Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Beyond the Sound Barrier
Beyond the Sound Barrier examines twentieth-century fictional representations of popular music-particularly jazz-in the fiction of James Weldon Johnson, F. Scott Fitzgerald, Langston Hughes, and Toni Morrison. Kristin K. Henson argues that an analysis of musical tropes in the work of these four authors suggests that cultural "mixing" constitutes one of the central preoccupations of modernist literature. Valuable for any reader interested in the intersections between American literature and the history of American popular music, Henson situates the literary use of popular music as a culturally amalgamated, boundary-crossing form of expression that reflects and defines modern American identities.
Love American Style
A popular subject in sociology and cultural studies, divorce has until recently been overlooked by literary critics. Spanning nearly a century during which the divorce rate skyrocketed, Love American Style traces the treatment of divorce in the American novel. This book draws upon popular, sociological, political and architectural history to illustrate how divorce reflects conflicting ideologies and notions of American identity. Focusing primarily on work by William Dean Howells, Edith Wharton, Mary McCarthy and John Updike, Kimberly Freeman delineates a system of tropes particular to divorce in American novels, such as the association of divorce with the West and modernity, the dismantling of the home, and the disruption of the boundary between the public and the private. These tropes suggest a literary tradition of love, marriage and divorce that is central to twentieth century American fiction. Offering an explanation for both the treatment of divorce in the American novel as well as its predominance in American culture, this book should appeal to scholars of American literature and popular culture, or anyone interested in how divorce has become so 'American'.
The Self in the Cell
Michel Foucault's writing about the Panopticon in Discipline and Punish has dominated discussions of the prison and the novel, and recent literary criticism draws heavily from Foucauldian ideas about surveillance to analyze metaphorical forms of confinement: policing, detection, and public scrutiny and censure. But real Victorian prisons and the novels that portray them have few similarities to the Panopticon. Sean Grass provides a necessary alternative to Foucault by tracing the cultural history of the Victorian prison, and pointing to the tangible relations between Victorian confinement and the narrative production of the self. The Self in the Cell examines the ways in which separate confinement prisons, with their demand for autobiographical production, helped to provide an impetus and a model that guided novelists' explorations of the private self in Victorian fiction.
Segregated Miscegenation
Through the comparative study of literatures from the United States and Latin America, Segregated Miscegenation questions received notions of race and nation. Carlos Hiraldo examines the current understanding of race in the United States alongside alternative models of racial self-definition in Latin America. His provocative analysis traces the conceptualization of blackness in fiction and theories of the novel, and troubles the racial and ethnic categories particular to each region's literary tradition.
Regenerating the Novel
In this exploration of the most innovative and iconoclastic modernist fiction, James J. Miracky studies the ways in which cultural forces and discourses of gender inflect the practice and theory of four British novelists: Virginia Woolf, E. M. Forster, May Sinclair, and D. H. Lawrence. Building on analyses of gender theory and formal innovation in Virginia Woolf's novels, this book examines Forster's queered use of fantasy, Sinclair's representation of manly genius in both male and female streams of consciousness, and Lawrence's quest for the novel of phallic consciousness. Reading each author's fiction alongside his or her theoretical writing, Miracky provides four diverse examples of how literary modernism wrestled with the gender crisis of the early twentieth century.
Rewriting Black Identities
Topics include: 'Complexity and Continuity'; 'Transition, Exclusion and Illusion'; 'The Use of an Eye'; 'Fragmentation and Reconstruction'; 'Shifting Foundations'; 'Living History'; and more.
The Other Empire
This book contributes to the body of postcolonial scholarship that explores the growth of imperial culture in the Romantic and early Victorian periods by focusing on the literary uses of the figure of the Turk and the Ottoman Empire. Filiz Turham analyzes Turkish Tales, novels, and travelogues from c. 1789-1846 to expose the three primary ways in which the Ottoman Other served as a strong counterimage of empire for both liberal and conservative writers. Through readings of such authors as Lord Byron, Percy Shelley, Mary Shelley and Elizabeth Craven the authors identifies the Ottoman Empire as a particularly flexible trope that could be presented as noth familiar or foreign, Same or Other in a way that reflected back onto England its own vexed attitude toward its imperial success.
Dead Letters to the New World
This book contextualises and details Herman Melville's artistic career and outlines the relationship between Melville and Ralph Waldo Emerson. Michael McLoughlin divides Melville's professional career as a novelist into two major phases corresponding to the growth and shift in his art. In the developmental phase, from 1845 to 1850, Melville wrote his five Transcendental novels of the sea, in which he defended self-reliance, attacked conformity, and learned to employ Transcendental symbols of increasing complexity. This phase culminates in Moby-Dick , with its remarkable matching of Transcendental idealism with tragic drama, influenced by Hawthorne. After 1851, Melville endeavoured to find ne...
Protest and the Body in Melville, Dos Passos, and Hurston
This book analyzes the work of Herman Melville, John Dos Passos, and Zora Neale Hurston alongside biographical materials and discourses on the body. Thomas McGlamery views each of these authors' literary output as an effort to "work through" the political meanings associated with the body, examining how they negotiate identities of class, gender, race, sexuality, and age.
The Romance of Regionalism in the Work of F. Scott and Zelda Fitzgerald
The Romance of Regionalism in the Work of F. Scott and Zelda Fitzgerald: The South Side of Paradise explores resonances of "Southernness" in works by American culture’s leading literary couple. At the height of their fame, F. Scott and Zelda Fitzgerald dramatized their relationship as a romance of regionalism, as the charming tale of a Northern man wooing a Southern belle. Their writing exposes deeper sectional conflicts, however: from the seemingly unexorcisable fixation with the Civil War and the historical revisionism of the Lost Cause to popular culture’s depiction of the South as an artistically deprived, economically broken backwater, the couple challenged early twentieth-century s...
