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W.J.T. Mitchell's Image Theory
W.J.T. Mitchell – one of the founders of visual studies – has been at the forefront of many disciplines such as iconology, art history and media studies. His concept of the pictorial turn is known worldwide for having set new philosophical paradigms in dealing with our vernacular visual world. This book will help both students and seasoned scholars to understand key terms in visual studies – pictorial turn, metapictures, literary iconology, image/text, biopictures or living pictures, among many others – while systematically presenting the work of Mitchell as one of the discipline's founders and most prominent figures. As a special feature, the book includes three comprehensive, authoritative and theoretically relevant interviews with Mitchell that focus on different stages of development of visual studies and critical iconology.
The Iconology of Abstraction
This book uncovers how we make meaning of abstraction, both historically and in present times, and examines abstract images as a visual language. The contributors demonstrate that abstraction is not primarily an artistic phenomenon, but rather arises from human beings’ desire to imagine, understand and communicate complex, ineffable concepts in fields ranging from fine art and philosophy to technologies of data visualization, from cartography and medicine to astronomy. The book will be of interest to scholars working in image studies, visual studies, art history, philosophy and aesthetics.
The Palgrave Handbook of Image Studies
Krešimir Purgar has assembled a striking collection of essays on Image Studies. I have not been able to stop reading them. They cover a huge range and represent intelligent and well informed opinions containing important topics of interest to all its students. Anyone interested in this relatively recent field of study will find access to some of its essential methods and theories. Keith Moxey Barbara Novak Professor Emeritus, Barnard College/Columbia University, New York Enormous and fundamental collection: histories, essential theories, interdisciplinary connections and many main thinkers. A must have for all interested in images. Oliver Grau Center for Image Science, Danube University, Krems.
Pictorial Appearing
The proliferation of digital technology has changed our visual perception and the way we interpret terms such as 'representation', 'immersion', and 'virtuality'.0Kresimir Purgar examines some of the topics fundamental to an understanding of the contemporary culture of images. The principal thesis of this volume is that we are witnessing the transitional period of images as not-representation-anymore and not-yet-immersion. Instead of just asking what images mean, we should ask ourselves what images are, how they appear, and what they do to us. The author proposes the comprehensive concept of "pictorial appearing" that takes into account phenomenological, semiotic, and art-historical perspectives on both old and new images.
Pictorial Appearing
The proliferation of digital technology has changed our visual perception and the way we interpret terms such as 'representation', 'immersion', and 'virtuality'. Kresimir Purgar examines some of the topics fundamental to an understanding of the contemporary culture of images. The principal thesis of this volume is that we are witnessing the transitional period of images as not-representation-anymore and not-yet-immersion. Instead of just asking what images mean, we should ask ourselves what images are, how they appear, and what they do to us. The author proposes the comprehensive concept of "pictorial appearing" that takes into account phenomenological, semiotic, and art-historical perspectives on both old and new images.
Theorizing Images
This book uncovers an underlying dispute over the role images play in contemporary society and, consequently, over their values and purposes. Two decades after the concepts of the pictorial and the iconic turn changed our vernacular involvement with regard to images, it has become clear that it was not only a newly discovered social, political or sexual construction of the visual field that brought turbulence into disciplinary knowledge, but that images have their own “pictorial logic” with powers exceeding those that are purely iconic or visually discernible. Instead of underscoring previously defined concepts of the picture, the contributors to this book view visual studies and Bildwis...
The Palgrave Handbook of Image Studies
This handbook brings together the most current and hotly debated topics in studies about images today. In the first part, the book gives readers an historical overview and basic diacronical explanation of the term image, including the ways it has been used in different periods throughout history. In the second part, the fundamental concepts that have to be mastered should one wish to enter into the emerging field of Image Studies are explained. In the third part, readers will find analysis of the most common subjects and topics pertaining to images. In the fourth part, the book explains how existing disciplines relate to Image Studies and how this new scholarly field may be constructed using both old and new approaches and insights. The fifth chapter is dedicated to contemporary thinkers and is the first time that theses of the most prominent scholars of Image Studies are critically analyzed and presented in one place.
K15
This publication wishes to provide a different methodological approach to Croatian contemporary art, the art created in the last fifteen or so years. It brings into a single place some very serious, fairly recent art production, plus the theoretical and critical reflexion that exists about it, while on the other hand the heterogeneity of style, media and production required a presentation form capable of fostering this diversity, not reducing it all to some imaginary common discursive denominator. For this reason each one of the fifteen writers included has accepted the task of devising and critically elaborating a single concept that has some relevance to the current state of the visual art...
Samuel Beckett and the Arts
Beckett’s dialogue with the arts (music, painting, digital media) has found a growing critical attention, from seminal comprehensive studies (Oppenheim 2000; Harvey, 1967, to name just two) to more recent contributions (Gontarski, ed., 2014; Lloyd, 2018). Research has progressively moved from a general inquiry on Beckett beyond the strictly literary to issues related to intermediality and embodiment (Maude, 2009; Tajiri, 2007), post humanism and technology (Boulter, 2019; Kirushina, Adar, Nixon eds, 2021), intersections with popular culture (Pattie and Stewart, eds., 2019). However, a specific analysis on Beckett’s relationship with Italian arts and poetry on one side–and on Italian artists’ response to Beckett’s oeuvre on the other–is still missing. The volume offers an original examination of Beckett’s presence on the contemporary Italian cultural scene, a stage where he became (and still is) the fulcrum of some of the most significant experimentations across different genres and media. The reader will look at him as an “Italian” artist, in constant dialogue with the most significant modern European cultural turns.
Between Lenin and Bandera
On 8 December 2013, Ukraine’s central Lenin monument in Kyiv was pulled down. In the following months, in what became known as the “Leninfall,” Ukraine swept away hundreds of communist monuments, expressing an explicit desire to break away from the Soviet past and, implicitly, from Russia. This book examines the evolution of post-Euromaidan de-Sovietization beyond the issues of toppling of old statues and implementation of new anti-totalitarian laws. It explores decommunization as both a political and cultural phenomenon that exposes the multivocality of the Ukrainian population and involves various forms of dialogical interaction between ordinary citizens and the state. Posters, graffiti, or street names are physical and discursive canvases where old meanings are being contested and re-articulated, and where new political symbols that combine nationalist and democratic elements are being defined.
