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Strangers Settled Here Amongst Us
During the reign of Elizabeth I, large numbers of aliens immigrated into England for various reasons, most notably to escape religious persecution and the wars that wrecked the Continent in the sixteenth century. Much like governments facing immigration issues today, England's governors struggled to strike a balance between the potentially beneficial and the potentially dangerous aspects of the aliens' presence. Strangers Settled Here Amongst Us focuses on the link between the aliens, native English and the central government. It explores policies and attitudes, bringing new perspectives to familiar documents as well as introducing documents rarely seen in the subject's scholarship.
Transnational Exchange in Early Modern Theater
Emphasizing a performative and stage-centered approach, this book considers early modern European theater as an international phenomenon. Early modern theater was remarkable both in the ways that it represented material and symbolic exchanges across political, linguistic, and cultural borders (both "national" and "regional") but also in the ways that it enacted them. Contributors study various modalities of exchange, including the material and causal influence of one theater upon another, as in the case of actors traveling beyond their own regional boundaries; generalized and systemic influence, such as the diffused effect of Italian comedy on English drama; the transmission of theoretical and ethical ideas about the theater by humanist vehicles; the implicit dialogue and exchange generated by actors playing "foreign" roles; and polyglot linguistic resonances that evoke circum-Mediterranean "cultural geographies." In analyzing theater as a medium of dialogic communication, the volume emphasizes cultural relationships of exchange and reciprocity more than unilateral encounters of hegemony and domination.
Translating Shakespeare for the Twenty-First Century
Most of the contributions to Translating Shakespeare for the Twenty-First Century evolve from a practical commitment to the translation of Shakespearean drama and at the same time reveal a sophisticated awareness of recent developments in literary criticism, Shakespeare studies, and the relatively new field of Translation studies. All the essays are sensitive to the criticism to which notions of the original as well as distinctions between the creative and the derivative have been subjected in recent years. Consequently, they endeavour to retrieve translation from its otherwise subordinate status, and advance it as a model for all writing, which is construed, inevitably, as a rewriting. This...
Textual Conversations in the Renaissance
'Conversation is the beginning and end of knowledge', wrote Stephano Guazzo in his Civil Conversation. Like Guazzo's, this is a book dedicated to the Renaissance concept of conversation, a concept that functioned simultaneously as a privileged literary and rhetorical form (the dialogue), an intellectual and artistic program (the humanists' interactions with ancient texts), and a political possibility (the king's council, or the republican concept of mixed government). In its varieties of knowledge production, the Renaissance was centrally concerned with debate and dialogue, not only among scholars, but also, and perhaps more importantly, among and with texts. Renaissance reading practices we...
Cast Out
Throughout history, those arrested for vagrancy have generally been poor men and women, often young, able-bodied, unemployed, and homeless. Most histories of vagrancy have focused on the European and American experiences. Cast Out: Vagrancy and Homelessness in Global and Historical Perspective is the first book to consider the shared global heritage of vagrancy laws, homelessness, and the historical processes they accompanied. In this ambitious collection, vagrancy and homelessness are used to examine a vast array of phenomena, from the migration of labor to social and governmental responses to poverty through charity, welfare, and prosecution. The essays in Cast Out represent the best schol...
A Companion to the Global Renaissance
Featuring twenty one newly-commissioned essays, A Companion to the Global Renaissance: English Literature and Culture in the Era of Expansion demonstrates how today's globalization is the result of a complex and lengthy historical process that had its roots in England's mercantile and cross-cultural interactions of the sixteenth and seventeenth centuries. An innovative collection that interrogates the global paradigm of our period and offers a new history of globalization by exploring its influences on English culture and literature of the early modern period. Moves beyond traditional notions of Renaissance history mainly as a revival of antiquity and presents a new perspective on England's ...
John Cruso of Norwich and Anglo-Dutch Literary Identity in the Seventeenth Century
The first book-length biography of John Cruso of Norwich (b. 1592/3), a second-generation migrant poet, translator and military author, that explores ideas and practices of identity formation in the early modern period.John Cruso of Norwich (b. 1592/3), the eldest son of Flemish migrants, was a man of many parts: Dutch and English poet, translator, military author, virtuoso networker, successful merchant and hosier, Dutch church elder and militia captain. This first book-length biography, making extensive use of archival and literary sources, reconstructs the life and work of this multi-talented, self-made man, whose literary oeuvre is marked by its polyvocality. Cruso''s poetry includes a D...
Lies Like Truth
What was it like to be in the audience of the Globe Theater in 1606? By demonstrating fundamental connections between audience reaction then and the use of computers today, Renaissance scholar Arthur Kinney explores the cultural moment of one of Shakespeare's most popular tragedies.
Kent
The Records of Early English Drama (REED) series aims to establish the context for the great drama of Shakespeare and his contemporaries by examining the historical manuscripts that provide external evidence of drama, secular music, and other communal entertainment and ceremony from the Middle Ages until Puritan legislation closed the London theatres in 1642. REED's sixteenth collection, Kent: Diocese of Canterbury contains the evidence of dramatic, musical, and ceremonial activity in the city of Canterbury and in the towns and parishes of the diocese of Canterbury, taken from the borough records, parish records, civil and ecclesiastical court records, and from personal papers such as wills,...
Painting for a Living in Tudor and Early Stuart England
A rare examination of the political, social, and economic contexts in which painters in Tudor and Early Stuart England lived and workedWhile famous artists such as Holbein, Rubens, or Van Dyck are all known for their creative periods in England or their employment at the English court, they still had to make ends meet, as did the less well-known practitioners of their craft. This book, by one of the leading historians of Tudor and Stuart England, sheds light on the daily concerns, practices, and activities of many of these painters. Drawing on a biographical database comprising nearly 3000 painters and craftsmen - strangers and native English, Londoners and provincial townsmen, men and somet...
