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"On the eve of her arrainged marriage, Vasti discovers that she is due to marry the rapist she saw in a sugar cane field years earlier. A horrific dilemma befalls her, she can either speak out, defy convention and bring the family name in disrepute or submit silently to her fate. The emotional strain is too much: the bride to be collapses, and while unconscious, travels in a dream from her home in 1960s Trinidad back to the 18th century city of Jyotika in North India.........." -- Back cover.
A sweeping saga of migration and the challenges it presents one family, this is a story about sisters Ishani, who stays in Trinidad with the family business, and Amira, who migrates with her family to England. Ishani, the older sister full of bluff certainty, is a good-hearted manipulator determined to extend her influence across the seas. Soul-searching Amira, on the other hand, wonders how she will raise three daughters outside the support of her extended family, and whether the values of her traditional Hindu upbringing can provide her children with the means to negotiate the seductions of aggressive British individualism. As a middle-class family able to live in prosperous Mill-Hill, the Vidhurs face little of the hostility experienced by other Caribbean and South Asian migrants, but they too discover that even those with the very best colonial educations may never quite fit in, especially with those who see only color. An examination of education, class, and race, this novel provide a unique look at Caribbean Diaspora.
From early in her life, Kamla is surprised by a contrary inner voice which frequently gainsays the wisdom of her elders and betters. But Kamla is growing up in a traditional Hindu community and attending schools in colonial Trinidad where rote learning is still the order of the day. She learns that this voice creates nothing but trouble and silences it. In this book, the voice is freed.
"Set in Trinidad in the 1950s, Sastra is a moving and tender love story, a rich evocation of the village world and a memorable portrayal of a brave young woman who never tries to evade or complain about the consequences of her choice."--Cover
Cosmic Dance won the 1994 Guyana Prize for Literature. Dr. Vayu Sampat is brought two stories: of the rape of a young girl by a powerful state official, and of a seemingly altruistic gift of blood. The first is an all too common event, the second all too rare in a society where the strong feed off the weak, and everything has its price. What challenges him is that both stories cross the lines of race in a society divided between Indians and Africans. Involvement in these events, against his will, is the catalyst which forces Vayu from a path of comfortable routine into the chaos of uncontrollable circumstance in which all his assumptions are challenged. When the cataclysm comes, Vayu barely ...
They were all beggars at the gate, thinks Asha, as she joins the vast queue for visas outside the American Embassy. In a corrupt, seedy dictatorship, whose citizens feel it's a prison outside too, what else is there to do? But the option of escape is not open to, or desired by all. There are other choices to be made. Should Jagru quit the opposition and try to influence the ruling party from within? When will Manu's luck with smuggling run out? Where is Lal's duty? With his family or fighting the Government? Is Chandi's concern with her children enough? In a country uncommonly like Guyana of the 1980s, a state beset by economic collapse, political dictatorship and social corruption, Narmala ...
This book is the first collection on Indo-Caribbean women's writing and the first work to offer a sustained analysis of the literature from a range of theoretical and critical perspectives, such as ecocriticism, feminist, queer, post-colonial and Caribbean cultural theories. The essays not only lay the framework of an emerging and growing field, but also critically situate internationally acclaimed writers such as Shani Mootoo, Lakshmi Persaud and Ramabai Espinet within this emerging tradition. Indo-Caribbean women writers provide a fresh new perspective in Caribbean literature, be it in their unique representations of plantation history, anti-colonial movements, diasporic identities, femini...
Brenda Flanagan's award-winning novel You Alone Are Dancing, set on the fictitious Caribbean island of Santabella, depicts the challenges that beset a young couple and their neighbors. (An) elegantly defiant account of the ravages wrought by corporate imperialism on what might be any disenfranchised island people.... Flanagan's prose never abandons the languorous rhythms of island life. One of the greatest pleasures in this novel is its wonderful dialogue, which creates a constant thrumming music beneath the political events that provide its surface tensions.
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