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"A warm and expansive portrait of a woman’s mind that feels at once singular and universal," this collection of essays interweaves commentary on modern life, feminism, art, and sex with the author's own experiences of obsession, heartbreak, and vulnerability (BuzzFeed). Like a song that feels written just for you, Larissa Pham's debut work of nonfiction captures the imagination and refuses to let go. Pop Song is a book about love and about falling in love—with a place, or a painting, or a person—and the joy and terror inherent in the experience of that love. Plumbing the well of culture for clues and patterns about love and loss—from Agnes Martin's abstract paintings to James Turrell...
An unnamed narrator's life at Yale takes a dizzying turn when she meets a girl who looks just like her. Drawn into each other's social worlds, they spiral deeper and deeper into a house of mirrors made of each other.
A New York Times Notable Book Kink is a groundbreaking anthology of literary short fiction exploring love and desire, BDSM, and interests across the sexual spectrum, edited by lauded writers R.O. Kwon and Garth Greenwell, and featuring a roster of all-star contributors including Alexander Chee, Roxane Gay, Carmen Maria Machado, and more. A Most-Anticipated book of 2021 as selected by * Marie Claire * O, The Oprah Magazine * Cosmopolitan * Time * The Millions * The Advocate * Autostraddle * Refinery29 * Shape * Town & Country * Book Riot * Literary Hub * Kink is a dynamic anthology of literary fiction that opens an imaginative door into the world of desire. The stories within this collection ...
The exquisite last novel from Nobel Prize-winning author Yasunari Kawabata Ineko has lost the ability to see things. At first it was a ping-pong ball, then it was her fiancé. The doctors call it 'body blindness', and she is placed in a psychiatric clinic to recover. As Ineko's mother and fiancé walk along the riverbank after visiting time, they wonder: is her condition a form of madness - or an expression of love? Exploring the distance between us, and what we say without words, Kawabata's transcendent final novel is the last word from a master of Japanese literature. 'Lusciously peculiar' Paris Review
This remarkable novel evokes the twilight of South Africa's apartheid society in the early 1970s as seen through the eyes of a young Afrikaner boy, Marnus Erasmus. From the story of a seemingly stable and affluent family, whose self-delusion and arrogance masks a troubling undercurrent, comes a harrowing parallel tale of a childhood corrupted and a society beginning to crumble.
A major US debut novel in 2019 Shortlisted for the Centre for Fiction First Novel Prize A New York Times Book Review Editors' Choice In Chia-Chia Lin's piercing debut novel, The Unpassing, we meet a Taiwanese immigrant family of six struggling to make ends meet on the outskirts of Anchorage, Alaska. The father, hardworking but beaten down, is employed as a plumber and contractor, while the loving, strong-willed, unpredictably emotional mother holds the house together. When ten-year-old Gavin contracts meningitis at school, he falls into a deep, nearly fatal coma. He wakes a week later to learn that his younger sister, Ruby, was infected too. She did not survive. Routine takes over for the gr...
'Dazzling ... in her kaleidoscopic essays, memoir has been shattered into sliding and overlapping pieces ... mind-expanding' The New York Times Book Review Esmé Weijun Wang was officially diagnosed with schizoaffective disorder in 2013, although the hallucinations and psychotic episodes had started years before that. In the midst of a high functioning life at Yale, Stanford and the literary world, she would find herself floored by an overwhelming terror that 'spread like blood', or convinced that she was dead, or that her friends were robots, or spiders were eating holes in her brain. What happens when your whole conception of yourself is turned upside down? When you're aware of what is occ...
"A fierce and voluble refutation of the patriarchy and its soul-crushing oppression of female power. These writers make clear that as witches, femmes, and queers, they will use their own strength, ingenious rituals, beauty routines, and spells to rise above and beyond the limits of racism/classism and objectifications set by a male-dominated society. While bound by a thread of magic, these are inspiring feminist writings for readers of feminist literature, however identified.” --Library Journal Edgy and often deeply personal, the twenty-one essays collected here come from a wide variety of writers. Some identify as witches, others identify as writers, musicians, game developers, or artists...
First published in 1947, this acknowledged classic of American literary criticism explores the influences—especially Shakespearean ones—on Melville’s writing of Moby-Dick. One of the first Melvilleans to advance what has since become known as the “theory of the two Moby-Dicks,” Olson argues that there were two versions of Moby-Dick, and that Melville’s reading King Lear for the first time in between the first and second versions of the book had a profound impact on his conception of the saga: “the first book did not contain Ahab,” writes Olson, and “it may not, except incidentally, have contained Moby-Dick.” If literary critics and reviewers at the time responded with var...
A profound literary debut that recounts a child’s singular story Since I made you, you may imagine I set myself on fire— or better, say: you lit the funeral pyre from ten thousand days away. A young woman in Paris encounters an uncanny presence on a tour of a small museum. A study by Rodin of the dancer Little Hanako—titled Head of Sorrow—triggers in the young woman recognition of her mother, a mother erased from her life since childhood. Thus begins Eleanor Chai’s Standing Water, one of the most remarkable first books of poetry in recent years. It is a journey into the past as well as the present—into the narrative hidden from the poet since birth, as well as the strategies that she has adopted to survive. It is a journey about how we learn to cope with, to perceive and describe, the world. It is a story about savage privilege and deprivation. Haunting the whole is the figure of the real Little Hanako—Rodin’s model, a Japanese artist displaced in Europe, the medium through which other artists dream and discover the world.