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New York City, 1973 and the city is falling apart under the weight of crime and degradation. Al loves Trudy but doesn't understand her or how to be a man in this world. He hopes that angry Mike, a courageous and selfless father to a mentally crippled son, can enlighten and inspire him. But Mike, who spends his nights manning a spotlight outside Broadway theaters, has a dark side. He can keep those beams licking the dark heavens and he can fix any broken appliance you hand him, but he can't fix his broken son and it is killing him. The two men forge a friendship and try to work out their frustrations, paranoia, and rage as they grope for some standing in a city buried in uncollected garbage a...
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One in five women will be attacked at some point in her life. Based on the self-defense approach currently being taught to thousands of women across the country, this book offers easily learned techniques women can use to protect themselves in a variety of dangerous situations.
As the global psychiatric community enters a new era of transformation, this book explores lessons learned from previous efforts with the goal of “getting it right” this time. In response to the common refrain that we know about and ‘do’ recovery already, the authors set the recovery movement within the conceptual framework of major thinkers and achievers in the history of psychiatry, such as Philippe Pinel, Dorothea Dix, Adolf Meyer, Harry Stack Sullivan, and Franco Basaglia. The book reaches beyond the usual boundaries of psychiatry to incorporate lessons from related fields, such as psychology, sociology, social welfare, philosophy, political economic theory, and civil rights. Fro...
Richard Strauss is a composer much loved among audiences throughout the world, both in the opera house and the concert hall. Despite this popularity, Strauss was for many years ignored by scholars, who considered his commercial success and his continued reliance on the tonal system to be liabilities. However, the past two decades have seen a resurgence of scholarly interest in the composer. This Companion surveys the results, focusing on the principal genres, the social and historical context, and topics perennially controversial over the last century. Chapters cover Strauss's immense operatic output, the electrifying modernism of his tone poems, and his ever-popular Lieder. Controversial topics are explored, including Strauss's relationship to the Third Reich and the sexual dimension of his works. Reintroducing the composer and his music in light of recent research, the volume shows Strauss's artistic personality to be richer and much more complicated than has been previously acknowledged.
Anti-Slavery Activist
A study of Strauss's orchestral activity from the perspective of late-19th-century German intellectual history.
The political philosophy of Leo Strauss has been the subject of significant scholarly and media attention in recent years, particularly in the context of the decision to invade Iraq in 2003. Allegations that a group of Strauss-inspired Neo-conservatives intervened in the foreign policy establishment of the US in order to realise the policy of 'regime change' began to emerge soon after the invasion, and unanswered questions remain a decade later. This book addresses these claims, focusing specifically on a group of Straussians active in the spheres of intelligence production, think tanks, and the media during the period from the 9/11 attacks to the invasion in 2003. Such an examination is int...
Leo Strauss's connection with Martin Heidegger and Carl Schmitt suggests a troubling proximity to National Socialism but a serious critique of Strauss must begin with F. H. Jacobi. While writing his dissertation on this apparently Christian opponent of the Enlightenment, Strauss discovered the tactical principles that would characterize his lifework: writing between the lines, a faith-based critique of rationalism, the deliberate secularization of religious language for irreligious purposes, and an "all or nothing" antagonism to middling solutions. Especially the latter is distinctive of his Zionist writings in the 1920s where Strauss engaged in an ongoing polemic against Cultural Zionism, a...
Originally published by Duke University Press in 1992, this book examines Strauss's life and work from a number of approaches and during various periods of his long career, opening up unique corridors of insight into a crucial time in German history. Beyond the enlightening introduction by Michael Kennedy, individual essays use Strauss's creative work as a framework for larger musicological questions such as the tension between narrative and structure in program music, the problem of extended tonality at the turn of the century, stylistic choice versus stylistic obligation, and conflicting perspectives of progressive versus conservative music.