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The writings of K.V. Subbanna reveal the range, dimension and courage of an intellectual who never, ever, let the pressures of contemporary cultural politics affect his free and open enquiries into the nature of the culture of the land he was rooted in. K.V. Subbanna was an organic intellectual who drew his intellectual powers from a sense of community that was vibrant and alive and never from the context of a centralising nation-state and its dominant quality of homogenizing practically every aspect of social and cultural life. The spirit of decentralisation was what a community symbolised for Subbanna and all his writings – on literature, theatre, cinema, language – engender this vital...
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ಬೌದ್ಧ ಧರ್ಮದ ಹಲವು ಶಾಖೆಗಳು ಇಂಡಿಯಾದಿಂದ ಕ್ರಮೇಣ ಚೀನಾ ಜಪಾನುಗಳಿಗೆ ವಲಸೆ ಹೋಗಿ ನಿಂತವು ಮತ್ತು ಅಲ್ಲಿ ಪುನಃ, ಶಾಖೆ ಉಪಶಾಖೆಗಳಾಗಿ ವಿಂಗಡನೆಗೊಂಡು ಹಬ್ಬಿಕೊಂಡವು. ಅಂಥವುಗಳಲ್ಲಿ ಪ್ರಮುಖವಾದ್ದು ಮತ್ತು ಹೆಚ್ಚು ಸ್ಥಿರವಾಗಿ ಬಾಳಿಕೊಂಡುಬಂದದ್ದು 'ಝೆನ್'. ಇತರ ಸಾಂಪ್ರದಾಯಿಕ ಧರ್ಮಗಳಂತೆ ಝೆನ್, ತರ್ಕಶುದ್ಧವಾದ ಸು...
Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in...
Kasaravalli has used the folklores of Karnataka innovatively and skillfully adapted stories and novels for the screen. While tackling various sensitive issues in his
Culture and Creativity is a collection of essays of N Manu Chakravarthy, a prominent culture critic known for his discourses on music, cinema, literature and several aspects of culture and philosophy. This book illustrates the intellectual and ethical perspectives that shape his discussions on wide range of issues. These discussions are reflective of the inspiration he draws from his father Prof G N Chakravarthy and his teachers Prof C D Narasimhaiah, Prof U R Ananthamurthy, and Prof B Damodara Rao. The ideas of Ivan Illich and Noam Chomsky, and his friend D R Nagaraj are also instrumental in framing the critical nature of his interpretations. The essays in this book encompass Prof Manu Chakravarthy’s perspectives on religion, secularism, tradition, and modernity. The references to Sri Narayanaguru, M K Gandhi, Rabindranath Tagore, and the interview with Gustavo Esteva, evince his preoccupation with madhyamamarga. They also foreground his views on nationalism, metaphysics, media, politics and the crises of the third world and India in a globalised context. This work is a testimony to the form of scholarship he values.
About the Book THE LIFE AND TIMES OF ONE OF THE GREATEST KANNADA WRITERS. Karanth, Kuvempu, Bendre—the trinity of modern Kannada literature; the pride of Kannadigas; … It was Shivarama Karanth who took the culture of Karnataka beyond the shores of India with his dance and music. After Rabindranath Tagore, no one had mastered as many art forms as Shivarama Karanth. —From the Foreword by Dr Chiranjiv Singh, former Indian ambassador to UNESCO Kota Shivarama Karanth was the ultimate Renaissance Man. A giant of world literature, he produced dozens of novels, plays, children’s works, autobiographies, popular science books, translations and much else. In 1977, he was awarded the Bharatiya J...
The book, the third volume to emerge from the enterprise known as 'The Backwaters Collective on Metaphysics and Politics', attempts to further the collective's ambition to put into question the certitudes of conventional social science discourse, decolonize the dominant knowledge frameworks, and understand how the intellectual and cultural resources of Indian civilization may be deployed to think both, about some problems in contemporary politics and culture, and to introduce greater plurality into the world of modern knowledge systems. Some of the collective's members remain deeply committed to reinitiating metaphysics into politics, and similarly, the collective's enduring interest in Nara...
Who's Who in Contemporary World Theatre is a lively and accessible biographical guide to the key figures in contemporary drama. All who enjoy the theatre will find their pleasure enhanced and their knowledge extended by this fascinating work of reference. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading. Hugely influential innovators, household names, and a whole host of less familiar, international figures - all have their lives and careers illuminated by the clear and succinct entries. All professions associated with the theatre are represented here - actors and directors, playwrights and designers. By virtue of the broad range of its coverage, Who's Who in Contemporary World Theatre offers a unique insight into the rich diversity of international drama today.
In his sparkling memoir, M.K. Raina documents the many lives he has lived. From sharing the stage with some of the most celebrated actors in India to his journey as a young man witnessing the violence and horrors rampant through the streets of Kashmir, an entire history of northern India is painted with subtle elegance. Brimming with delightful anecdotes as well as poignant, painful memories of a region that once was, this book is a tour de force.