You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
None
Age of Blight explores a kind of post-future, in which the human race is finally abandoned to the end of its history. Muslim's poetic vignettes explore the nature of dystopia itself, often to darkly humorous effect, as when the spirit of Laika (the Russian space dog that perished on Sputnik 2) tries to befriend a satellite, or when Beth, the narrator's older sister, returns from the dead. The collection is illustrated throughout by the charcoal drawings of RISD artist Alessandra Hogan.
None
Poetry. Kristine Ong Muslim has dissected life's parts and crafted updates carrying a calm punch. Her precise and mournful vision shows us that the NOW refuses to be lulled by "last year's domesticity" and that every object exemplifies a contradictory present. When a carpet in "Songs of Dead Objects Content in Their Husks" claims "the texture of silence" it can only do so by asserting its presence. While the eye in "Director's Cut, Exterior Panel: The Eye" can't quite focus it is "yet functional." Willfulness subverts the tragic. Protects the soul. That same eye "...ignores signs, misreads instructions, fakes loneliness." Repeat: "fakes loneliness." Muslim moves beyond the trope of modern isolation. A ROOMFUL OF MACHINES provides companionship for the wise.
The stories and non-stories in Kristine Ong Muslim's Butterfly Dream avow mutilation as rebirth, ruin as indestructibility, and safety as an illusion. In "Artificial Life," a girl is persistent in her belief that her doll will soon come to life. "The Six Mutations of Jerome" documents the grotesque transformations of an everyman named Jerome, while "The Lonely People" follows a group of individuals fleeing from the accoutrements of the modern world as manifested by carnivorous floors and a marauding giant worm. Part travelogue on the vagaries of human consciousness, Butterfly Dream is a glimpse into a reality marred by causal logic and wakefulness.
None
Filipinos and Chinese authors have a rich, vibrant literature when it comes to speculative fiction, the realms of the strange and fantastical. But what about the fiction of the Filipino-Chinese, who draw their roots from the folklore of both cultures? This is what Lauriat attempts to answer. Featuring stories that deal with voyeur ghosts, taboo lovers, a town that cannot sleep, the Chinese zodiac, and an exile that finally comes home, Lauriat covers a diverse selection of narratives from fresh, Southest Asian voices.
Watching the end of the world through the cracks. Small windows on massive events - on a doomed civilization drawing its last breaths. A sense of universal decay and collapse conveyed in the smallest of canvasses. This collection by Kristine Ong Muslim, an author from the Philippines, gathers nine delicate miniatures that pack a strong emotional punch. Stylistically they are rooted in apocalyptic sci-fi and supernatural horror but they are told with a post-modern and surreal touch - like macro photographs of the world's end.
None