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The #1 New York Times bestselling author and true crime master Ann Rule presents her fifteenth volume of the acclaimed Crime Files series focusing on disturbing stories of people in danger, sometimes from strangers and sometimes from the people they know and love. Walking home on a dark night, you hear footsteps coming up behind you. As they get closer, your heart pounds harder. Is it a dangerous stranger or someone you know and trust? The answer is as simple as turning around, but don’t look behind you…run. With her signature in-depth research and compelling writing, Ann Rule chronicles fateful encounters with the secret predators hiding in plain sight. First in line is a stunning case ...
A book that looks at both the traditional and the unconventional ways in which the holocaust has been visually represented. The purpose of this volume is to enhance our understanding of the visual representation of the Holocaust - in films, television, photographs, art and museum installations and cultural artifacts - and to examine the ways in which these have shaped our consciousness. The areas covered include the Eichman Trial as covered on American television, the impact of Schindler's List, the Jewish Museum in Berlin, the Isreali Heritage Museums, Women and Holocaust Photography, Internet Holocaust sites and tattoos and shrunken heads, the bodies of the dead and of the survivors.>
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- First time in paperback Celebrated climbers Guy and Laura Waterman trace the growth of this popular sport by focusing on the first ascents of classic routes and the climbers who made them legendary: John Case on the Adirondacks' Indian Head and Wallface; Robert Underhill and Lincoln O'Brien on Cannon; Fritz Wiessner on Breakneck Ridge. More contemporary climbers Jim McCarthy, Henry Barber, Lynn Hill, and Hugh Herr are described in full detail. Ethics and style, the evolution of ice climbing, the changing role of women in climbing, and developments in technique and equipment are explored.
First multi-year cumulation covers six years: 1965-70.
Originating in the collaboration of the international Research Network “Gender in Antisemitism, Orientalism and Occidentalism” (RENGOO), this collection of essays proposes to intervene in current debates about historical constructions of Jewish identity in relation to colonialism and Orientalism. The network’s collaborative research addresses imaginative and aesthetic rather than sociological questions with particular focus on the function of gender and sexuality in literary, scholarly and artistic transformations of Orientalist images. RENGOO’s first publication explores the ways in which stereotypes of the external and internal Other intertwine. With its interrogation of the roles assumed in this interplay by gender, processes of sexualization, and aesthetic formations, the volume suggests new directions to the interdisciplinary study of gender, antisemitism, and Orientalism.
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The Great Han is an ethnographic study of the Han Clothing Movement, a neotraditionalist and racial nationalist movement that has emerged in China since 2001. Participants come together both online and in person in cities across China to revitalize their utopian vision of the authentic “Great Han” and corresponding “real China” through pseudotraditional ethnic dress, reinvented Confucian ritual, and anti-foreign sentiment. Analyzing the movement’s ideas and practices, this book argues that the vision of a pure, perfectly ordered, ethnically homogeneous, and secure society is in fact a fantasy constructed in response to the challenging realities of the present. Yet this national imaginary is reproduced precisely through its own perpetual elusiveness. The Great Han is a pioneering analysis of Han identity, nationalism, and social movements in a rapidly changing China.
The first book to examine multicultural visual art in Germany, discussing more than thirty contemporary artists and arguing for a cosmopolitan Germanness. With Turks, Jews, and Other Germans in Contemporary Art, Peter Chametzky presents a view of visual culture in Germany that leaves behind the usual suspects--those artists who dominate discussions of contemporary German art, including Gerhard Richter, Anselm Kiefer, and Rosemarie Trockel--and instead turns to those artists not as well known outside Germany, including Maziar Moradi, Hito Steyerl, and Tanya Ury. In this first book-length examination of Germany's multicultural art scene, Chametzky explores the work of more than thirty German a...