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This survey of more recent work on Herodotus, Thucydides and Polybius synthesises some of the most important research from the last few decades.
Drawing from a rich corpus of art works, including sarcophagi, tomb paintings, and floor mosaics, Patrick R. Crowley investigates how something as insubstantial as a ghost could be made visible through the material grit of stone and paint. In this fresh and wide-ranging study, he uses the figure of the ghost to offer a new understanding of the status of the image in Roman art and visual culture. Tracing the shifting practices and debates in antiquity about the nature of vision and representation, Crowley shows how images of ghosts make visible structures of beholding and strategies of depiction. Yet the figure of the ghost simultaneously contributes to a broader conceptual history that accounts for how modalities of belief emerged and developed in antiquity. Neither illustrations of ancient beliefs in ghosts nor depictions of afterlife, these images show us something about the visual event of seeing itself. The Phantom Image offers essential insight into ancient art, visual culture, and the history of the image.
That we can hope is one of the capacities that define us as human beings. To hope means not just to have beliefs about what will happen, but to imagine the future as potentially fulfilling some of our most important wishes. It is therefore not surprising that hope has received attention by philosophers, psychologists and by religious thinkers throughout the ages. The contributions in this volume, written by leading scholars in the philosophy of hope, gives a systematic overview over the philosophical history of hope, about contemporary debates and about the role of hope in our collective life.
The study of emotions and emotional displays has achieved a deserved prominence in recent classical scholarship. The emotions of the classical world can be plumbed to provide a valuable heuristic tool. Emotions can help us understand key issues of ancient ethics, ideological assumptions, and normative behaviors, but, more frequently than not, classical scholars have turned their attention to "social emotions" requiring practical decisions and ethical judgments in public and private gatherings. The emotion of disgust has been unwarrantedly neglected, even though it figures saliently in many literary genres, such as iambic poetry and comedy, historiography, and even tragedy and philosophy. Thi...
"What would Greek and Roman myth look like if women had written the stories?" asks Tara Welch in her illuminating Introduction to this volume. Stanley Lombardo and Melina McClure’s faithful translation of Ovid’s famous letters, purportedly written by heroines of classical antiquity to their absent lovers, offers an inkling of one intriguing possibility.
Though the Christian church has a well-developed theology of Godward-facing remorse about sin, it has paid little attention to the interpersonal implications of the remorse that people feel when they wrong one another. Since the nineteenth century, important work has been done by psychologists, anthropologists, philosophers, ethicists, scientists, and lawyers that has implications for the way theologians might think about remorse. This book draws on the biblical record in its ancient settings as well as on insights from contemporary scholarship to offer a new and distinctively Christian contribution to an understanding of remorse.
This volume contributes to the ongoing scholarly debate regarding the reception of Cicero. It focuses on one particular moment in Cicero’s life, the period from the death of Caesar up to Cicero’s own death. These final years have shaped Cicero’s reception in an special way, as they have condensed and enlarged themes that his life stands for: on the positive side his fight for freedom and the republic against mighty opponents (for which he would finally be killed); on the other hand his inconsistency in terms of political alliances and tendency to overestimate his own influence. For that reason, many later readers viewed the final months of Cicero's life as his swan song, and as represe...
Western culture is in a moment when wholly new kinds of personal transformations are possible, but authentic transformation requires both personal testimony and public recognition. In this book, Adam Ellwanger takes a distinctly rhetorical approach to analyzing how the personal and the public relate to an individual’s transformation and develops a new vocabulary that enables a critical assessment of the concept of authenticity. The concept of metanoia is central to this project. Charting the history of metanoia from its original use in the classical tradition to its adoption by early Christians as a term for religious conversion, Ellwanger shows that metanoia involves a change within a per...
This volume presents essays written in honour of Robert Maltby, Emeritus Professor of Latin at the University of Leeds. It offers a rich collection of modern scholarship covering a wide range of literary genres in Latin literature, spanning from Augustan times up to the Italian Renaissance. The value of this volume lies in its inclusion of new interpretations of well-discussed texts from the past, shedding light on texts that have recently garnered scholarly attention and sparked lively discussions. Fifteen essays reflect the main areas of scholarship and interests of the honoree in a variety of Roman literary genres, with special focus on the Corpus Tibullianum, but also on etymologising and textual criticism. The collection is not exclusively intended for classicists, historical linguists, and textual critics. By providing insightful discussions and fresh interpretations of themes and issues in Latin literature from a contemporary perspective, it also appeals to anyone interested in Mediterranean studies, the socio-cultural aspects of literature, and comparative literature.
Considering the ubiquity of rhetorical training in antiquity, the volume starts from the premise that every first-person statement in ancient literature is in some way rhetorically modelled and aesthetically shaped. Focusing on different types of Greek and Latin literature, poetry and prose, from the Archaic Age to Late Antiquity, the contributions analyse the use and modelling of gender-specific elements in different types of first-person speech, be it that the speaker is (represented as) the author of a work, be it that they feature as characters in the work, narrating their own story or that of others. In doing so, they do not only offer new insights into the rhetorical strategies and lit...