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The Alchemical Actor offers an imagination for new and future theatre inspired by the manifesto of Antonin Artaud. The alchemical four elements – earth, water, air and fire and the four alchemical stages – nigredo, albedo, citrino and rubedo serve as initiatory steps towards the performance of transmutational consciousness. The depth psychological work of Carl G. Jung, the theatre techniques of Michael Chekhov and Rudolf Steiner infuse ‘this’ Great Work. Jane Gilmer leads the reader through alchemical imaginations beyond material cognition towards gold-making heart-thinking - key to new and future theatre.
Concise, clearly written, and vibrantly illustrated, Langman’s Medical Embryology, 15th Edition, makes complex embryology concepts approachable to help you build the clinical understanding essential to your success in medical practice, nursing, or other health professions. Hundreds of full-color illustrations clarify the stages of embryonic development with rich detail, and engaging learning features, clinical examples, and online review questions ready you for the challenges ahead on your exams and in clinical practice.
In the mid 2000s, online gaming was a robust and thriving culture, with dedicated participants around the world. A decade later, mobile games had spawned billion-dollar franchises, and e-sports had earned a viewership rivaling the audiences of blockbuster films. As online gaming grew into a pop culture industry, new questions were raised about the role of video games in business, politics, education, and culture. The articles in this collection showcase the development of this multi-faceted industry, and features such as media literacy terms and questions will engage readers beyond the text.
Learning Objectivesthat highlight the coverage of the chapter vis-à-vis the new competency-based curriculum.
A Handbook to the Reception of Greek Drama offers a series of original essays that represent a comprehensive overview of the global reception of ancient Greek tragedies and comedies from antiquity to the present day. Represents the first volume to offer a complete overview of the reception of ancient drama from antiquity to the present Covers the translation, transmission, performance, production, and adaptation of Greek tragedy from the time the plays were first created in ancient Athens through the 21st century Features overviews of the history of the reception of Greek drama in most countries of the world Includes chapters covering the reception of Greek drama in modern opera and film
How can war be represented on stage? How does the theatre examine the structures leading to violence and war and explore their transformation of societies? Springing from the discussion about 'New Wars' in the age of globalisation, this interdisciplinary study demonstrates how these 'New Wars' bring forth new plays about war.
‘The Art of Speech offers to the English language a systematic, in-depth and thoroughly readable exploration of Rudolf Steiner’s original exercises. Langman’s contribution, developed over decades of research, performance and teaching, is filled with relevance for today’s speech artists. The powerful spiritual inspirations that stand behind the spoken word are infused throughout, giving this book its wings.’ – Dr Diane Caracciolo, Associate Professor of Educational Theatre, Adelphi University ‘Langman’s seminal work leads the artist through a portal to an experience of the heart and the genius of speech as “the activity of divine creative beings”.’ – Dr Jane Gilmer, As...
This book will be invaluable to teachers, acting students and practitioners alike. Langman’s inspired methods, fed by some 45 years of teaching and practice, ensure the highest outcomes for the integration of voice, speech and language as a central ingredient of the actor’s craft. She is the most unique and brilliant master teacher in this area I have ever encountered.’ – Rosalba Clemente, Head of Acting, Drama Centre, Flinders University ‘A rite de passage – working with Langman’s book is an initiation into the practice of “Future Theatre”.’ – Dr Jane Gilmer, Assistant Professor of Drama, VPA, National Institute of Education, Singapore A remarkable achievement that com...
The Manuals include information on syllabus, regulations, copies of examination papers and notes by examiners. They also include pass lists.
The Routledge Companion to Studio Performance Practice is a unique, indispensable guide to the training methods of the world’s key theatre practitioners. Compiling the practical work outlined in the popular Routledge Performance Practitioners series of guidebooks, each set of exercises has been edited and contextualised by an expert in that particular approach. Each chapter provides a taster of one practitioner’s work, answering the same key questions: ‘How did this artist work? How can I begin to put my understanding of this to practical use?’ Newly written chapter introductions put the exercises in context, explaining how they fit into the wider methods and philosophy of the practitioner in question. All 21 volumes in the original series are represented in this volume.