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Beyond Madness
A major question facing therapists today is how to treat psychosis effectively while maintaining patients' dignity, self-respect and their psychological and social functioning. This book provides important and engaging accounts of the special personal and interpersonal care offered by the Arbours Crisis Centre and kindred facilities.
Antipsychiatry
More than fifty years ago, Thomas Szasz showed that the concept of mental illness—a disease of the mind—is an oxymoron, a metaphor, a myth. Disease, in the medical sense, affects only the body. He also demonstrated that civil commitment and the insanity defense, the paradigmatic practices of psychiatry, are incompatible with the political values of personal responsibility and individual liberty. The psychiatric establishment’s rejection of Szasz’s critique posed no danger to his work: its defense of coercions and excuses as "therapy" supported his argument regarding the metaphorical nature of mental illness and the transparent immorality of brutal psychiatric control masquerading as ...
A Killer's Touch
A PRETTY YOUNG WOMAN . . . Denise Amber Lee was a 21-year-old happily married mother of two little boys. She had her whole life ahead of her. . .until an intruder broke into her Florida home. Within a few short hours she was savagely terrorized, murdered, and buried naked in a shallow grave near a desolate swamp. A DEPRAVED KILLER . . . Michael King, a 38-year-old out-of-work plumber, was a ticking time bomb. For years, neighbors called the police on King, complaining that, among other things, he'd thrown battery acid in their pool and slashed their tires. Denise's fate was far worse. In a horrifying act of cruelty, King bound her with duct tape, raped her repeatedly, then shot her dead. A TRAGIC FAILURE. . . Incredibly, Denise managed to call 911 twice during her abduction. Eyewitnesses and her distraught husband also called, but a slow, inefficient system tragically failed her. As a result, Florida passed the Denise Lee Law, setting voluntary standards for 911 systems. King was sentenced to death. But for Denise and her loving family, it was too late. Includes 16 Pages of Shocking Photos
Open Wounds
This volume collects original essays on Hungarian-German playwright and screenwriter George Tabori (1914–2007) and his remarkable contributions to the stage. Tabori, a Jewish refugee and a truly transnational author, was best known for his work in New York theater that irreverently explored the Jewish experience, particularly the Holocaust. Although his illustrious career spanned a century, two continents, several languages, and a variety of literary genres, Tabori’s work has received scant attention in American letters, in spite of its significance for U.S. theater and Holocaust studies. Until Tabori, most dramas about the Holocaust were either rooted in American domestic realism, striv...
Watch Mommy Die
In The Hands Of A Sadist. . . First, he bound and beat his girlfriend, a 43-year-old librarian. Then he went after her teenaged daughter--warning her, "Scream and I will kill you both"--before knocking her unconscious. When the teenager awoke, he proceded to rape her. And in a final horrifying act of depravity, he forced the girl to watch as he slit her mother's throat. But the killing didn't stop there. . . In The Crosshairs Of A Killer. . . Stephen Stanko was described as "a perfect gentleman" who "seemed so pleasant. . .and so normal." But behind Stanko's mild-mannered appearance, round spectacles, and quiet intelligence was a coldblooded ex-convict who kept a grisly scrapbook on serial killers--and convinced everyone he was a nice guy--until he killed and killed again. On The Trail Of A Psycho. . . A well-orchestrated manhunt caught up with Stanko, who tried to get away with his crimes by pleading insanity. But the jury saw through his ruse and the ruthless killer was sentenced to death. Case Seen On 48 Hours Includes 16 Pages of Shocking Photos
A Knife in the Heart
Difficult to put down. . .. This is one that I highly recommend. --True Crime Book Reviews on Watch Mommy Die Die For Love Sarah Ludemann was new to love. The Pinellas, Florida, 17-year old was a late bloomer. When she fell for a boy she was blind to the world of sex, drugs and drama swirling around her. Soon, Sarah had a bitter enemy in 18-year-old waitress Rachel Wade; both girls were head-over-heels with a cocky two-timer named Joshua Camacho. On a warm spring night, their passions erupted into violence. A knife flashed under the streetlights. When the fight was over one girl was dead and the other charged with murder. In an emotion-packed courtroom the whole story took shape--a troubling tale of conflicting lives, tangled sexual affairs, and the high price of having the right feelings for the wrong guy. . . "Brisk pacing. . .shocking details." --Publishers Weekly on The Burn Farm Includes dramatic photos.
The Rise and Fall of the Italian Film Industry
Italian cinema triumphed globally in the 1960, with directors such as Rossellini, Fellini, and Leone, and actors like Sophia Loren and Marcello Mastroianni known to audiences around the world. But by the end of the 1980s, the Italian film industry was all but dead. The Rise and Fall of the Italian Film Industry traces the rise of the industry from its origins in the 19th century to its worldwide success in the 1960s, and its rapid decline in the subsequent decades. It does so by looking at cinema as an institution – subject to the interplay between the spheres of art, business, and politics at the national and international level. By examining the roles of a wide range of stakeholders (inc...
The Global Rules of Art
A trailblazing look at the historical emergence of a global field in contemporary art and the diverse ways artists become valued worldwide Prior to the 1980s, the postwar canon of “international” contemporary art was made up almost exclusively of artists from North America and Western Europe, while cultural agents from other parts of the world often found themselves on the margins. The Global Rules of Art examines how this discriminatory situation has changed in recent decades. Drawing from abundant sources—including objective indicators from more than one hundred countries, multiple institutional histories and discourses, extensive fieldwork, and interviews with artists, critics, cura...
