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“An intimate and deeply human memoir that shows why we should all be concerned about nuclear safety, and the dangers of ignoring science in the name of national security.”—Rebecca Skloot, #1 New York Times bestselling author of The Immortal Life of Henrietta Lacks A shocking account of the government’s attempt to conceal the effects of the toxic waste released by a secret nuclear weapons plant in Colorado and a community’s vain search for justice—soon to be a feature documentary Kristen Iversen grew up in a small Colorado town close to Rocky Flats, a secret nuclear weapons plant once designated "the most contaminated site in America." Full Body Burden is the story of a childhood ...
Draws from letters, journals, court records, newspaper articles, family memoirs, and other authentic documentation to reconstruct the life of Margaret Tobin Brown, the Titanic survivor who inspired the musical "The Unsinkable Molly Brown"; discussing her early years in Hannibal, Missouri, her political work, and her family.
Tucked up against the Rocky Mountains, just west of Denver, sits the remnants of one of the most notorious nuclear weapons sites in North America: Rocky Flats. With a history of environmental catastrophes, political neglect, and community-wide health crises, this site represents both one of the darkest and most controversial chapters in our nation's history, and also a conundrum on repurposing lands once considered lost. As the crush of encroaching residential areas close in on this site and the generation of Rocky Flats workers passes on, the memory of Rocky Flats is receding from the public mind; yet the need to responsibly manage the site, and understand the consequences of forty years of plutonium production and contamination, must be a part of every decision for the land's future.
After a fatal hit and run accident, Ella Monroe fears that she's lost more than her beloved parents. Horrifying visions of a past life and a disturbing voice in her head have psychiatric professionals convinced that she's lost her sanity as well. But when Kale--a dark and handsome stranger with a mysterious past--reveals the true meaning of her visions and the tremendous power she wields through them, Ella must come to terms with the devastating truths of her own past, while eluding an ancient Dark Prince who seeks to control not only her future, but all of mankind's, by means of abilities that Ella is only beginning to understand. Enter the shrouded world of an age old battle between an ancient race known as the Immortals and their bitter enemy Laurent, the so-called Dark Prince, who commands an army of half-breed vampires known as Chorý. Both sides have been searching for the prophesied emergence of the Arc, a clairvoyant with power to recall the past and a soothsayer with clear vision into the future.
Unique in approach and content, this book presents specific definitions of the subgenres of creative nonfiction--memoir, the personal essay, literary journalism, nature writing, biography and history, and the nonfiction novel. KEY TOPICS: Providing model readings to illustrate these definitions, this First Edition also offers practical writing exercises and strategies for readers to apply what they are learning in each subgenre. MARKET: For professionals with a career or interest in writing, journalism, education, publishing, and/or media.
Essays about the things we see that we can't unsee and how we carry on in the wake of those moments.
This "stunning journey through a country that is home to exhilarating natural wonders, and a scarring colonial past . . . makes breathtakingly clear the connection between nature and humanity, and offers a singular portrait of the complexities inherent to our ideas of identity, family, and love" (Refinery29). A chance discovery of letters written by her immigrant grandfather leads Jessica J. Lee to her ancestral homeland, Taiwan. There, she seeks his story while growing closer to the land he knew. Lee hikes mountains home to Formosan flamecrests, birds found nowhere else on earth, and swims in a lake of drowned cedars. She bikes flatlands where spoonbills alight by fish farms, and learns abo...
It is the early 1950s. Kristen Iversen is enjoying a carefree childhood surrounded by desert and mountains. But just a few miles down the road, the US government decides to build a secret nuclear weapons facility at Rocky Flats. Kirsten and her siblings jump streams, ride horses, live a happy outdoors life. But beneath this veneer her family is quietly falling apart. Her father drinks, her mother copes. And in a series of fires, accidents and other catastrophic leaks, Rocky Flats nuclear plant is spewing an invisible cocktail of the most dangerous substances on earth into this pristine landscape. The ground, the air and the water are all alive with radiation. The years that follow will bring protests, investigations, denials, cover-ups, threats and lies. And then, one after another, people start to fall ill.
th th Mars, the Red Planet, fourth planet from the Sun, forever linked with 19 and 20 Century fantasy of a bellicose, intelligent Martian civilization. The romance and excitement of that fiction remains today, even as technologically sophisticated - botic orbiters, landers, and rovers seek to unveil Mars’ secrets; but so far, they have yet to find evidence of life. The aura of excitement, though, is justified for another reason: Mars is a very special place. It is the only planetary surface in the Solar System where humans, once free from the bounds of Earth, might hope to establish habitable, self-sufficient colonies. Endowed with an insatiable drive, focused motivation, and a keen sense of - ploration and adventure, humans will undergo the extremes of physical hardship and danger to push the envelope, to do what has not yet been done. Because of their very nature, there is little doubt that humans will in fact conquer Mars. But even earth-bound extremes, such those experienced by the early polar explorers, may seem like a walk in the park compared to future experiences on Mars.
"You know from seeing it that Herzog was up to something strange in filming Heart of Glass. Now the mystery is clarified. Alan Greenberg peers into the heart of darkness of the great artist." —Roger Ebert&“Mesmerizing . . . as poetic and mysterious as the film itself.&”—Jim JarmuschThis intimate chronicle of the visionary filmmaker Werner Herzog directing a masterwork is interwoven with Herzog's original screenplay to create a unique vision of its own. Alan Greenberg was, according to the director, the first &“outsider&” to seek him out and recognize his greatness. At the end of their first evening together Herzog urged Greenberg to work with him on his new film--and everything t...