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Out of the Blue
Since the 9/11 attacks, many writers have represented its aftermath with varying degrees of success. 'Out of the Blue' focuses on narratives that move beyond patriotic clichés and cheap sensationalism and provides new insight into the emotions and ethics of these traumatic events - and what it means to depict them.
The Urban Condition
What does the Western city at the end of the twentieth century look like? How did the modern metropolis of congestion and density turn into a posturban or even postsuburban cityscape? What are edge cities and technoburbs? How has the social composition of cities changed in the postwar era? What do gated communities tell us about social fragmentation? Is public space in the contemporary city being privatized and militarized? How can the urban self still be defined? What role does consumer aestheticism have to play in this? These and many more questions are addressed by this uniquely conceived multidisciplinary study. The Urban Condition seeks to interfere in current debates over the future an...
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20 Years 010
Published for 010 Publisher's twentieth anniversary in 2003, this volume celebrates the publishing vision of Hans Oldewarris and Peter de Winter, 010's founders. Besides hundreds of monographs by and about Dutch architects, 010 has published books on architecture, interior design, photography, industrial design, graphic design and the visual arts. Exhaustively annotated and illustrated, 20 Years 010 provides not only the technical details of each book (size, format, binding) but also the authors, editors, photographers, graphic designers and printers. A brief description of the contents rounds off each entry. Comprehensive indexes give insight into who contributed to which book and in what way. In their introductory essay, Ed Taverne and Cor Wagenaar give a picture of the practice of architectural publishing in the Netherlands during those years.
Werktitel
Presents a themed overview of the work of graphic designer Piet Gerards. Includes fifty works chosen and provided with commentaries by the artist. The author describes and interprets Piet Gerards' development from self-taught man and left-wing activist to publisher and premiated maker of books, organizer of cultural productions and graphic designer.
New Perspectives on Geography of Media
Based on the ancient Chinese concept of the unity of Heaven and Man (天人合一, ‘tian ren he yi’), guided by principles governing the connections and interdependencies between Heaven, Earth, Man, and the media, and in accord with the coexistence of these four elements in balance and in harmony, this monograph outlines the scope of the study, fundamental concepts and theories, and future directions of research in the interdisciplinary field of the geography of media. The author delves deeply into the themes of time, space, place, landscape, and scale to introduce readers to a wide array of intriguing concepts that add new dimensions to this relatively new academic field. In addition, this monograph presents a history of media geography as it has evolved in the West and in China over the past several decades, and introduces principles and values from traditional Chinese culture that shed light on the nature, direction, and significance of media studies and communication research now being conducted around the globe. Intended readership: professional scholars, graduates, and general readers.
Twenty-First Century Fictions of Terrorism
Examining novels by celebrated authors, some neglected and some brand new texts, Arin Keeble offers a detailed analysis of the ways novels from around the world have represented terrorism in the early twenty-first century. Over five chapters, he uncovers a movement away from event-based narratives toward depictions of terrorism as a violent symptom or feature of twenty-first century world-systems and neoliberalism. Beginning with the early literary response to 9/11 and the 9/11 novel genre, the book moves through more recent depictions of the endless 'war on terror', state terror, white nationalist terror and historical narratives of terror that resonate in the current political climate. In doing so, it examines the changing ways literature has sought to make sense of both the reasons why terrorism occurs and the effects it has on victims, survivors and international and intercultural relations.
Cultural Melancholia: US Trauma Discourses Before and After 9/11
In Cultural Melancholia: US Trauma Discourses Before and After 9/11, Christina Cavedon frames her examination of 9/11 fiction, especially Jay McInerney’s The Good Life and Don DeLillo’s Falling Man, with a thorough discussion of what US reactions to the terrorist attacks of September 11, 2001 disclose about American culture. Offering a comparative reading of pre- and post-9/11 literary, public, and academic discourses, she deconstructs the still commonly held belief that cultural repercussions of the attacks primarily testify to a cultural trauma in the wake of the collectively witnessed media event. She innovatively re-interprets discourses to be symptomatic of a malaise which had afflicted American culture already prior to 9/11 and can best be approached with melancholia as an analytical concept.
Recovering 9/11 in New York
This collection of essays offers a rich variety of approaches to how people and institutions in greater New York have sought to find meaning in the 9/11 attacks on the World Trade Center, now a decade on. The views and practices documented here join memory, recovery, and rebuilding together to form a vital new chapter in New York’s metropolitan history. Contributors contest the dominant nationalist narrative about 9/11 to generate a more local and socially-engaged form of scholarship that connects directly with the experiences of people who lived or came to work in New York that fateful day and the years that followed. In doing so, these essays give academics and clinical professionals an ...
Islam and the West
Islam, like the West, is not a homogenous monolith. However, Islam is most commonly represented in the West in terms of suicide bombing, suppressed and veiled women, and internal and external conflict. These depictions of Islam suggest that the relationship between Islam and the West is, and has always been, one of hostility and hatred. However, this collection locates threads of connection and 'love' between Islam and the West, and argues that it is important to bring them to the forefront i ...
