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Conjecturing Hong Kong's Future: Lam Hang-chi's Editorials from the Hong Kong Economic Journal 1975-1984
The editorials collected in this book date from 1975 to 1984 when the signing of the Joint Declaration between Britain and China, and Hong Kong lead to intense debates about this incongruous scenario. Dr. Lam's editorials and conjectures provided a focal point for discussing Hong Kong's future. His views on housing, assimilating immigrants, the collusion of politics and business still inform.
Media in Hong Kong
Making full use of newly declassified material, extensive interviews and specific case studies, this book examines the Hong Kong media over a forty year period, focusing in particular on how its newspapers and TV stations have struggled for press freedom under the colonial British administration, as well as Chinese rule.
China’s Hong Kong
This book differs from most others of its kind, by looking at the Hong Kong issue from China’s perspective, which in turn mirrors China’s own situation. Through a legal lens, the author conducts a political and cultural examination of the past and the present, and provides a comprehensive overview of the many theories and problems concerning Hong Kong. Including reflections on the theory of administrative absorption of politics, a historical review of “one country, two systems” and an analysis of the form and nature of the Basic Law, it offers a valuable reference resource for studying the historical, political and legal context of Hong Kong under the principle of “one country, two systems”. Instead of over-simplifying the issue of Hong Kong or only seeing it as a Chinese regional issue, the book regards it as a central Chinese issue and the key to understanding China.
The Inter-Asia Cultural Studies Reader
Asian Cultural Studies or Cultural Studies in Asia is a new and burgeoning field, and the Inter-Asia Cultural Studies Journal is at its cutting edge. Committed to bringing Asian Cultural Studies scholarship to the international English speaking world and constantly challenging existing conceptions of cultural studies, the journal has emerged as the leading publication in Cultural Studies in Asia. The Inter-Asia Cultural Studies Reader brings together the best of the ground breaking papers published in the journal and includes a new introduction by the editors, Chen Kuan-Hsing and Chua Beng Huat. Essays are grouped in thematic sections, including issues which are important across the region, such as State violence and social movements and work produced by IACS sub-groups, such as feminism, queer studies, cinema studies and popular culture studies. The Reader provides useful alternative case studies and challenging perspectives, which will be invaluable for both students and scholars in media and cultural studies.
The Hong Kong Filmography, 1977-1997
Thanks to the successes of directors and actors like John Woo, Jackie Chan, and Chow Yun-Fat, the cinema of Hong Kong is wildly popular worldwide, and there is much more to this diverse film culture than most Western audiences realize. Beyond martial arts and comedy, Hong Kong films are a celebration of the grand diversity and pageantry of moviemaking--covering action, comedy, horror, eroticism, mythology, historical drama, modern romances, and experimental films. Information on 1,100 films produced in British Hong Kong from 1977 to 1997 is included here.
The Evolving Landscape of Media and Communication in Hong Kong
Over the last twenty years Hong Kong society has witnessed dramatic change, and nowhere is this better reflected than in the realm of media and communications. Across the fields of journalism, public relations and advertising, we can see the changing trends in terms of audience consumption and interaction. From technological developments to the shift in audience participation, the expectations and functions of these professions have been greatly altered. While many of these changes are occurring worldwide, within Hong Kong the processes of change have been further complicated by recent social and political events. Through a selection of essays by field experts, this volume explores the evolution of media itself as well as the complex causes underlying these developments. It identifies not only the difficulties and opportunities for media professionals today, but also the evolving role of the audience.
Slasher Films
The slasher film genre got its start in the early 1960s when acclaimed filmmakers such as Alfred Hitchcock and Michael Powell made provocative mainstream film such as Psycho and Peeping Tom, but it is most associated with the late 1970s and the releases of Halloween and Friday the 13th. They have been frightening and thrilling audiences ever since with their bloody scenes and crazed killers. Over 250 slasher films are presented in this work. Entries provide major cast and production credits, a plot synopsis, and a short critique; interesting production notes are often provided. Some of the films covered include Alice, Sweet Alice, American Psycho, The Burning, Cherry Falls, Curtains, Deep Red, Frenzy, Hide and Go Shriek, Maniac, Prom Night, Scream, Sleepaway Camp, Slumber Party Massacre, and The Texas Chain Saw Massacre. Filmographies are provided for slasher directors, actors, writers, and composers.
Growing with Hong Kong
The book witnesses and chronicles the 90 years wherein the University of Hong Kong and its graduates were intimately engaged in the development of Hong Kong.
