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The Women Artists of Bologna
Hardcover reprint of the original 1907 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Ragg, Laura Marie Roberts, Mrs. The Women Artists Of Bologna. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Ragg, Laura Marie Roberts, Mrs. The Women Artists Of Bologna, . London: Methuen & Co., 1907. Subject: Caterina Da Bologna, Saint, 1413-1463
The Women Artists of Bologna
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
THINGS SEEN IN VENICE
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Records of Woman, with Other Poems
Felicia Hemans (1793-1835), one of the most influential and widely-read poets of the nineteenth century, wrote Records of Woman in 1828 at the height of her long career. In the series, which includes nineteen poems about exemplary lives, Hemans explores what it means to be a woman, challenging traditional beliefs while at the same time reinforcing persistent stereotypes. Her work celebrates the lives, events, and imagined thoughts of unremembered women from different cultures and time periods whose deeds show nobility of spirit and inner strength. In her introduction, Paula Feldman examines how Hemans's poetry shaped and was shaped by nineteenth-century literary tastes, and she reconsiders the aesthetic value of Hemans's work and the current understanding of the nature of Romanticism.
The Gospel of Barnabas
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
GOSPEL OF BARNABAS
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