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The author defines and analyzes the new type of theatricalperspective invented by Samuel Beckett. She begins with an overview of thechanges of the definition of twentieth century-knowledge (e.g, art, science,philosophy, and psychology) then discusses the concepts of time, space, andmovement which underlie Beckett's notion and use of perspective in the theater.The Broken Window shows how Beckett translates a number of twentieth-centuryesthetic and philosophical concerns - the impossibility of separating subjectand object, the indeterminacy of time and space, the inevitability of movementand change - into specific dramatic techniques and traces their evolutionthrough close textual analyses of six plays. Hale is the first critic to define Beckett's theatricaltechniques in terms of the notion of perspective and to link them to similarinnovations in the plastic arts. In addition, no critic has so exhaustivelyelaborated Beckett's premises of indeterminacy, the inevitability ofperception, and the breakdown of the subject/object relationship.
The Animal That Therefore I Am is the long-awaited translation of the complete text of Jacques Derrida's ten-hour address to the 1997 Cérisy conference entitled "The Autobiographical Animal," the third of four such colloquia on his work. The book was assembled posthumously on the basis of two published sections, one written and recorded session, and one informal recorded session. The book is at once an affectionate look back over the multiple roles played by animals in Derrida's work and a profound philosophical investigation and critique of the relegation of animal life that takes place as a result of the distinction--dating from Descartes--between man as thinking animal and every other li...
Conducting an analysis of Saussure's intellectual heritage, this book links Sassurean notions of cognition, language, and history to early Romantic theories of cognition and the transmission of cultural memory. In particular, several fundamental categories of Saussure's philosophy of language, such as the differential nature of language, the mutability and immutability of semiotic values, and the duality of the signifier and the signified, are rooted in early Romantic theories of 'progressive' cognition and child cognitive development.
Emmanuel Levinas was one of the most important and influential European thinkers of the 20th century. The essays in this volume explore his project of revising the phenomenological picture of the world in light of our experience of other persons.
Philosophy of science studies the methods, theories and concepts used by scientists. This book addresses both general philosophy of science and specific questions raised by logic, mathematics, physics, biology, medicine, cognitive science, linguistics, social sciences, and economics.
Martin Heidegger's impact on contemporary thought is important and controversial. However in France, the influence of this German philosopher is such that contemporary French thought cannot be properly understood without reference to Heidegger and his extraordinary influence. Tom Rockmore examines the reception of Heidegger's thought in France. He argues that in the period after the Second World War, due to the peculiar nature of the humanist French Philosophical tradition, Heidegger became the master thinker of French philosophy. Perhaps most importantly, he contends that this reception - first as philosophical anthropology and later as postmetaphysical humanism - is systematically mistaken.
A compelling account of politics and social philosophy in Levinas's Talmudic commentaries Emmanuel Levinas (1906-1995) was a French philosopher known for his radical ethics and for his contribution to Jewish thought in his commentaries on Talmudic sources. In Levinas's Politics, Annabel Herzog confronts a major difficulty in Levinas's philosophy: the relationship between ethics and politics. Levinas's ethics describes the encounter with the other, that is, with any other human being. For Levinas, the face-to-face encounter is a relationship in which the ego is commanded by a transcendent and unquestionable order to take responsibility for the other person. Politics, on the other hand, presup...
A quiet revolution is taking place in avant-garde French poetry and prose. In this collection of twelve interviews with some of France's most important poets and writers, Serge Gavronsky introduces American readers to these exciting new developments. As Gavronsky explains, a neolyricism is now replacing the formalism of the 1960s, '70s, and '80s. In his substantial introduction, Gavronsky notes how the ideological definition of writing (écriture) has given way to more open forms of writing. Human experiences of the most ordinary kinds are finding a place in the text. These interviews offer a view of the poets' and writers' creative processes and range over such topics as current literary theory, the impact of American poetry in France, and the place of feminism in contemporary French writing. Each interview is accompanied by samples of the writer's work in French and in Gavronsky's English translations. Toward a New Poetics provides a highly informative cultural and critical perspective on contemporary writing in France, introducing us to works which are now transforming the idea of literature itself.