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Although Estonia, Latvia and Lithuania are culturally distinct, they share a common theatre history characterized by resistance, first as a response to Nazi occupation, then as an ideological weapon countering their annexation under strict Soviet ideology. This comprehensive overview of contemporary theatre in the Baltic states includes interviews with major directors, writers, academics and critics, critiques of significant performances, and historical information to familiarize readers with the region. It not only discusses the political ramifications of the three countries' transition from occupied Soviet states to independent members of the European Union, but also addresses the aesthetic, cultural and national issues associated with the move to independence and the adaptation of a Western economic model. More than an introduction, this book is a forum for ideas as well as a detailed, first-hand account of the current scene in Baltic theatre. While useful for anyone interested in contemporary theatre, it is also essential reading for those interested in Baltic studies, post-Soviet cultural history, and recent trends in East European literature.
Dockside is burning, and it’s up to everybody’s least favorite Army-surplus cyborg to fix it. It starts when somebody takes a hit out on The Chairman, and quickly spirals into a mystery that takes Roland and his hyper-kinetic partner Lucia far from New Boston and into the depths of unregulated star systems. To save his home, Roland will need to figure out who would risk upsetting the delicate truce in Dockside before the peace crumbles and the streets run red with blood. Unfortunately for the pair of them, it could be anyone! Everybody wants to control the docks and everybody hates the Chairman. Is it the Pirate King of frontier space? Is it the gigantic mega-corporation who is tired of the docks being harassed? Is The Combine finally falling apart? Could it be… Rodney the Dwarf? It’s probably not Rodney, but Roland will need to ask hard questions of some hard people. It’s a good thing Roland is the kind of guy who knows how to get answers. The guns will blaze and the fists will fly as the galaxy’s least likely duo of problem-solvers hop the next ship to deep space and teach a whole new crop of mad science gone awry that wherever The Fixer goes: HELL FOLLOWS.
Roland Tankowicz wasn’t even legally a person anymore. The aging cyborg had never really recovered from being betrayed and enslaved by his superiors in the Army, and the final insult of being permanently classified as “defunct military ordnance” had been a bitter pill to swallow. For the last three decades, he's avoided dealing with this by drinking beer and working as a fixer for the crime families in 25th-century Boston. It's easy money when you're the kind of guy who is bullet-proof and can pick up a house. But then Lucia Ribiero stumbles into his favorite watering hole dragging a squad of bounty hunters behind her. Shadows from his own dark past, and old debts still unpaid conspire...
Bonnie is 24 and a voluptuous single mother of two boys when she falls in love with articulate, identical twin ex-vet medics. After they become partners in her soft-crab business on Maryland's upper eastern shore, she is pregnant. DNA tests reveal the biological father is not one of them. The subsequent hunt for the real father leads to a suspenseful roller-coaster ride. Mistrust, ingenuity and persistence to seek the truth prove in the end, You Can Be As Good As You Can Be, and Be Better Than You Are.
Native Hawaiians arrived in the Pacific Northwest as early as 1787. Some went out of curiosity; many others were recruited as seamen or as workers in the fur trade. By the end of the nineteenth century more than a thousand men and women had journeyed across the Pacific, but the stories of these extraordinary individuals have gone largely unrecorded in Hawaiian or Western sources. Through painstaking archival work in British Columbia, Oregon, California, and Hawaii, Jean Barman and Bruce Watson pieced together what is known about these sailors, laborers, and settlers from 1787 to 1898, the year the Hawaiian Islands were annexed to the United States. In addition, the authors include descriptiv...
This ground-breaking book explores the phenomenal growth of live literature in the digitalizing 21st century. Wiles asks why literary events appeal and matter to people, and how they can transform the ways in which fiction is received and valued. Readers are immersed in the experience of two contrasting events: a major literary festival and an intimate LGBTQ+ salon. Evocative scenes and observations are interwoven with sharp critical analysis and entertaining conversations with well-known author-performers, reader-audiences, producers, critics, and booksellers. Wiles’s experiential literary ethnography represents an innovative and vital contribution, not just to literary research, but to research into the value of cultural experience across art forms. This book probes intersections between readers and audiences, writers and performers, texts and events, bodies and memories, and curation and reception. It addresses key literary debates from cultural appropriation to diversity in publishing, the effects of social media, and the quest for authenticity. It will engage a broad audience, from academics and producers to writers and audiences.
Roland Barthes’s 1967 essay, "The Death of the Author," argues against the traditional practice of incorporating the intentions and biographical context of an author into textual interpretation because of the resultant limitations imposed on a text. Hailing "the birth of the reader," Barthes posits a new abstract notion of the reader as the conceptual space containing all the text’s possible meanings. The essay has become one of the most cited works in literary criticism and is a key text for any reader approaching reader response theory.
This collection of writings and images documents the political history of NYC’s Lower East Side, describing the lives and struggles of the radicals, artists, and immigrants that populated and politicized one of America’s strangest and most beloved neighborhoods. Current and former residents of the neighborhood explore the social, political, and human landscape of one of America’s most storied bohemias. In over fifty chapters, Emma Goldman, Dorothy Day, Christopher Mele, John Macmillan, Jim Feast, Al Orensanz, Allan Antliff, Lynn Stewart, Thomas McEvilly, Frank Morales, and many others cover topics ranging from the early settlement houses and sweatshops to squatters, rioters, artists, activists and organizers. Resistance is jam-packed with fascinating first-person accounts of the battles, triumphs, failures, and lives of a neighborhood that is rapidly being lost to gentrification.
Feminist Film Studies is a readable, yet comprehensive textbook for introductory classes in feminist film theory and criticism. Karen Hollinger provides an accessible overview of women’s representation and involvement in film, complemented by analyses of key texts that illustrate major topics in the field. Key areas include: a brief history of the development of feminist film theory the theorization of the male gaze and the female spectator women in genre films and literary adaptations the female biopic feminism and avant-garde and documentary film women as auteurs lesbian representation women in Third Cinema. Each chapter includes a "Films in Focus" section, which analyzes key texts related to the chapter’s major topic, including examples from classical Hollywood, world cinema, and the contemporary period. This book provides students in both film and gender/women’s studies with a clear introduction to the field of feminist film theory and criticism.