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Cinema has been long associated with France, dating back to 1895, when Louis and Auguste Lumi_re screened their works, the first public viewing of films anywhere. Early silent pioneers Georges MZli_s, Alice Guy BlachZ and others followed in the footsteps of the Lumi_re brothers and the tradition of important filmmaking continued throughout the 20th century and beyond. In Encyclopedia of French Film Directors, Philippe Rège identifies every French director who has made at least one feature film since 1895. From undisputed masters to obscure one-timers, nearly 3,000 directors are cited here, including at least 200 filmmakers not mentioned in similar books published in France. Each director's ...
This guide offers listings of some 300 Francophone women from around the world & their work. Wherever possible, entries include dates, brief biographies, descriptions & brief critical analyses.
The recent centenary of the motion picture prompted the Belgian Royal Film Archive to compile an encyclopedia of the history of Belgian film. The country has produced a considerable cinematic output over the past hundred years, with a total of some 1,500 titles, including every imaginable genre, from documentaries to war films, romantic dramas, slapstick, animation, art movies and experimental films. This book is published in collaboration with the Royal Film Archive. The book contains a broad survey of 100 years of Belgian cinema history, from masterpieces of silent filmmaking to recent highlights like the 1992 film Daens. This comprehensive, easy-to-use, and attractively illustrated reference work is an important scholarly addition to all serious film libraries.
This handbook examines how electrical technologies and their corresponding economies of scale have rendered music and sound increasingly mobile-portable, fungible, and ubiquitous. Highly interdisciplinary, the two volumes of the Oxford Handbook of Mobile Music Studies consider the devices, markets, and theories of mobile music, and its aesthetics and forms of performance.
Until the early nineteenth century, political philosophy and economics were dining companions. Both took up fundamental questions of how we should feed one another. But with the rise of corporate capitalism, modern economics lost sight of its primary task and turned away from the complexities of real people’s sustenance in favor of the single-minded pursuit of money. In Meals Matter, Michael Symons returns economics to its roots in the distribution of food and the labor required. Setting the table with vivid descriptions of conviviality, he offers a gastronomic rebuttal to the narrow worldview of mainstream economics. Engaging with a wide variety of thinkers—including Epicurus, Enlighten...
This book reveals how France reinvented itself in the aftermath of World War Two. After foreign military interventions, the French political and intellectual elites embraced regime change and launched an urgent programme of nation building. They rebuilt French national identity with whatever material was available, and created a vibrant new cultural and intellectual life. The cost to subordinated groups, however, especially women, still casts a long shadow over French values and attitudes. In this, perhaps, there are lessons and implications for other countries, struggling to rebuild themselves after conflict.
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Teniamo a precisare che tutti i testi inclusi nella presente opera provengono liberamente da Internet e sono reperibili su Wikipedia. Allora sorge spontanea la domanda: perché acquistarla? La risposta è semplice. Si tratta di un certosino lavoro di assemblamento, con una specifica ricerca di immagini (queste ad esempio su Wikipedia non le trovate) che completa l'opera in modo da renderla unica e non ripetibile nella sua struttura. In breve un lavoro che, pur proveniente dal lavoro di altri, si trasforma in un unicum, assumendo una sua veste logica che è quella di descrivere il film I Violentatori della Notte e gli argomenti ad esso correlati quali regista, attrici, i film da cui discende,...
Une famille de banlieue aux prises avec les affres d'une réalité quotidienne plus que difficile.