
An introduction to the history, culture, and politics of the worlds largest country, from the earliest written accounts of the Russian people to today.
Drawing on newly available materials from the Soviet archives, Polly Jones offers an innovative, comprehensive account of de-Stalinization in the Soviet Union during the Khrushchev and early Brezhnev eras. Jones traces the authorities' initiation and management of the de-Stalinization process and explores a wide range of popular reactions to the new narratives of Stalinism in party statements and in Soviet literature and historiography. Engaging with the dynamic field of memory studies, this book represents the first sustained comparison of this process with other countries' attempts to rethink their own difficult pasts, and with later Soviet and post-Soviet approaches to Stalinism.
An updated edition of this comprehensive narrative history, first published in 1989, incorporating a new chapter on the latest developments in Russian literature and additional bibliographical information. The individual chapters are by well-known specialists, and provide chronological coverage from the medieval period on, giving particular attention to the nineteenth and twentieth centuries, and including extensive discussion of works written outside the Soviet Union. The book is accessible to students and non-specialists, as well as to scholars of literature, and provides a wealth of information.