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Heritage and Wellbeing examines what role heritage can play in creating healthier societies, exploring how heritage can improve people's wellbeing through a range of international case studies. These studies include Bangalore Fort, Imperial War Museum, Duxford, Biltmore Estate, and Chatsworth House. It presents significant new research in the field of wellbeing studies and public heritage, key chapters that evaluate museums, heritage sites, and archaeology providing evidence how these different activities pro-actively and positively influence wellbeing. Faye Sayer provides evidence of how visiting and engaging with heritage places could provide the key to healthier and happier societies, arguing the benefits of heritage should be regarded as a key player in improving wellbeing and mental health and reducing wellbeing inequality.
Poems, pictures, stories and photographs by people with autism or Asperger syndrome, parents and carers, families and friends and professionals working with people with autistic spectrum disorders. 'A few minutes spent reading some of these extraordinary and revealing anecdotes and poems will explain more about this complex disorder than hours of text book.' Jane Asher, President, The National Autistic Society Poems, pictures, stories and photographs by people with autism or Asperger syndrome, parents and carers, families and friends and professionals working with people with autistic spectrum disorders.
"In Culture of Misfortune, Clete Daniel integrates many primary sources, including extensive archival records and numerous oral interviews, into his examination of this conflict. He pays close attention to the internal political culture of the TWUA and how it was affected by the dislocation and transformation of the textile industry, the postwar assault on workers' rights, and the risks of activism in the face of the rampant anti-unionism of the South."--BOOK JACKET.
Museums are public places where objects, images and memories are kept and shared. They exist in infinite variety and contradiction. They can be places of great excitement and great boredom, sharply insightful and hopelessly bland. Museums are anything that the political climate and the imagination allows them to be. No two museums are the same. The papers which make up this volume give ample evidence of the variety of views that exist about museums. They also demonstrate that museums and museum professionals are moving forward with energy and conviction. This volume will be invaluable to students and museum professionals and will provoke them to consider museum provision and professionalism in all their forms.
Collections Management brings together leading papers exploring some of the major issues affecting collections management. Providing information about initiatives and issues for anyone involved in collections management, Fahy identifies the main issues relating to collecting and disposal of collections and discusses why museums should develop appropriate documentation systems. Examining the status of research within museums, the various sources of advice relating to security and addresses the basics of insurance and indemnity, Collections Management is an invaluable and very practical introduction to this topic for students of museum studies and museum professionals.
* Conservation ethics and principles, such as minimum intervention, integrity and authenticity of an object, addressed from a wide range of professional and academic viewpoints, including contributions from curators, museology theorists and philosophers * Theory and principles presented and analysed both from a Western perspective and outside the boundaries of North America and Europe * Brings together conservation theory relevant to collections, historic buildings, monuments and archaeological sites
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Colouring In is the story of James Clifton, a chronic underachiever who has failed to fulfil his potential and exists too easily in a world where he shouldn't belong. As the 1980s draw to a close, James is lurching from drama to crisis to impasse. His present and future are inhibited by his reliance on a rose-tinted vision of his past. His talents as an Artist are submerged in a morass of indecision and poor self-esteem. He is holding too many last straws. But when it seems James has reached the very bottom of all that is wrong, a letter arrives that changes his life forever. An admirer, who James cannot place in his previous history, becomes the catalyst for transformation and evolution. He learns that not everything he holds dear is quite as he wants to remember it. He finds himself on a path that reveals a new future, based on a different past. Colouring In explores the ways in which inadequacy, perceived or real, can become a block to creativity and ambition. It is also a love story. Set in England (and in France for part of the story), Colouring In has some laugh out loud moments and graphic sex scenes and language.
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