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After I Was Dead
This powerful collection of poems from Laura Mullen is the edgy, unashamedly experimental, and formally inventive book of a poet who has found her way to her own voice or style--or rather voices and styles, for there are several. The poems of After I Was Dead develop harmonically rather than melodically: they leap from one register, one voice, one tone to another in deft juxtapositions that carry narrative only incidentally, destabilizing traditional notions of development. These poems are honed by a fine intelligence into elegant, sometimes funny art, as in “Autumn”: “Her hair, brown. / Her specialty, damage. / Her specialty, becoming / Something else. Her hair, falling / Leaves, leaf rot, and then soil.” Through her rediscovery of the freedom Emily Dickinson located in being “dead” (in writing from over the border of an already recognized erasure), Mullen increases the territory of the contemporary poem.
Murmur
A gorgeous genre-bender: detective novel, film noir and memoir (and autopsy of all three), tricked out with bloody mirrors, blue murder, mutable coffins, loopy interrogations and a dead bombshell's shoes.
Dark Archive
Dark archive: The purpose of a dark archive is to function as a repository for information that can be used as a failsafe during disaster recovery. Laura Mullen’s fourth collection is a sequence of beautifully interrelated poems that explores how to accurately represent the reality of change and loss. Mullen pinpoints what is at stake: the possibility of communication and connection—and the hope of intimacy. Invoking Wordsworth’s "I wandered lonely as a cloud," she pushes experiments in consciousness against their boundaries in an array of poetic forms. Poetic tropes are measured against natural phenomena as Mullen examines what "witness" might mean in the context of the aftermath of Hurricane Katrina, the failures of capitalism to effect social justice, the murder of James Byrd in Texas, the personal loss of a mother figure, and a disintegrating love affair.
Complicated Grief
Poetry. "From the internet, I learn that 'complicated grief' designates a bereavement disorder in which, instead of fading with time, the pain of loss remains as acute as it was in the beginning. But from Laura Mullen's book I learn that complicated grief also names something else: not a sufferer's excruciating condition, but a writer's exhilarating achievement. Here, the incapacity to move on from 'old' psychic scenarios has been itself complicated by a formidable prose that not only refuses to get over them but even works to revive them in all their undying (Mullen would say: undead) vigor. To these unstintingly reimagined ancient histories ranging from fairy tale and yesteryear's news ite...
Push Me, Pull You
Late Medieval and Renaissance art was surprisingly pushy; its architecture demanded that people move through it in prescribed patterns, its sculptures played elaborate games alternating between concealment and revelation, while its paintings charged viewers with imaginatively moving through them. Viewers wanted to interact with artwork in emotional and/or performative ways. This inventive and personal interface between viewers and artists sometimes conflicted with the Church s prescribed devotional models, and in some cases it complemented them. Artists and patrons responded to the desire for both spontaneous and sanctioned interactions by creating original ways to amplify devotional experie...
See What Flowers
All that remains is a note: "Gone to get pancakes."Her 30th birthday party's over, yet it's the happiest Emma Watters has ever been. Life couldn't be more perfect. She's an emergency room doctor and shares a home in Toronto with the love of her life, Adam Davison. The next morning, Adam is gone.Emma's shocked. At first, she decides that Adam's having an affair and scavenges through photos on Facebook, trying to identify "the other woman." But as the days pass, Emma seeks out help from the Toronto Police and floods social media with pleas for assistance. Where's Adam? Has her life become an episode of Breaking Bad? Has she been dating Walter White all along?Wild, beautiful, and terrifying, See What Flowers is a thrilling depiction of love's attempts to survive in the face of undiagnosed mental illness. Set in the hectic, cosmopolitan cities of Toronto and Vancouver, as well as against the harsh, rugged landscape of the Canadian Arctic, it's a raw and compelling journey towards understanding, forgiveness, and, ultimately, escape.
Please See Us
Summer has come to Atlantic City but the boardwalk is empty of tourists, the casino lights have dimmed, and two Jane Does are laid out in the marshland behind the Sunset Motel, just west of town. Only one person even knows they're there. Meanwhile, Clara, a young boardwalk psychic, struggles to attract clients for the tarot readings that pay her rent. When she begins to experience very real and disturbing visions, she suspects they could be related to the recent cases of women gone missing in town. When Clara meets Lily, an ex-Soho art gallery girl who is working at a desolate casino spa and reeling from a personal tragedy, she thinks Lily may be able to help her. But Lily has her own demons to face. If they can put the pieces together in time, they may save another lost girl--so long as their efforts don't attract perilous attention first. Can they break the ill-fated cycle, or will they join the other victims?
Laura Owens
Edited by Pieranna Cavalchini. Essays by Jennifer Gross, Anne Hawley, and Russell Ferguson.
Brion Gysin
During his lifetime Brion Gysin (1916-1986) inspired an array of artists, writers, poets and musicians, notably the Beat Generation. Since his death Gysin's own work has only increased in popularity, yet his radical approach to art defies categorization. Dream Machine is the first detailed study of Gysin's œuvre in both art-historical and contemporary contexts. A devotee of invention, Gysin created paintings, drawings, photo-collages, installations, poetry and sound experiments. He produced the cut-up collage novel The Third Mind (1965) with William Burroughs, and with Ian Sommerville developed the Dreamachine (1961), a kinetic sculpture designed to induce visions by playing flickering light on the closed eyes of the viewer. This exciting new book, featuring incisive texts, a photo essay, and appreciations by contemporary artists, captures the remarkable daring of an artistic visionary.
The Weight of Blood
'It is a long time since I have read a debut as impressive as Laura McHugh's The Weight of Blood. It is a chilling portrait of a small town in the Ozarks where violent men are protected and young women vanish.' Joan Smith, The Sunday Times People still whisper about Lucy Daneâe(tm)s mother who vanished years ago from the town of Henbane, deep in the Ozark mountains. When one of Lucyâe(tm)s friends is found murdered, Lucy feels haunted by the two lost women: by the mother she never knew, and the friend she couldnâe(tm)t protect. But her search for answers, in a place where secrets are easily concealed, leads her to a chilling discovery. And with this revelation, she must grapple with the meaning of family, the secrets we keep, and the lengths we will go to protect the ones we love.
