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Up with the rooster, to bed with the sun, and if the farmers a woman, its a good bet theres always more work waiting. Holding household and family together, women farmers daily, quietly perform heroic labors just to eke a livelihood out of the land. Women have always farmed, when death or war left them to fend for themselves, but today they might choose to farm, and, in a time when farming is a shrinking occupation, their choices have expanded. Some women are only at home on the range; others, more hearth-bound, see the farm as an extension of home and family life. Some farm to feed their families; others, running huge corporate operations, farm to feed nations. These are the farmers that Women of the Harvest celebrates. In twelve illustrated profiles, the book introduces readers to women who work the land, raising livestock and crops, and, in doing so, uphold and transform a tradition as old as agriculture itself. Their stories, drawn from farms across the country, are truly in the American grain.
Architecture and environmental design are among the last professional fields to develop a sustained and nuanced discussion concerning ethics. Hemmed in by politics and powerful clients on one side and the often unscrupulous practices of the construction industry on the other, environmental designers have been traditionally reluctant to address ethical issues head on. And yet the rapid urbanization of the world's population continues to swell into new megacities, each less healthy, welcoming, secure, or environmentally sustainable than the next. Green, carbon-reduced, and sustainable building practices are important ways architects have recently responded to the symptoms of the crisis, but ar...
Since the 1980s, many activists and writers have turned from identity politics toward ethnic religious traditions to rediscover and reinvigorate their historic role in resistance to colonialism and oppression. In her examination of contemporary fiction by women of color--including Toni Morrison, Ana Castillo, Toni Cade Bambara, Louise Erdrich, and Leslie Marmon Silko--Channette Romero considers the way these novels newly engage with Vodun, Santería, Candomblé, and American Indian traditions. Critical of a widespread disengagement from civic participation and of the contemporary novel's disconnection from politics, this fiction attempts to transform the novel and the practice of reading into a means of political engagement and an inspiration for social change.
This collection showcases the best writings of Stephen Graham Jones, whose career is developing rapidly from the noir underground to the mainstream. The Faster Redder Road features excerpts from Jones’s novels—including The Last Final Girl, The Fast Red Road: A Plainsong, Not for Nothing, and The Gospel of Z—and short stories, some never before published in book form. Examining Jones’s contributions to American literature as well as noir, Theodore C. Van Alst Jr.’s introduction puts Jones on the literary map.
Through cross-cultural comparisons, archaeological data, and ethnographic insights, Joel W. Palka addresses central questions about Maya pilgrimage practice and discusses the broad importance of Maya ritual landscapes and pilgrimage for Mesoamerica as a whole.
Wading through Many Voices brings together the voices of Latino/a, African American, Asian American, Native American, and Euro-American scholars to produce a dialogue of public theology: how faith-communities, divided by race, class, ethnicity, and gender, can find a common ground for life together. The authors articulate a multiethnic perspective on public theology that counters the divisive identity politics of U.S. public life with systematic thinking that strengthens the commitment to critically transform social relations in light of a shared vision of public good. The contributors develop a shared public theology that addresses social divisions while offering readers a broad vision to collaborate and struggle for an improved understanding of the common good for our pluralistic society. In light of emerging social issues, the contributors suggest that a fundamental respect for difference is a required first value for living together in a common social and political space.
The decorated sandals worn by prehistoric southwesterners with their complex fiber structures and designs have been dissected, described, and interpreted for a century. Nevertheless, these artifacts remain mysterious in many respects. Teague and Washburn examine these sandals as sources of information on the history of the people known as the Basketmakers. The unique sandals of early southwestern farmers appear in Basketmaker II and reach their greatest elaboration with the complex fabric structures and colorbanded designs of Basketmaker III. The appearance of this footwear coincides with the transition to fully sedentary maize agriculture. The authors address the origins of these sandals and what they may reveal about population movements onto and around the Colorado Plateau and about the cosmology of early farmers.
"[Glancy's] long-distance drives take on the monastic qualities of a spiritual pilgrimage rather than serving merely as a means to a destination." --The New York Times Book Review The land carries voices. The land remembers what happened upon it. In traveling the land, I become familiar with more than myself. Give me the journey of the road; it is my journey home. From the award-winning Native American literary writer Diane Glancy comes a book about travel, belonging, and home. Travel is not merely a means to bring us from one location to another. "My sense of place is in the moving," Glancy writes. For her the road is home--its own satisfying destination. But the road also makes demands on ...
Finalist for the 2020 ForeWord INDIE Book of the Year in the Multicultural Adult Fiction Category Restless Spirits is a collection of previously unpublished plays by contemporary Assiniboine playwright William S. Yellow Robe Jr. Including one full-length and seven one-act plays, this book reflects one of the author's most creative and productive periods in his career. Selected by Yellow Robe, in consultation with editor Jace Weaver, the plays reveal the range of Yellow Robe's writing from tragedies to farce. They are unified by their supernatural themes or significant elements, including Wood Bones, his most recent and highly successful full-length play. Weaver's introduction says that the works in this collection clearly demonstrate that Yellow Robe is not just a great American Indian playwright, but a great American playwright in the company of David Mamet, Lynn Nottage, and Wallace Shawn. Renowned American Indian playwright Hanay L. Geiogamah provides a foreword and calls this volume "a real gift to the American Indian theater—and to theater, more generally."
An ethnographic study based on decades of field research, Pilgrimage to Broken Mountain explores five sacred journeys to the peaks of venerated mountains undertaken by Nahua people living in northern Veracruz, Mexico. Punctuated with elaborate ritual offerings dedicated to the forces responsible for rain, seeds, crop fertility, and the well-being of all people, these pilgrimages are the highest and most elaborate form of Nahua devotion and reveal a sophisticated religious philosophy that places human beings in intimate contact with what Westerners call the forces of nature. Alan and Pamela Sandstrom document them for the younger Nahua generation, who live in a world where many are lured away...