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L'âge d'homme
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Listening in
What can music teach a novelist, autobiographer, or playwright about the art of telling stories? The musical play of forms and sounds seems initially to have little to do with the representational function of the traditional narrative genres. Yet throughout the modernist era, music has been invoked as a model for narrative in its specifically mimetic dimension. Although modernist writers may conceive of musical communication in widely divergent ways, they have tended to agree on one crucial point: that music can help transform narrative into a medium better adapted to the representation of consciousness. Eric Prieto studies the twentieth-century evolution of this use of music, with particula...
Michel Leiris
This is the first full-length study in English of Michel Leiris's work. Frequently cited as a central figure in contemporary French culture, Seán Hand explores Leiris's participation in some of the most striking intellectual and artistic movements of the twentieth century; surrealism, ethnography and existentialism. Hand locates his writing in these different contexts in relation to the major artistic, political and philosophical concepts of the period. He goes on to argue that Leiris's multi-volume autobiography stands as the model form of self-enquiry in the twentieth century.
The Double Vocation
This study seeks to redefine the double role of those writers who have often been referred to as "French Catholic novelists." After a brief overview of the Catholic Renaissance movement in modern literature, three acknowledged geniuses in this "sub-genre" - Georges Bernanos, Francois Mauriac, and Julien Green - are meticulously reexamined in light of their Christian vocation. For the first time in English, the writings of the Franco-Russian novelist, Vladimir Volkoff, are also discussed in considerable detail. The book concludes with a theoretical chapter that raises troubling questions that apply to the "double vocation," namely: What is the distinctive character of fiction when it is written by a professing Christian? Are the two vocations of Christian and novelist fully compatible of mutually exclusive?
The Radical Right in Switzerland
There has been a tendency amongst scholars to view Switzerland as a unique case, and comparative scholarship on the radical right has therefore shown little interest in the country. Yet, as the author convincingly argues, there is little justification for maintaining the notion of Swiss exceptionalism, and excluding the Swiss radical right from cross-national research. His book presents the first comprehensive study of the development of the radical right in Switzerland since the end of the Second World War and therefore fills a significant gap in our knowledge. It examines the role that parties and political entrepreneurs of the populist right, intellectuals and publications of the New Right, as well as propagandists and militant groups of the extreme right assume in Swiss politics and society. The author shows that post-war Switzerland has had an electorally and discursively important radical right since the 1960s that has exhibited continuity and persistence in its organizations and activities. Recently, this has resulted in the consolidation of a diverse Swiss radical right that is now established at various levels within the political and public arena.
The Body as Medium and Metaphor
Reconsidering the relationship between autobiography and self-portraiture, The Body as Medium and Metaphor explores the intertextuality of self-representation in twentieth-century French art. Situating the body as the nexus of intersections between the written word and the visual image, this book rethinks the problematic status of the self. Starting at the twentieth-century's departure from figurative and mimetic representation, this study discusses the work of seminal artists and writers - including Marcel Duchamp, Michel Leiris, Francis Bacon, Bernard Noël, Gisèle Prassinos, Louise Bourgeois and Orlan - to articulate the twentieth century's radical revisions of subjectivity that originated from and returned to representations of the word, the image, and the body. This volume will be of interest to students of both French Literature and Art History, particularly those who are interested in the interdisciplinary exchanges between visual arts and literature.
Theology of Work
Theology of Work: New Perspectives emerges from the necessity to continue theological reflection on work in light of the challenges posed by our contemporary world. The contributions offer a global perspective of the meaning of work, drawing from Trinitarian theology, theology of creation, eschatology, theological anthropology, and Christology. They shed light from the perspective of faith on the integration of different work dimensions, and consider how the theology of work is called to challenge social structures in light of revelation. The volume mostly develops the theology of work from a Catholic perspective, but Protestant and Orthodox approaches are also explicitly explored. The chapters cover different theological areas, such as biblical, dogmatic, patristic, and moral theology, to provide enriching and complementary perspectives. Offering fresh and valuable theological insights on work, this book will be of particular interest to scholars of theology and religious studies.
In Defiance of Painting
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
