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After I Was Dead
This powerful collection of poems from Laura Mullen is the edgy, unashamedly experimental, and formally inventive book of a poet who has found her way to her own voice or style--or rather voices and styles, for there are several. The poems of After I Was Dead develop harmonically rather than melodically: they leap from one register, one voice, one tone to another in deft juxtapositions that carry narrative only incidentally, destabilizing traditional notions of development. These poems are honed by a fine intelligence into elegant, sometimes funny art, as in “Autumn”: “Her hair, brown. / Her specialty, damage. / Her specialty, becoming / Something else. Her hair, falling / Leaves, leaf rot, and then soil.” Through her rediscovery of the freedom Emily Dickinson located in being “dead” (in writing from over the border of an already recognized erasure), Mullen increases the territory of the contemporary poem.
Murmur
A gorgeous genre-bender: detective novel, film noir and memoir (and autopsy of all three), tricked out with bloody mirrors, blue murder, mutable coffins, loopy interrogations and a dead bombshell's shoes.
The Tales of Horror
Fiction. Poetry. Laura Mullen's clever postmodern gothic is a tour de force. Here enter the stock elements of the generic horror tale: the haunted house, the doctor, the down-to-earth gardener, the chatty housemaid, the sunny morning and dark portentous night. At the center, a beautiful woman is dead. But is she? The tale is disassembled to offer alternate reading -- as a story, as a flipbook, and as a text scored for old and familiar voices. The ancient house the abandoned house the house that has been like that forever ... Dark shape in its bed of rank weeds its entrance gaping but not I was wrong like that/ Forever a shred of white lace at a broken window insisted on history.
Subject
Calvin Bedient calls the poetry in this volume "solid and brave and relentlessly inventive." Forrest Gander says, "The obsessive force of this poetry, ruptured by caesura and stanza, is remarkable. Despite the considerable intellectual torque, the poems, concerned always with identity, the borders of the I and the Here, are quite funny in passages. The drama of this work is gripping, convulsive, and intense." Subject holds the mirror up to language, attempting to find out (and find ways out of ) the limits of the wor(l)ds we are sentenced to. The lyric impulse exists, but the surface is rough, reflecting the violence of the effort to see into seeing itself: the voice is ragged, syntax is torn, words have been broken into syllable and sound, images dissolve, the page holds out alternate visions and versions (in double or triple columns), leaving any would-be univocal truth always in doubt.
Complicated Grief
Poetry. "From the internet, I learn that 'complicated grief' designates a bereavement disorder in which, instead of fading with time, the pain of loss remains as acute as it was in the beginning. But from Laura Mullen's book I learn that complicated grief also names something else: not a sufferer's excruciating condition, but a writer's exhilarating achievement. Here, the incapacity to move on from 'old' psychic scenarios has been itself complicated by a formidable prose that not only refuses to get over them but even works to revive them in all their undying (Mullen would say: undead) vigor. To these unstintingly reimagined ancient histories ranging from fairy tale and yesteryear's news ite...
Dark Archive
Dark archive: The purpose of a dark archive is to function as a repository for information that can be used as a failsafe during disaster recovery. Laura Mullen’s fourth collection is a sequence of beautifully interrelated poems that explores how to accurately represent the reality of change and loss. Mullen pinpoints what is at stake: the possibility of communication and connection—and the hope of intimacy. Invoking Wordsworth’s "I wandered lonely as a cloud," she pushes experiments in consciousness against their boundaries in an array of poetic forms. Poetic tropes are measured against natural phenomena as Mullen examines what "witness" might mean in the context of the aftermath of Hurricane Katrina, the failures of capitalism to effect social justice, the murder of James Byrd in Texas, the personal loss of a mother figure, and a disintegrating love affair.
The Surface
On the basic physics of surface plasmons propagating on smooth and corrugated surfaces. Subjects: physics of surfaces, light scattering, diffraction gratings. Of itself the greed of the livingep For grief, for the hoardedep Sorrow, knows no bounds.ep From Annotation copyrighted by Book News, Inc., Portland, OR
Etc
EtC explores contemporary American selfhood, socially mediated and economically motivated, within a system where we learn to see and represent ourselves as one marketable image among many, where "brand" displaces character, and the corporal and corporate intersect. Elsie is both a collection of tropes for femininity (her embodied history leaning heavily into illness and inadequacy when not floating on fantasies of power) and also a symptom of her country's illness. Almost constantly laughing, she is--obviously--unreliable. But EtC blends persona into hyper-confessionalism to open a space for honesty--the hope is that the spectacle of Elsie exercising her fraught and limited freedoms in the c...
Sleeping with the Dictionary
Harryette Mullen's fifth poetry collection, Sleeping with the Dictionary, is the abecedarian offspring of her collaboration with two of the poet's most seductive writing partners, Roget's Thesaurus and The American Heritage Dictionary. In her ménage à trois with these faithful companions, the poet is aware that while Roget seems obsessed with categories and hierarchies, the American Heritage, whatever its faults, was compiled with the assistance of a democratic usage panel that included black poets Langston Hughes and Arna Bontemps, as well as feminist author and editor Gloria Steinem. With its arbitrary yet determinant alphabetical arrangement, its gleeful pursuit of the ludic pleasure of...
Enduring Freedom
Poetry. As the subtitle specifies, "A Little Book of Mechanical Brides," Laura Mullen's sixth collection of poetry, ENDURING FREEDOM, is an often harrowing and almost always amusing dissection of the instituion of marriage. With its step-by-step analysis, from betrothal, to shower, to announcement, to its extraordinarily comprehensive and scathing catalog of brides and weddings, Mullen's poetic environment, and the language that sustains it, is as remarkable as it is disquieting. In the dedication, "To those in the Theater of Operations," Mullen previews a refreshing look at the by-now cliched "battle of the sexes." "ENDURING FREEDOM [is] a galloping great read, a page-turner, and dazzles with linguistic mischief and wit.... I already wanted to buy it for a friend. I am thrilled by it."—Hazel White
