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A Grammar of Seenku
Seenku is a Western Mande language of the Samogo group spoken in southwestern Burkina Faso by approximately 17,000 speakers. It has undergone a lot of phonological reduction, leading to a rich segmental and tonal phoneme inventory but mainly mono- and sesquisyllabic roots. The language has four contrastive levels of tone that combine to create over a dozen contours. Tone has a high functional load lexically and grammatically, permeating all aspects of grammar. Most verbs have two stem forms: a realis form and an irrealis form. The realis is derived from the irrealis by infixing a high vowel before the stem vowel, creating a diphthong. The use of a particular stem form is determined by aspect and construction type, but most other morphosyntactic meanings (e.g. progressive aspect or causative) are expressed analytically. Like most Mande languages, Seenku has an S Aux O V X word order in addition to areal clause-final negation. It displays a reduced set of post-subject “predicate markers” compared to other Mande languages, and those that are attested are variably realized only by tone changes and lengthening on the subject itself.
A Grammar of Tommo So
Tommo So is a Dogon language with approximately 60,000 speakers in Mali, West Africa. As only the second full grammatical description of a Dogon language, this volume is a critical resource for solving the mystery of Dogon's genetic affiliation with other languages in Africa. Tommo So is an SOV language with isolating nominal morphology and agglutinative verbal morphology; suffixes on the verb mark tense/aspect/negation as well as subject agreement. The phonology is sensitive to levels of verbal morphology in that variable vowel harmony applies less frequently as one moves to outer layers of the morphology. The tone system of Tommo So is of typological interest in both its phonological and s...
It's Me, Not You
: It's Me, Not You provides keys for making and fostering healthy relationships. The acronym REAL is used as a formula for understanding and keeping these healthy relationships. REAL represents Resentments, Expectations, Acceptance and Letting Go. We are encouraged to release our resentments, evaluate our expectations, acquire acceptance and learn to let go. The vignettes get right to the point and gives us everyday examples of how to develop and keep our relationships healthy. It's Me, Not You encourages us to do our part in making our relationships healthy. The material is eye-opening and encouraging because we don't have to wait on anyone else to do or not do something. If we chose to have healthy relationships, we can do it, even if it is one-sided. It's Me, Not You is part of the REAL Influence(TM) series, A Foundation for Healthy Relationships.
Truman Capote
Pugh explores Capote through a cinematic lens, skillfully weaving the most relevant elements of Capote's biography with insightful critical analysis of the films, screenplays, and adaptations of his works that composed his fraught relationship with the Hollywood machine.
The Crime Novel
Although rarely distinguished from the detective story, the crime novel offers readers a quite different experience. In the detective novel, a sympathetic detective figure uses reason and intuition to solve the puzzle, restore order, and reassure readers that "right" will always prevail. In the crime novel, by contrast, the "hero" is either the killer, the victim, a guilty bystander, or someone falsely accused, and the crime may never be satisfactorily solved. These and other fundamental differences are set out by Tony Hilfer in The Crime Novel, the first book that completely defines and explores this popular genre. Hilfer offers convincing evidence that the crime novel should be regarded as...
Hollywood Enigma
Dana Andrews (1909–1992) worked with distinguished directors such as John Ford, Lewis Milestone, Otto Preminger, Fritz Lang, William Wyler, William A. Wellman, Mervyn Le Roy, Jean Renoir, and Elia Kazan. He played romantic leads alongside the great beauties of the modern screen, including Joan Crawford, Elizabeth Taylor, Greer Garson, Merle Oberon, Linda Darnell, Susan Hayward, Maureen O'Hara, and most important of all, Gene Tierney, with whom he did five films. Retrospectives of his work often elicit high praise for an underrated actor, a master of the minimalist style. His image personified the “male mask” of the 1940s in classic films such as Laura, Fallen Angel, and Where the Sidew...
Celebrating 50 years of ACAL
The papers in this volume were presented at the 50th Annual Conference on African Linguistics held at the University of British Columbia in 2019. The contributions span a range of theoretical topics as well as topics in descriptive and applied linguistics. The papers reflect the typological and genetic diversity of languages in Africa and also represent the breadth of the ACAL community, with papers from both students and more senior scholars, based in North America and beyond. They thus provide a snapshot on current research in African linguistics, from multiple perspectives. To mark the 50th anniversary of the conference, the volume editors reminisce, in the introductory chapter, about their memorable ACALs.
A Companion to Film Noir
An authoritative companion that offers a wide-ranging thematic survey of this enduringly popular cultural form and includes scholarship from both established and emerging scholars as well as analysis of film noir's influence on other media including television and graphic novels. Covers a wealth of new approaches to film noir and neo-noir that explore issues ranging from conceptualization to cross-media influences Features chapters exploring the wider ‘noir mediascape’ of television, graphic novels and radio Reflects the historical and geographical reach of film noir, from the 1920s to the present and in a variety of national cinemas Includes contributions from both established and emerging scholars
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