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Betty Rothschild grew up in Frankfurt nurtured in Jewish tradition and tutored in French, music, and drawing. At nineteen, she married her uncle James and moved to Paris where she presided over a salon famous for its opulence and the brilliance of its guests. Betty was a friend of Queen Marie-Amelie, the pupil of Chopin, and was painted by Ingres. She prepared her five children to assume leading roles in French society while simultaneously serving the Jewish community. She devoted her vast energy to philanthropic activities with a particular emphasis on the needs of young Jewish women.
This book offers a fresh perspective on classical Jewish literature by providing a gender-based, feminist reading of rabbinical anecdotes and legends. Viewing rabbinical legends as sources that generate perceptions about women and gender, Inbar Raveh provides answers to questions such as how the Sages viewed women; how they formed and molded their characterization of them; how they constructed the ancient discourse on femininity; and what the status of women was in their society. Raveh also re-creates the voices and stories of the women themselves within their sociohistorical context, moving them from the periphery to the center and exposing how men maintain power. Chapter topics include desire and control, pain, midwives, prostitutes, and myth. A major contribution to the fields of literary criticism and Jewish studies, Raveh's book demonstrates the possibility of appreciating the aesthetic beauty and complexity of patriarchal texts, while at the same time recognizing their limitations.
A feminist project that privileges the Babylonian Talmudic tractate as culturally significant. While the use of feminist analysis as a methodological lens is not new to the study of Talmudic literature or to the study of individual tractates, this book demonstrates that such an intervention with the Babylonian Talmud reveals new perspectives on the rabbis’ relationship with the temple and its priesthood. More specifically, through the relationships most commonly associated with home, such as those of husband-wife, father-son, mother-son, and brother-brother, the rabbis destabilize the temple bayit (or temple house). Moving beyond the view that the temple was replaced by the rabbinic home, and that rabbinic rites reappropriate temple practices, a feminist approach highlights the inextricable link between kinship, gender, and the body, calling attention to the ways the rabbis deconstruct the priesthood so as to reconstruct themselves.
Evocative readings of the Torah through the lens of transgender experience, exploring the ways trans perspectives can enrich our understanding of religious texts, traditions, and God
"Dirshuni: Contemporary Women's Midrash, is the first ever English edition of an historic collection of midrashim composed by Israeli women. The volume features a comprehensive introduction to Midrash for the uninitiated reader by the distinguished scholar Tamar Kadari and extensive annotation and commentary by Tamar Biala"--
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This extraordinary bible of kosher baking breathes fresh life into parve desserts and breads
Examining World War II, the Holocaust, and their aftermath through the lens of Central and Eastern European Jewish families
Formulates a framework for the development of Jewish rituals for newborn girls
"Twenty-Sixth Annual Klutznick-Harris Symposium, October 27 and October 28, 2013, in Omaha, Nebraska."