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“An incredibly strong debut.... It’s well worth your time.”—New York Journal of Books In a world where female bodies hold the map to the future, one young woman must fight to change her family’s fate. Celeste Morton has eagerly awaited her passage to adulthood. Like every girl, she was born with a set of childhood markings—the freckles, moles, and birthmarks on her body that foretell her future and that of those around her—and with puberty will come a new set of predictions that will solidify her fate. The possibilities are tantalizing enough to outweigh her worry that the future she dreams of won’t be the one she’s fated to experience. Celeste’s beloved brother, Miles, who is training to be a fortune-teller, is equally anticipating what Celeste’s transformation will reveal. But when Celeste matures into her adult markings, she discovers a devastating omen about Miles’s future. Desperate to protect her family from the truth, Celeste’s once charmed life unravels, forcing her to question everything she’s ever known about fate and female agency, and face the perils of knowing what’s to come too soon.
Scholars have only recently discovered that the human body itself has a history. Not only has it been perceived, interpreted, and represented differently in different epochs, but it has also been lived differently, brought into being within widely dissimilar material cultures, subjected to various technologies and means of control, and incorporated into different rhythms of production and consumption, pleasure and pain. The eight articles in this volume support, supplement, and explore the significance of these insights. They belong to a new historical endeavor that derives partly from the crossing of historical with anthropological investigations, partly from social historians' deepening interest in culture, partly from the thematization of the body in modern philosophy (especially phenomenology), and partly from the emphasis on gender, sexuality, and women's history that large numbers of feminist scholars have brought to all disciplines.
"Marian and her sister Laura live a quiet life under their uncle's guardianship until Laura's marriage to Sir Percival Glyde. Sir Percival is a man of many secrets. Hence, Marian and the girls' drawing master, Walter, have to turn detective in order to work out what is going on, and to protect Laura from a fatal plot"--NoveList.
Provides a valuable selection of nineteenth- century essays on the art of fiction. These contemporary essays are strategically placed alongside a selection of modern critical responses to twelve familiar nineteenth-century novels.
This book examines a sequence of crises in nineteenth-century print culture and offers an original narrative of what it meant to be a Victorian novelist. Easily dismissed at the beginning of the century as hacks who pandered to the ignorant or indolent, novelists by the end of Victoria's reign could be esteemed among the greatest of artists. Between these extremes stretches a century of ideological contention between alternative representations of authorship. Deane brings new attention in his account to the trends in publishing and the expanding market surrounding Victorian literature, such as the new modes of production, arguments over copyright legislation, and revisions of the criteria of periodical criticism. Combining literary sociology and close readings, The Making of the Victorian Novelist offers an innovative history of the material pressures and rhetorical struggles that produced - and ultimately shattered - the Victorians' understanding of their great novelists.
DigiCat Publishing presents to you this special edition of "The White Room" by Fergus Hume. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
In the midst of a Victorian culture ingrained with strict social etiquette and societal norms, Wilkie Collins composed novels that contained asocial, even anarchic, impulses. A contemporary of Dickens, Collins creates a world more Kafkaesque than Dickensian, a world populated by doppelgangers, secret selves, oddballs, and grotesques. The essays of Reality's Dark Light: The Sensational Wilkie Collins purposefully work to expand Collins's legacy beyond The Woman in White and The Moonstone; they move well past the simplistic view of Collins's works as "sensation novels," "detective novels," or even "popular fiction," all labels that carry with them pejorative connotations. This collection repre...
Although moral earnestness has long been considered characteristic of the Victorians, Kucich maintains that English fiction in the nineteenth century was as interested in lies as in honesty. In this important book, Kucich explores the fascination with lying in novels by Anthony Trollope, Wilkie Collins, Elizabeth Gaskell, Ellen Wood, Thomas Hardy, and Sarah Grand.
The Complete Works of Wilkie Collins: Novels, Short Stories, Plays, Essays and Memoirs (Illustrated) is a rich collection showcasing the diverse literary talents of the renowned Victorian writer. Known for his masterful blending of mystery, intrigue, and complex characters, Collins' works have left a lasting impact on the development of the detective novel genre. The inclusion of illustrations enhances the reader's experience and offers insight into the visual elements that complement Collins' vivid storytelling. This comprehensive volume allows readers to immerse themselves in Collins' full literary oeuvre and appreciate the depth of his contributions to 19th-century literature. From the ic...