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It was a hunting accident—that much Charlie is sure of. That's how his father, Matt Rizzo—a gentle intellectual who writes epic poems in Braille—had lost his vision. It’s not until Charlie’s troubled teenage years, when he’s facing time for his petty crimes, that he learns the truth. Matt Rizzo was blinded by a shotgun blast to the face—but it was while participating in an armed robbery. Newly blind and without hope, Matt began his bleak new life at Stateville Prison. But in this unlikely place, Matt's life and very soul were saved by one of America's most notorious killers: Nathan Leopold Jr., of the infamous Leopold and Loeb. From David L. Carlson and Landis Blair comes the unbelievable true story of a father, a son, and remarkable journey from despair to enlightenment.
Eight gleefully macabre vignettes by an award- winning comics artist, as delightful as they are deadly. Inspired by the dark imagination of Edward Gorey, Envious Siblings is a twisted and hauntingly funny debut. Comics artist Landis Blair interweaves absurdist horror and humor into brief, rhyming vignettes at once transgressive and hilarious. In Blair’s surreal universe, a lost child watches as bewhiskered monsters gobble up her fellow train passengers; a band of kids merrily plays a gut- churning game with playground toys; and two sisters, grinning madly, tear each other apart. These charmingly perverse creations take ordinary settings— a living room, a subway car, a playground— and spin them in a nightmarish direction. Envious Siblings heralds a brilliant new cartooning talent, and will captivate readers who have thrilled to the lurid fantasies of Roald Dahl, Quentin Blake, Charles Addams, Shel Silverstein, and Tim Burton.
As a practising mortician, Caitlin Doughty has long been fascinated by our pervasive terror of dead bodies. In From Here to Eternity she sets out in search of cultures unburdened by such fears. With curiosity and morbid humour, Doughty introduces us to inspiring death-care innovators, participates in powerful death practices almost entirely unknown in the West and explores new spaces for mourning - including a futuristic glowing-Buddha columbarium in Japan, a candlelit Mexican cemetery, and America's only open-air pyre. In doing so she expands our sense of what it means to treat the dead with 'dignity' and reveals unexpected possibilities for our own death rituals.
When a cat grows up and begins to have a problem, his owners make decisions that force the cat to confront mortality and the darker side of human indifference.Questions regarding death, convenience, and futility converge in the guise of this suburban feline tragedy.
The latest volume in Russ Kick's New York Times best-selling series retells classic crime fiction in full-color visual comix splendor. "Easily the most ambitious and successfully realized literary project in recent memory." --NPR "A treasure trove for literary comics fans." --WIRED Here are Teddy Goldenberg's dense, murky treatment of Dashiell Hammett's "The Road Home," often considered the first hardboiled detective story ever published. Shawn Cheng renders the first serial-killer story, the so-called fairy tale "Bluebeard" by Charles Perrault. Landis Blair reimagines The Trial as a choose-your-own-adventure story that you cannot win, and Ted Rall retells an O. Henry story about a petty criminal who just can't get arrested. Plus 28 other contributors using a wide range of illustrative styles. As with previous volumes in the Graphic Canon series, the illustrations run the full gamut of media and techniques, and artistic interpretations range from verbatim literalism to metaphorical extensions to surrealism and abstraction. The common theme, tracing the origins and standout texts of the morbid and mysterious, unites these multifarious partners in crime.
"There is properly no history, only biography," Emerson remarked, and in this ingenious book Thomas McGraw unfolds the history of four powerful men: Charles Francis Adams, Louis D. Brandeis, James M. Landis, and Alfred E. Kahn. The absorbing stories he tells make this a book that will appeal across a wide spectrum of academic disciplines and to all readers interested in history, biography, and Americana.
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Twenty-eight people sign in at a real estate "open-house showing" in a foothills area of Virginia's Blue Ridge Mountains on a Sunday in early fall. Five days later one of them is still there. Dead. Murdered. The two female brokers who discover the body are appalled and angered by the ineptitude of the sherriff's deputies who respond to their 911 call. Then further infuriated by the chief investigator's initial dismissal of their offer to assist, they set out to investigate and solve the murder on their own. What ensues are their sometimes hilarious adventures and escapades as they boldly assume disguises , stalk suspects, and generally engage in "sleuthing" activities to check out the other twenty-seven visitors to the open-house. Action culminates with the confrontation between one broker and the murderer.