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Maggie Laubser - A Window on Always Light
  • Language: en
  • Pages: 388

Maggie Laubser - A Window on Always Light

  • Categories: Art

ÿ The artist Maggie Laubser no longer needs any introduction. In this publication focussing on her 149 paintings in the art collection of Stellenbosch University, art connoisseurs as well as art lovers are afforded the opportunity to closely follow the evolvement of her truly unique style and to actually share in the life of the person behind the canvas. Muller Ballot tells this story in an exceptional way by unfolding and interpreting her oeuvre within the context of South African as well as European Modernism.ÿ

Invisible Cathedrals
  • Language: en
  • Pages: 250

Invisible Cathedrals

  • Categories: Art

Invisible Cathedrals places Wilhelm Worringer in the foreground of discussions of Expressionism and German Modernism for the first time. These essays not only reveal the complexities of his individual works, such as Abstraction and Empathy (1908) and Form Problems of the Gothic (1911), they also examine his lesser-known books and essays of the post-World War I years, the 1920s, and beyond. Invisible Cathedrals offers both a basic introduction to Worringer's writings and their broad influence, and a profound and detailed revisionist analysis of his significance in German and European Modernism. It also provides the most comprehensive bibliography to date of his own work and of the scattered c...

South African Journal of Philosophy
  • Language: en
  • Pages: 644

South African Journal of Philosophy

  • Type: Book
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  • Published: 1986
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  • Publisher: Unknown

None

Collecting Early Modern Art (1400-1800) in the U.S. South
  • Language: en
  • Pages: 234

Collecting Early Modern Art (1400-1800) in the U.S. South

  • Categories: Art

This volume gathers together recent research from leading scholars specializing in the history of collecting. American Southern art collections, both public and private, contain rich and representative holdings of Renaissance and Baroque art which remain understudied, compared to the collections bracketing the east and west coasts of the United States. This anthology considers how these works of art were acquired for both prominent public and private collections, how they have been curated and displayed in exhibitions, and how they have also been preserved historically. Individual essays address a variety of art media representative of the early modern period in Europe and the Americas. Case studies of specific works of art, collections, and collectors address the broad geographic scope of Southern collections, inclusive of Washington, DC, the Carolinas, Georgia, Alabama, Louisiana, Arkansas, and Texas.

Art in South Africa, Painting Sculpture and Graphic Work Since 1900
  • Language: en
  • Pages: 214

Art in South Africa, Painting Sculpture and Graphic Work Since 1900

  • Categories: Art
  • Type: Book
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  • Published: 1962
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  • Publisher: Unknown

None

2011
  • Language: en
  • Pages: 2983

2011

Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 639,000 articles from more than 29,500 festschrifts, published between 1977 and 2010, have been catalogued.

Utopia & Contemporary Art
  • Language: en

Utopia & Contemporary Art

  • Type: Book
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  • Published: 2012
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  • Publisher: Hatje Cantz

Utopia has become a controversial concept, spanning the field between the belief in an ideal society and the dystopian nightmare. Within the last decade, the contemporary art scene has witnessed a return of utopia and utopian thinking. Whether detectable as an impulse, critically reassessed as a concept, or cautiously or daringly articulated in a specific vision--utopia continues to matter. This publication investigates the meanings of utopia in contemporary art. Theorists, critics, and curators discuss the different ways of thinking and performing utopia in contemporary art from a broad range of angles. The essays explore the current relevance of utopia as well as how people in different societies live, think, act, and imagine. The two parts, Utopia Revisited and Utopian Positions, provide both a theoretical backdrop for the reformulations of utopia in contemporary art as well as examinations of specific utopian stances in connection with the three-year utopia project at ARKEN Museum of Modern Art and solo shows by Qiu Anxiong, Katharina Grosse, and Olafur Eliasson.

Modern Architectural Theory
  • Language: en
  • Pages: 584

Modern Architectural Theory

Modern Architectural Theory is the first book to provide a comprehensive survey of architectural theory, primarily in Europe and the United States, during three centuries of development. In this synthetic overview, Harry Mallgrave examines architectural discourse within its social and political context. He explores the philosophical and conceptual evolution of its ideas, discusses the relation of theory to the practice of building, and, most importantly, considers the words of the architects themselves, as they contentiously shaped Western architecture. He also examines the compelling currents of French rationalist and British empiricist thought, radical reformation of the theory during the Enlightenment, the intellectual ambitions and historicist debates of the nineteenth century, and the distinctive varieties of modern theory in the twentieth century up to the profound social upheaval of the 1960s. Modern Architectural Theory challenges many assumptions about architectural modernism and uncovers many new dimensions of the debates about modernism.

Index of Conference Proceedings Received
  • Language: en
  • Pages: 850

Index of Conference Proceedings Received

  • Type: Book
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  • Published: 1983
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  • Publisher: Unknown

None

Looking at Dada
  • Language: en
  • Pages: 80

Looking at Dada

  • Categories: Art

"Published in conjunction with 'Dada,' an exhibition organized by the National Gallery of Art, Washington, D.C. (from February 19 to May 14, 2006) and the Centre Pompidou, Paris (from October 5 to January 9, 2006), in collaboration with the Museum of Modern Art, New York (from June 18 to September 11, 2006)"--P. [75