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"Written during the 1910s, 20s and 30s, these articles offer a wistful and nostalgic image of the waning years of the Austro-Hungarian empire, with portraits of the Habsburgs, culminating in first-hand reports in 1916, from Vienna on the funeral of Emperor Francis Joseph I, and from Budapest on the coronation of Charles IV, the last king of Hungary. Krudy's reports follow the bloodless democratic revolution of 1918, the Karolyi government and the short-lived Soviet Republic, and present cameos of the leading political figures of the day such as Ferenc Kossuth, Mihaly Karolyi and Bela Kun."--Jacket.
Gyula Krúdy is a marvelous writer who haunted the taverns of Budapest and lived on its streets while turning out a series of mesmerizing, revelatory novels that are among the masterpieces of modern literature. Krúdy conjures up a world that is entirely his own—dreamy, macabre, comic, and erotic—where urbane sophistication can erupt without warning into passion and madness. In Sunflower young Eveline leaves the city and returns to her country estate to escape the memory of her desperate love for the unscrupulous charmer Kálmán. There she encounters the melancholy Álmos-Dreamer, who is languishing for love of her, and is visited by the bizarre and beautiful Miss Maszkerádi, a woman who is a force of nature. The plot twists and turns; elemental myth mingles with sheer farce: Krúdy brilliantly illuminates the shifting contours and acid colors of the landscape of desire. John Bátki’s outstanding translation of Sunflower is the perfect introduction to the world of Gyula Krúdy, a genius as singular as Robert Walser, Bruno Schulz, or Joseph Roth.
“What you have loved remains yours.” Thus speaks the irresistible rogue Sindbad, ironic hero of these fantastic tales, who has seduced and abandoned countless women over the course of centuries but never lost one, for he returns to visit them all—ladies, actresses, housemaids—in his memories and dreams. From the bustling streets of Budapest to small provincial towns where nothing ever seems to change, this ghostly Lothario encounters his old flames wherever he goes: along the banks of the Danube; under windows where they once courted; in churches and in graveyards, where Eros and Thanatos tryst. Lies, bad behavior, and fickleness of all kinds are forgiven, and love is reaffirmed as the only thing worth persevering for, weeping for, and living for. The Adventures of Sindbad is the Hungarian master Gyula Krúdy’s most famous book, an uncanny evocation of the autumn of the Hapsburg Empire that is enormously popular not only in Hungary but throughout Eastern Europe.
This exceptional bibliography, a pioneer work in its field, surveys Hungarian literature from its beginnings to 1965. Tezla begins his coverage of each author with a brief biographical account offering pertinent data on family background, education, and literary activities. The sketch provides observations on the writings of the author and his place in Hungarian literature, and a record of the languages into which his works have been translated. Further material on the author is divided into annotated sections noting bibliographical, biographical, and critical studies.
Life is a Dream (1931) is Gyula Krudy's magical collection of ten short stories. Creating a world where editors shoot themselves after a hard day's brunching, men attend duels incognito and lovers fall out over salad dressing, Life is a Dream is a comic, nostalgic, romantic and erotic glimpse into the Hungary of the early twentieth century. Focussing on the poor and dispossessed, these tales of love, food, death and sex are ironic and wise about the human condition and the futility of life, and display fully Krudy's wit and mastery of the form.
A distinguished historian and Budapest native offers a rich and eloquent portrait of one of the great European cities at the height of its powers. Budapest, like Paris and Vienna, experienced a remarkable exfoliation at the end of the nineteenth century. In terms of population growth, material expansion, and cultural exuberance, it was among the foremost metropolitan centers of the world, the cradle of such talents as Bartók, Kodály, Krúdy, Ady, Molnár, Koestler, Szilárd, and von Neumann, among others. John Lukacs provides a cultural and historical portrait of the city—its sights, sounds, and inhabitants; the artistic and material culture; its class dynamics; the essential role played...
A century ago, Vienna and Budapest were the capital cities of the western and eastern halves of the increasingly unstable Austro-Hungarian empire and scenes of intense cultural activity. Vienna was home to such figures as Sigmund Freud, Gustav Klimt, and Hugo von Hofmannsthal; Budapest produced such luminaries as Béla Bartók, Georg Lukács, and Michael and Karl Polanyi. However, as Péter Hanák shows in these vignettes of Fin-de-Siécle life, the intellectual and artistic vibrancy common to the two cities emerged from deeply different civic cultures. Hanák surveys the urban development of the two cities and reviews the effects of modernization on various aspects of their cultures. He exa...
'Antal Szerb is one of the great European writers' Ali Smith 'A novel to love as well as admire, always playful and ironical, full of brilliant descriptions, bon mots and absurd situations' Guardian A major modern classic: the turbulent story of a businessman torn between middle-class respectability and sensational bohemoia Mihály and Erzsi are on honeymoon in Italy. Mihály has recently joined the respectable family firm in Budapest, but as his gaze passes over the mysterious back-alleys of Venice, memories of his bohemian past reawaken his old desire to wander. When bride and groom become separated at a provincial train station, Mihály embarks on a chaotic and bizarre journey that leads ...