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The Admirable Adventures and Strange Fortunes of Master Anthony Knivet
This is the first comprehensive, annotated edition in English of Anthony Knivet's 1625 travel account.
Kenwood, Paintings in the Iveagh Bequest
Set high on a ridge in historic parkland less than five miles from Trafalgar Square, Kenwood is London's favourite 'country house'. Remodelled by Robert Adam in the eighteenth century, in 1928 it became the home of the Iveagh Bequest, a superb collection of old master paintings that includes Rembrandt's most celebrated self-portrait, the only Vermeer in England outside the National Gallery and the Royal Collection, Gainsborough's Countess Howe, and classic works by Reynolds, Romney, Lawrence and Turner. The collection was formed between 1887 and 1891 by Edward Cecil Guinness, 1st Earl of Iveagh, Chairman of the world's leading brewery, who gave it to the nation with the house and estate. Thi...
The Suffolk Collection
This book tells the story of a collection of paintings that belonged to the earls of Suffolk and Berkshire prior to being gifted to the nation in 1974. The paintings date from the late 16th century to the late 19th century and are made up of family portraits, royal portraits and old masters. The collection contains significant, early, full-length English portraits which depict a fascinating family history in the Jacobean times and key personalities of that period. This lavishly illustrated book includes full catalogue entries for all the items in the collection. It explores the Suffolk Collection from a number of points of view - with contributions from leading specialists in their field - and reassesses the identities of the sitters, considers the artists, their context, the society and family history at the different times, as well as discussing in detail the costume represented and the physical condition of the paintings. Together, the chapters provide a fascinating insight into the collection and its history.
A Cultural History of Furniture in the Age of Enlightenment
"A Cultural History of Furniture presents an authoritative survey from ancient times to the present. The set of six volumes spans 4,500 years of furniture in its physical, social and cultural context. Each volume discusses the same themes in its nine chapters: Designs and Motifs; Makers, Making and Materials; Types and Uses; the Domestic Setting; the Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations"--
A Cultural History of Furniture in the Age of Empire and Industry
The 19th century in Western culture was a time of both confidence and turbulence. Industrial developments resulted in a number of benefits from a growing middle class to efficiency, convenience and innovation across a range of fields from engineering to architecture. Alongside these improvements, the century began with the extended period of the Napoleonic Wars and was further disrupted by rebellions and revolutions both within Europe and in India, South America and other parts of the world. Slavery was abolished and urbanization increased dramatically. These myriad developments were reflected throughout the period in the proliferation of types of furniture, along with their categorization a...
A Cultural History of Furniture in the Age of Enlightenment
The 18th century saw the height of court culture in Europe as well as the beginnings of its demise with conflicts such as the American and French Revolutions. The Scientific Revolution, which had begun in the preceding centuries, also ushered in a new intellectual era which advocated the use of reason to effect change in government and to advance progress in society. For furniture, this meant ever-higher standards of luxury in the designs, techniques and materials utilized for the best pieces, and more structure and specialization in the furniture-making process itself. Furniture also came into its own during this period as a collectable work of art on its own merits. Drawing upon a wealth of visual and textual sources, this volume presents essays that examine key characteristics of the furniture of the period on the themes of Design and Motifs; Makers, Making, and Materials; Types and Uses; The Domestic Setting; The Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations.
A Cultural History of Furniture in the Age of Exploration
"A Cultural History of Furniture presents an authoritative survey from ancient times to the present. The set of six volumes spans 4,500 years of furniture in its physical, social and cultural context. Each volume discusses the same themes in its nine chapters: Designs and Motifs; Makers, Making and Materials; Types and Uses; the Domestic Setting; the Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations"--
Fashion and Popular Print in Early Modern England
Fashion featured in black-letter broadside ballads over a hundred years before fashion magazines appeared in England. In the seventeenth century, these single-sheet prints contained rhyming song texts and woodcut pictures, accessible to almost everyone in the country. Dress was a popular subject for ballads, as well as being a commodity with close material and cultural connections to them.This book analyses how the distinctive words and images of these ballads made meaning, both in relation to each other on the ballad sheet and in response to contemporary national events, sumptuary legislation, religious practice, economic theory, the visual arts and literature. In this context, Clare Backhouse argues, seventeenth-century ballads increasingly celebrated the proliferation of print and fashionable dress, envisioning new roles for men and women in terms of fashion consumption and its importance to national prosperity. The book demonstrates how the hitherto overlooked but extensive source material that these ballads offer can enrich the histories of dress, art and culture in early modern England.
The Wife of Bath in Afterlife
By focusing on one literary character, as interpreted in both verbal art and visual art at a point midway in time between the author’s era and our own, this study applies methodology appropriate for overcoming limitations posed by historical periodization and by isolation among academic specialities. Current trends in Chaucer scholarship call for diachronic afterlife studies like this one, sometimes termed “medievalism.” So far, however, nearly all such work by-passes the eighteenth century (here designated 1660-1810). Furthermore, medieval authors’ afterlives during any time period have not been analyzed by way of the multiple fields of specialization integrated into this study. The Wife of Bath is regarded through the disciplinary lenses of eighteenth-century literature, visual art, print marketing, education, folklore, music, equitation, and especially theater both in London and on the Continent.
A Cultural History of Furniture in the Middle Ages and Renaissance
"A Cultural History of Furniture presents an authoritative survey from ancient times to the present. The set of six volumes spans 4,500 years of furniture in its physical, social and cultural context. Each volume discusses the same themes in its nine chapters: Designs and Motifs; Makers, Making and Materials; Types and Uses; the Domestic Setting; the Public Setting; Exhibition and Display; Furniture and Architecture; Visual Representations; and Verbal Representations"--
