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The First Moderns
A lively and accessible history of Modernism, The First Moderns is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the fin-de-siècle atmosphere of Paris, Vienna, St. Louis, and St. Petersburg. William Everdell offers readers an invigorating look at the unfolding of an age. "This exceptionally wide-ranging history is chock-a-block with anecdotes, factoids, odd juxtapositions, and useful insights. Most impressive. . . . For anyone interested in learning about late 19th- and early 20th- century imaginative thought, this engagingly written book is a good place to start."—Washington Post Book World "The First Moderns brilliantly maps the beginning of a path a...
The End of Kings
Preface to the Second EditionAcknowledgments1. Introduction: What a Republic Is and How It Was Mislaid in America2. Samuel and Solon: The Origins of the Republic in Tribalism3. From Brutus to Brutus: The Rise and Fall of Rome4. William Tell: The Failure of Kings in Switzerland5. Niccolo Machiavelli: The Florentine Commune6. John Calvin: A Republican Church7. John Milton: A Commonwealth of Saints8. John Adams and Benjamin Franklin: A Republican Union9. Maximilien Robespierre: The Democratic Republic10. Thaddeus Stevens: The Legacy of the America Whigs11. Leon Gambetta and the Troisieme: The Parliamentary Republic12. Gustav Noske: The Reluctant Republic of Weimar13. Five Senators: The Republic Versus Its Presidents14. Conclusion: Squaring the Circles of PolybiosBibliographical Essays and NotesBibliographical Essay for the Second EditionIndex Copyright © Libri GmbH. All rights reserved.
The Phantom Table
Virginia Woolf identified the influence on her work of 'the Cambridge Apostles', the philosophical society which counted G. E. Moore, Bertrand Russell and much of male Bloomsbury among its members, as one more 'capable of description' than 'the influence of my mother'. In this major study of Woolf's relationship to Bloomsbury and the aesthetic and philosophical developments of her time, Ann Banfield subjects that influence to a full treatment. The theory of knowledge Moore and Russell formulated, Banfield argues, profoundly affected Woolf's conception of reality, as it did Roger Fry's theory of Post-Impressionism, one source for Woolf's transformations of philosophical principles into aesthetic ones. The Phantom Table is a magisterial account of Woolf's engagement with this remarkable trinity of thinkers: Moore, Russell, Fry. It revises the epistemology of modernism, reconceiving the relation between realism and formalism to account for Woolf's dual reality of sense impressions and logical forms.
On Or about December 1910
Peter Stansky paints a picture of the changing world in which the Bloomsbury set moved as the watershed to a new and more open society where for example E.M. Forster could write about love between men, and new artforms were in full bloom.
To America
When Stephen Ambrose became intersted in American history at age 18, there was much that America had done that made him proud, but there were some things he condemned as well, for instance slavery, the treatment of Native Americans, racist Southern politicians, the Robber Barons of the transcontinental railroad, the use of the atomic bomb. All through his undergraduate and graduate years from 1953-1960, Ambrose learned such ideas from his professors and believed and then taught them himself when he became a teacher of history in 1960. But after reasearching and writing about the Civil War in graduate school, Eisenhower in the 60s, Crazy Horse and Custer, Lewis and Clark, Nixon, the transcontinental railroad, and World War II over the next three decades, Ambrose's views on American history changed. In his new book the renowned historian celebrates America's spirit and confronts its failures and struggles. As always in his much acclaimed work, Ambrose brings alive the men and women, famous and not, who have peopled history and made the United States the superpower it is now.
Poets on Painters
"An anthology of essays by such notables as W.B. Yeats, Gertrude Stein, and W.H. Auden offer their views on painting and works by such great painters as Picasso, Van Gogh, and Matisse." -- Amazon.com viewed January 25, 2021.
The Modernist Novel
Leading scholar Stephen Kern offers a probing analysis of the modernist novel, encompassing American, British and European works. Organized thematically, the book offers a comprehensive analysis of the stunningly original formal innovations in novels by Conrad, Joyce, Woolf, Proust, Gide, Faulkner, Dos Passos, Kafka, Musil and others. Kern contextualizes and explains how formal innovations captured the dynamic history of the period, reconstructed as ten master narratives. He also draws briefly on poetry and painting of the first half of the twentieth century. The Modernist Novel is set to become a fundamental source for discussions of the genre and a useful introduction to the subject for students and scholars of modernism and twentieth-century literature.
Science in Translation
Montgomery explores the roles that translation has played in the development of Western science from antiquity to the end of the 20th century. He presents case histories of science in translation from a variety of disciplines & cultural contexts.
Gaps and the Creation of Ideas
Gaps and the Creation of Ideas: An Artist’s Book is a portrait of the space between things, whether they be neurons, quotations, comic-book frames, or fragments in a collage. This twenty-year project is an artist’s book that juxtaposes quotations and images from hundreds of artists and writers with the author’s own thoughts. Using Adobe InDesign® for composition and layout, the author has structured the book to show analogies among disparate texts and images. There have always been gaps, but a focus on the space between things is virtually synonymous with modernity. Often characterized as a break, modernity is a story of gaps. Around 1900, many independent strands of gap thought and experience interacted and interwove more intricately. Atoms, textiles, theories, women, Jews, collage, poetry, patchwork, and music figure prominently in these strands. The gap is a ubiquitous phenomenon that crosses the boundaries of neuroscience, rabbinic thinking, modern literary criticism, art, popular culture, and the structure of matter. This book explores many subjects, but it is ultimately a work of art.
Physics, the Human Adventure
Of Some Trigonometric Relations -- Vector Algebra.
