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Masqued Mysteries Unmasked
Exploring the English court masque as music theater, Rygg (musicology, Hedmark College, Norway) finds that particularly the Jonsonian masque of the first third of the 17th century carried within it a potential function as an early modern mystery with roots in the ancient Pythagorean school. It was a mystery, she says, in which poetry, music, and dance were prime vehicles of transcendence. No information is provided about the series the volumes seems to begin. Annotation copyrighted by Book News Inc., Portland, OR
Cultural Functions of Intermedial Exploration
This collection of 19 essays is the first one devoted to function-oriented analyses of intermedial interrelationships in literature, art, music, and film. The contributors — among others, Werner Wolf, James Heffernan, Walter Bernhart, Siglind Bruhn, Claus Clüver, Valerie Robillard, and Tamar Yacobi — are leading international scholars in the field of intermediality. The common basis of the essays in this volume — ranging from intermedial studies of medieval liturgical practices, early cinema, modernist art, ekphrasis, music and literature, art and literature, film and literature, hymns, and pop music, to the musical and technological aspects of Concrete poetry — is the ambition to pay attention to the cultural contexts that enhance the significance of these intermedial works and trends under examination. Since the contributions cover different types of intermedial endeavours from various periods and times, a kind of historicizing perspective is outlined. So, in pursuit of a still lacking coherent historical survey of cultural functions of intermediality, this volume might be recognized as a step towards such a Funktionsgeschichte for intermedial exploration.
Uncertainties in Environmental Modelling and Consequences for Policy Making
Mathematical modelling has become in recent years an essential tool for the prediction of environmental change and for the development of sustainable policies. Yet, many of the uncertainties associated with modelling efforts appear poorly understood by many, especially by policy makers. This book attempts for the first time to cover the full range of issues related to model uncertainties, from the subjectivity of setting up a conceptual model of a given system, all the way to communicating the nature of model uncertainties to non-scientists and accounting for model uncertainties in policy decisions. Theoretical chapters, providing background information on specific steps in the modelling process and in the adoption of models by end-users, are complemented by illustrative case studies dealing with soils and global climate change. All the chapters are authored by recognized experts in their respective disciplines, and provide a timely and uniquely comprehensive coverage of an important field.
Remedies against the Pandemic
The present volume offers a fresh perspective on political top-down crisis communication across several countries during the first two years of the COVID-19 pandemic. This includes how leaders address the growing awareness of the dangerous impact of social restrictions, along with the controversies surrounding the first vaccination campaigns. Not limited to the Western world, it also offers insights from six East European countries, Uganda, India, and Palestine. Topics discussed range from inconsistent communication patterns to populist xenophobic accents, propagandistic campaigns on vaccines, the impact of authoritarian systems on crisis communication, the contrast between scientific and African folk medicine, and the use of war metaphors. By adopting a comparative perspective, this volume contributes to the growing body of literature on crisis communication during the pandemic, while highlighting important issues and perspectives that have yet to be extensively explored. Moreover, it aims to bridge the gap between linguistic and communication research on leadership communication during times of crisis, stimulating an interdisciplinary dialogue.
Five Ballets from Paris and St. Petersburg
This book offers something entirely new: detailed scene-by-scene descriptions of the action and dancing of Giselle, Paquita, Le Corsaire, La Bayadère, and Raymonda, bringing the reader far closer to what the audience saw when the curtain went up on these five classic story ballets than has heretofore been possible. Drawing on archival documents, the authors show that these ballets were like today's pop entertainment: funnier, more violent, more spectacular, and with female characters far stronger than one might expect. This rigorously researched book fills huge gaps in dance history and is bound to be of interest to practitioners, scholars, and devotees of ballet and the arts.
The Oxford Handbook of Faust in Music
Since its emergence in sixteenth-century Germany, the magician Faust's quest has become one of the most profound themes in Western history. Though variants are found across all media, few adaptations have met with greater acclaim than in music. Bringing together more than two dozen authors in a foundational volume, The Oxford Handbook of Faust in Music testifies to the spectacular impact the Faust theme has exerted over the centuries. The Handbook's three-part organization enables readers to follow the evolution of Faust in music across time and stylistic periods. Part I explores symphonic, choral, chamber, and solo Faust works by composers from Beethoven to Schnittke. Part II discusses the range of Faustian operas, and Part III examines Faust's presence in ballet and musical theater. Illustrating the interdisciplinary relationships between music and literature and the fascinating tapestry of intertextual relationships among the works of Faustian music themselves, the volume suggests that rather than merely retelling the story of Faust, these musical compositions contribute significant insights on the tale and its unrivalled cultural impact.
Voicing the Ineffable
The relationship between music and religion has long been a clearly delineated one. Up to the late Middle Ages, music employed for ritual expressions of faith in sacred contexts was contrasted with secular music, then mostly played in open spaces. The former was believed to aid in the communication of divine truths, while the latter was suspected of arousing sensuality and thus potentially leading away from the spiritual perspective of life. In subsequent centuries, music entered first the courtly salons, then the concert hall and the home. Such music, created for virtuoso performance or for the enjoyment in private chambers, occasionally made room for an expression of religious experiences ...
Seeing with Different Eyes
Seeing with Different Eyes: Essays in Astrology and Divination represents the cutting-edge of contemporary thought and research on divination. The thirteen authors come from a variety of academic disciplines, ranging from anthropology and classics to English literature and religious studies, and all address the question of divination, astrology and oracles in a spirit of critical but sympathetic inquiry. The emphasis is on a participatory and reflexive approach which is firmly post-positivist, seeking to understand the divinatory act on its own terms within widely varying contexts – ancient Greek and Chaldean philosophy and theurgy, Theravadan Buddhism, Biblical studies, Elizabethan Hermet...
Progress
"The connection between geography and progress is fundamental," writes Robert Sack in the introduction to the present volume. Touching on both moral and material progress, six of the world's leading geographers and environmental historians explore differing aspects of this connection. Thomas Vale discusses whether progress is discernible in the natural realm; Kenneth Olwig examines fundamental changes that occurred to the notion of progress with the rise of modernity, while David Lowenthal and Yi-Fu Tuan discuss recent geographical changes that have resulted in an increasing societal disenchantment and anxiety. Nicholas Entrikin looks at progress as "moral perfectibility, and its connection ...
