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Political moderation is the touchstone of democracy, which could not function without compromise and bargaining, yet it is one of the most understudied concepts in political theory. How can we explain this striking paradox? Why do we often underestimate the virtue of moderation? Seeking to answer these questions, A Virtue for Courageous Minds examines moderation in modern French political thought and sheds light on the French Revolution and its legacy. Aurelian Craiutu begins with classical thinkers who extolled the virtues of a moderate approach to politics, such as Aristotle and Cicero. He then shows how Montesquieu inaugurated the modern rebirth of this tradition by laying the intellectua...
This contribution to the global history of ideas uses biographical profiles of 18th-century contemporaries to find what Salafist and Sufi Islam, Evangelical Protestant and Jansenist Catholic Christianity, and Hasidic Judaism have in common. Such figures include Muḥammad Ibn abd al-Waḥhab, Count Nikolaus Zinzendorf, Jonathan Edwards, John Wesley, Jean-Jacques Rousseau, and Israel Ba’al Shem Tov. The book is a unique and comprehensive study of the conflicted relationship between the “evangelical” movements in all three Abrahamic religions and the ideas of the Enlightenment and Counter-Enlightenment. Centered on the 18th century, the book reaches back to the third century for precedents and context, and forward to the 21st for the legacy of these movements. This text appeals to students and researchers in many fields, including Philosophy and Religion, their histories, and World History, while also appealing to the interested lay reader.
Benjamin Constant is widely regarded as a founding father of modern liberalism. The Cambridge Companion to Constant presents a collection of interpretive essays on the major aspects of his life and work by a panel of international scholars, offering a necessary overview for anyone who wants to better understand this important thinker. Separate sections are devoted to Constant as a political theorist and actor, his work as a social analyst and literary critic, and his accomplishments as a historian of religion. Themes covered range from Constant's views on modern liberty, progress, terror, and individualism, to his ideas on slavery and empire, literature, women, and the nature and importance of religion. The Cambridge Companion to Constant is a convenient and accessible guide to Constant and the most up-to-date scholarship on him.
After almost seven centuries, Dante endures and even seems to haunt the present. Metamorphosing Dante explores what so many authors, artists and thinkers from varied backgrounds have found in Dante’s oeuvre, and the ways in which they have engaged with it through rewritings, dialogues, and transpositions. By establishing trans-disciplinary routes, the volume shows that, along with a corpus of multiple linguistic and narrative structures, characters, and stories, Dante has provided a field of tensions in which to mirror and investigate one’s own time. Authors explored include Samuel Beckett, Walter Benjamin, André Gide, Derek Jarman, LeRoi Jones/Amiri Baraka, James Joyce, Wolfgang Koeppen, Jacques Lacan, Thomas Mann, James Merrill, Eugenio Montale, Pier Paolo Pasolini, Cesare Pavese, Giorgio Pressburger, Robert Rauschenberg, Vittorio Sereni, Virginia Woolf.
This 1988 book is an English translation of the major political works of Benjamin Constant.
The latest volume in the respected series, this issue as usual contains cutting-edge criticism on topics of interest to scholars of the period 1770-1832. The Goethe Yearbook, first published in 1982, is a publication of the Goethe Society of North America, and is dedicated to Goethe scholarship in North America. It aims above all to encourage and publish original English-language contributions to the understanding of Goethe and the Goethezeit while also welcoming contributions from scholars around the world. Volume 9 of the Goethe Yearbook provides cutting-edge literary criticism onworks by Goethe and his contemporaries. Editor Thomas Saine has demonstrated in this respected series that he is especially interested in new critical directions and solid research. The book review section is important for all scholars of 18th-century literature.
`For forty years I have defended the same principle: freedom in everything, in religion, in philosophy, in literature, in industry, in politics - and by freedom I mean the triumph of the individual.' Constant thus summarized his beliefs at the end of his life. A political theorist and a passionate defender of individual liberty, he was also the author of one of the greatest French novels of psychological insight, Adolphe. In a major new biography Dennis Wood traces the development of Constant as a writer centrally preoccupied with the problematics of freedom, not only in the fields of politics and religious belief but also in his own troubled relationship with several women.
Offers a new interpretation of Johann Gottfried Herder's political thought, situating his ideas in pan-European Enlightenment debates.
This book explores the history of the international order in the eighteenth and nineteenth century through a new study of Emer de Vattel’s Droit des gens (1758). Drawing on unpublished sources from European archives and libraries, the book offers an in-depth account of the reception of Vattel’s chief work. Vattel’s focus on the myth of good government became a strong argument for republicanism, the survival of small states, drafting constitutions and reform projects and fighting everyday battles for freedom in different geographical, linguistic and social contexts. The book complicates the picture of Vattel’s enduring success and usefulness, showing too how the work was published and translated to criticize and denounce the dangerousness of these ideas. In doing so, it opens up new avenues of research beyond histories of international law, political and economic thought.
What was Tragedy reconstructs the early modern poetics of tragedy with which practicing dramatists worked. In doing so, it not only illuminates recognized masterpieces but also encourages readers to explore a rich repertoire of tragic drama previously relegated to obscurity only because we lacked the language to interpret it.