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A major question facing therapists today is how to treat psychosis effectively while maintaining patients' dignity, self-respect and their psychological and social functioning. This book provides important and engaging accounts of the special personal and interpersonal care offered by the Arbours Crisis Centre and kindred facilities.
Borders Cuts Images. History and Theory. Editorial, edited by Linda Bertelli and Maria Luisa Catoni Maria Luisa Catoni, Cut as a device. An example from Classical Antiquity. Camilla Pietrabissa, Cutting down the interpretation of drawings. The case of Watteau. Maja-Lisa Müller, Framing representation. The hybrid zones of intarsia. Costanza Caraffa, The photographic cut and cutting practices in photographic archives. Sara Romani, From cuts to clues, hidden narratives within the details of Carl Durheim’s photographic portraits (1840-1860). Laura Di Fede, A look from outside. Foreign photographers in Palermo between the 19th and 20th centuries. Agnese Ghezzi, Framing the ‘delegated gaze’...
In The Hands Of A Sadist... First, he bound and beat his girlfriend, a 43-year-old librarian. Then he went after her teenaged daughter-warning her, "Scream and I will kill you both"-before knocking her unconscious. When the teenager awoke, he proceded to rape her. And in a final horrifying act of depravity, he forced the girl to watch as he slit her mother’s throat. But the killing didn’t stop there... In The Crosshairs Of A Killer... Stephen Stanko was described as "a perfect gentleman" who "seemed so pleasant...and so normal." But behind Stanko’s mild-mannered appearance, round spectacles, and quiet intelligence was a coldblooded ex-convict who kept a grisly scrapbook on serial kille...
In The Hands Of A Sadist. . . First, he bound and beat his girlfriend, a 43-year-old librarian. Then he went after her teenaged daughter--warning her, "Scream and I will kill you both"--before knocking her unconscious. When the teenager awoke, he proceded to rape her. And in a final horrifying act of depravity, he forced the girl to watch as he slit her mother's throat. But the killing didn't stop there. . . In The Crosshairs Of A Killer. . . Stephen Stanko was described as "a perfect gentleman" who "seemed so pleasant. . .and so normal." But behind Stanko's mild-mannered appearance, round spectacles, and quiet intelligence was a coldblooded ex-convict who kept a grisly scrapbook on serial killers--and convinced everyone he was a nice guy--until he killed and killed again. On The Trail Of A Psycho. . . A well-orchestrated manhunt caught up with Stanko, who tried to get away with his crimes by pleading insanity. But the jury saw through his ruse and the ruthless killer was sentenced to death. Case Seen On 48 Hours Includes 16 Pages of Shocking Photos
Explores the irreverent theater of George Tabori and its enduring legacy within Holocaust theater
Il volume 30 di «Archeologia e Calcolatori» si apre con un inserto speciale, dedicato al trentennale della rivista. Alle introduzioni di F. Djindjian e di P. Moscati, che delineano un quadro dell’informatica archeologica nel suo divenire, seguono gli articoli dei membri del Comitato di Redazione, a testimoniare l’attività di ricerca e di sperimentazione che ha caratterizzato il cammino editoriale della rivista, e il contributo di una giovane laureata dell’Università Bocconi, che ha lavorato a stretto contatto con il team di «Archeologia e Calcolatori». Nella parte centrale sono pubblicati gli articoli proposti annualmente dagli autori. Ne emerge un quadro che rappresenta gli aspe...
The present edited collection of essays on the Sicilian author Goliarda Sapienza includes contributions from established and emerging scholars working in the field of contemporary women’s writing. Essays in this volume examine Sapienza through multiple perspectives, taking into account the articulation of subjectivity through autobiographical writing and the complex representation of gender and sexual identities. Also considered here is Sapienza’s oblique position within the Italian literary canon, with contributions moving beyond isolated textual analyses whilst attempting to situate the author’s works within a framework of intertextual and contextual cultural references. Exploring the fertile network of explicit and implicit intersections with Italian and European literature (English and French in particular), as well as with Western philosophical thought in which Sapienza’s texts are embedded, this volume will provide an overdue contribution to the belated appraisal of an author whose due recognition is, in Cesare Garboli’s words, only a matter of time: “Time will work in favour of Goliarda Sapienza’s works. And this is not a wish; it is a certainty.”
Feminist networks, new biennials, and performance -- Painting and the image condition at the millennium -- Materiality, ephemerality, and haptics -- Language, the documentary, and art in a discursive mode -- Infrastructure, collaboration, and the cut -- Conclusion : Infrastructure is not (only) a metaphor.