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Focuses on Black womens experiences and expertise in order to advance educational philosophy and provide practical tools for social justice pedagogy. Black Women and Social Justice Education explores Black womens experiences and expertise in teaching and learning about justice in a range of formal and informal educational settings. Linking historical accounts with groundbreaking contributions by new and rising leaders in the field, it examines, evaluates, establishes, and reinforces Black womens commitment to social justice in education at all levels. Authors offer resource guides, personal reflections, bibliographies, and best practices for broad use and reference in communities, scho...
Turning to his own extensive maritime experience, Cooper's novel, written in Paris in 1827, reflects his immersion in the romantic movement that was sweeping the Continent. European readers enjoyed his poetic and imaginative portrayal of the sea, while American readers were interested in how he depicted the early stirrings of nationalism in the New World decades prior to the Revolution. Cooper's striking association of the sublime power of nature with the rebellious spirit of his pirate-hero established and defined the sea novel as a literary genre. By far the most influential of his maritime tales, The Red Rover was read and admired by Goethe and Berlioz, Melville and Conrad. This edition, the first to be based on Cooper's original manuscript, offers the modern reader a major document of romanticism and a compelling narrative of adventure at sea.
Within months of publishing Homeward Bound, James Fenimore Cooper continued that story in a second, stand-alone novel, Home as Found. One of the most important of his long career, Home as Found is a novel of manners in which Cooper satirized Wall Street speculation, jingoism, the penny press, and high society, writing boisterously and with a sharp but critical eye about a nation in transition. He revealed “follies and peculiarities” of the young nation, but did so with a hope that the advancing forces of democracy would not get turned aside by greed and insular nationalism. In drawing rooms, ballrooms, and Wall Street offices, Cooper sees clearly into the heart of the democratic experime...
The Automaton in English Renaissance Literature features original essays exploring the automaton-from animated statue to anthropomorphized machine-in the poetry, prose, and drama of England in the 16th and 17th centuries. Addressing the history and significance of the living machine in early modern literature, the collection places literary automata of the period within their larger aesthetic, historical, philosophical, and scientific contexts. While no single theory or perspective conscribes the volume, taken as a whole the collection helps correct an assumption that frequently emerges from a post-Enlightenment perspective: that these animated beings are by definition exemplars of the new s...
Twenty-first century engineering education must meet radically revised national accreditation standards, known colloquially as EC2000. This book shows paths forward for all faculty involved in the «liberal education» of engineering undergraduates. Beginning with an exhortation for liberal education, it includes the EC2000 criteria and its historical origin, as well as example institutional and individual responses to these criteria - which include topics in communication, ethics and professional responsibility, contemporary issues, art and aesthetics, and the integration of engineering and the humanities. The variety of curricular responses presented indicate that this is a formative - perhaps even revolutionary - period in engineering education.
The Roots of Cane proposes a new way to read one of the most significant works of the New Negro Renaissance, Jean Toomer’s Cane. Rather than focusing on the form of the book published by Boni and Liveright, what Toomer would later call a single textual “organism,” John Young traces the many pieces of Cane that were dispersed across multiple modernist magazines from 1922 through 1923. These periodicals ranged from primarily political monthlies to avant-garde arts journals to regional magazines with transnational aspirations. Young interweaves a periodical-studies approach to modernism with book history and critical race theory, resituating Toomer’s uneasy place within Black modernism by asking how original readers would have encountered his work. The different contexts in which those audiences were engaging with Toomer’s portraits of racialized identity in the Jim Crow United States, yield often surprising results.
The Redskins, James Fenimore Cooper's 1846 novel about the Anti-Rent Wars in upstate New York, is now available in a scholarly edition. The final work in the "Littlepage trilogy," The Redskins includes Cooper's enduring theme of Indigenous-White relations but examines it in the context of contemporary tensions between wealthy landlords and their tenant farmers in the Hudson Valley region. The work is narrated in the voice of a privileged landowner who presents an impassioned defense of the aristocratic class in America and thus raises cardinal questions regarding Cooper's own intentions and authorial control. Cooper himself was often derided as an "aristocrat" in this later phase of his care...
Revised and updated, this long-awaited second edition provides a comprehensive introduction to what the most thoughtful Americans have said about the American experience from the colonial period to the present. The book examines the political thought of the most important American statesmen, activists, and writers across era and ideologies, helping another generation of students, scholars, and citizens to understand more fully the meaning of America. This new second edition of the book includes new essays on Walt Whitman, Lyndon Baines Johnson, Ronald Reagan, and Barack Obama. Significant revisions and additions have also been made to many of the original essays, increasing the breadth and depth of the collection.
This book opens a window onto a fascinating and understudied aspect of the visual, material, intellectual, and cultural history of seventeenth-century Amsterdam: the role played by its inns and taverns, specifically the doolhoven. Doolhoven were a type of labyrinth unique to early modern Amsterdam. Offering guest lodgings, these licensed public houses also housed remarkable displays of artwork in their gardens and galleries. The main attractions were inventive displays of moving mechanical figures (automata) and a famed set of waxwork portraits of the rulers of Protestant Europe. Publicized as the most innovative artworks on display in Amsterdam, the doolhoven exhibits presented the mercanti...
As beef and cattle production progressed in nineteenth-century America, the cow emerged as the nation’s representative food animal and earned a culturally prominent role in the literature of the day. In Cattle Country Kathryn Cornell Dolan examines the role cattle played in narratives throughout the century to show how the struggles within U.S. food culture mapped onto society’s broader struggles with colonization, environmentalism, U.S. identity, ethnicity, and industrialization. Dolan examines diverse texts from Native American, African American, Mexican American, and white authors that showcase the zeitgeist of anxiety surrounding U.S. identity as cattle gradually became an industrial...