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El Proceso
El proceso fue publicado en 1925, un año despues de la muerte de autor. Obra maestro de la literatura, plantea, a traves de la historia de protagonista envuelto en un inexplicable proceso judicial, la gran tragedia que rodea al ser humano. No fue dificil al autor este planteamiento que perfila la muerte como meta ultima del hombre. No en vano reflejo en esta obra los entresijos de su vida, victim de la intransigencia de su padre y de deambular tuberculoso por sanatorios de Centro Europa. Tampoco el amor le acompañaria hasta el final de su vida cuando encontro apoyo en For a Diamant, que le acompaño hasta el final. Franz Kafka (1882-1924) Fallecia a su lado, apenas cumplidos los cuarenta y un años de edad con uno de los legados literarios mas angustiosos de la literature. En el plasma con maestria el desasosiego intimo de hombre contemporañeo
Carlos Monsiv‡is
One of MexicoÕs foremost social and political chroniclers and its most celebrated cultural critic, Carlos Monsiv‡is has read the pulse of his country over the past half century. The author of five collections of literary journalism pieces called cr—nicas, he is perhaps best known for his analytic and often satirical descriptions of Mexico CityÕs popular culture. This comprehensive study of Monsiv‡isÕs cr—nicas is the first book to offer an analysis of these works and to place Monsiv‡isÕs work within a theoretical framework that recognizes the importance of his vision of Mexican culture. Linda Egan examines his ideology in relation to theoretical postures in Latin America, the U...
Conflicts and Conciliations
Between 1881 and 1897, Benito P rez Gald s, generally acknowledged as Spain's greatest nineteenth-century novelist, composed some twenty "contemporary" novels, which Geoffrey Ribbans characterizes as the peak of his achievement. This monumental study traces the evolution of the many strands that make up one of them: the long and complex novel Fortunata y Jacinta. Ribbans examines the various stages of composition, not only the earlier, reconstructed Alpha version but also subsequent revisions in the much corrected handwritten text and in the printer's galleys. He treats these tentative drafts as part of the process of reaching out toward the coherent definitive text. Ribbans's analysis of such devices as the ambiguous role of the narrator, the use of free indirect style and direct dialogue, and the construction of distinctive ideolects leads to the heart of his study, the development of Gald s's characters.
