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A Monster's Notes
“A remarkable creation, a baroque opera of grief, laced with lines of haunting beauty and profundity.” —The Washington Post Now in paperback, the bold, genre-defying book that asked: What if Mary Shelley had not invented Frankenstein's monster at all but had met him when she was a girl of eight, sitting by her mother's grave, and he came to her unbidden? In a riveting mix of fact and poetic license, Laurie Sheck gives us the "monster" in his own words: recalling how he was "made" and how Victor Frankenstein abandoned him; pondering the tragic tale of the Shelleys and the intertwining of his life with Mary's (whose fictionalized letters salt the narrative, along with those of her nineteenth-century intimates); taking notes on all aspects of human striving--from Gertrude Stein to robotics to the Northern explorers whose lonely quest mirrors his own--as he tries to understand the strange race that made yet shuns him, and to find his own freedom of mind.
Island of the Mad
Following on the heels of her exciting and widely acclaimed A Monster's Notes, and with Sheck's characteristic brilliance of language, Island of the Mad follows the solitary, hunchbacked Ambrose A., as he sets out on a mysterious journey to Venice in search of a lost notebook he knows almost nothing about. Eventually he arrives in San Servolo, the Island of the Mad, in the Venetian Lagoon, only a few minutes' boat–ride from Venice. At the island's old, abandoned hospital which has been turned into a conference center, he discovers a mess of papers in a drawer, and among them the correspondence and notes of two of the island's former inhabitants—a woman with a rare genetic illness which causes the afflicted to gradually become unable to sleep until, increasingly hallucinatory and feverish, they essentially die of sleeplessness; and her friend, a man who experiences epileptic seizures. As the sleepless woman's eyesight fails, she wants only one thing—that her friend read to her from Dostoevsky's great novel, The Idiot, a book she loves but can no longer read herself. As Ambrose follows their strange tale, everything he has ever known or thought is called into question.
Black Series
In her remarkable Black Series, Laurie Sheck turns the ordinary world inside out and shows us its glittering seams. Her long, elegantly quizzical lines convey a haunted vision of human striving which is in part an elaboration on our daily reality, and in part a fantastic departure from it. “I can almost taste the glassy air,” she writes. “Where are the birds in it, / wings lifting as currents buffet them like echoes, bright / chaos of atomized instances . . . ?” Roaming freely in the shifting landscape of the imagination, Sheck delivers an inner life that is just as vivid as what we see around us; at the same time, she shows us what we see in a new light, bringing illumination even to darkness: It’s the black night that wakes in me, so dominant, so focused. And then a car goes by and I think, “I’m in the world,” tires kicking up gravel from the dust. What does the orange hawkweed do inside this dark–its radiance secretive but not extinguished? To read this collection is to discover at every turn that secretive but undeniable radiance, and a language that is both riveting and distinctive.
Today in the Taxi
From the passenger seat of Sean Singer’s taxicab, we witness New York’s streets livid and languid with story and contemplation that give us awareness and aliveness with each trip across the asphalt and pavement. Laced within each fare is an illumination of humanity’s intimate music, of the poet’s inner journey—a signaling at each crossroad of our frailty and effervescence. This is a guidebook toward a soundscape of higher meaning, with the gridded Manhattan streets as a scoring field. Jump in the back and dig the silence between the notes that count the most in each unique moment this poet brings to the page. “Sean Singer’s radiant and challenging body of work involves, much li...
Captivity
The “exquisite and haunting” (Booklist) collection of poems built around the language and mystique of American captivity narratives in which Sheck enters the vivid life we live inside our own minds and selves, and takes us into the mysterious underside of consciousness and selfhood.
Pornography, Sex Work, and Hate Speech
Multidisciplinary focus Surveying many disciplines, this anthology brings together an outstanding selection of scholarly articles that examine the profound impact of law on the lives of women in the United States. The themes addressed include the historical, political, and social contexts of legal issues that have affected women's struggles to obtain equal treatment under the law. The articles are drawn from journals in law, political science, history, women's studies, philosophy, and education and represent some of the most interesting writing on the subject. The law in theory andpractice Many of the articles bring race, social, and economic factors into their analyses, observing, for examp...
Black Series
In her remarkable Black Series, Laurie Sheck turns the ordinary world inside out and shows us its glittering seams. Her long, elegantly quizzical lines convey a haunted vision of human striving which is in part an elaboration on our daily reality, and in part a fantastic departure from it. “I can almost taste the glassy air,” she writes. “Where are the birds in it, / wings lifting as currents buffet them like echoes, bright / chaos of atomized instances . . . ?” Roaming freely in the shifting landscape of the imagination, Sheck delivers an inner life that is just as vivid as what we see around us; at the same time, she shows us what we see in a new light, bringing illumination even to darkness: It’s the black night that wakes in me, so dominant, so focused. And then a car goes by and I think, “I’m in the world,” tires kicking up gravel from the dust. What does the orange hawkweed do inside this dark–its radiance secretive but not extinguished? To read this collection is to discover at every turn that secretive but undeniable radiance, and a language that is both riveting and distinctive.
Captivity
The “exquisite and haunting” (Booklist) collection of poems built around the language and mystique of American captivity narratives in which Sheck enters the vivid life we live inside our own minds and selves, and takes us into the mysterious underside of consciousness and selfhood.
This Is Not a Novel
David Markson was a writer like no other. In his novels, which have been called "hypnotic," "stunning," and "exhilarating" and earned him praise from the likes of Kurt Vonnegut and David Foster Wallace, Ann Beattie and Zadie Smith. Markson created his own personal genre. With crackling wit distilled into incantatory streams of thought on art, life, and death, Markson's work has delighted and astonished readers for decades. Now for the first time, three of Markson's masterpieces are compiled into one page–turning volume: This Is Not a Novel, Vanishing Point, and The Last Novel. In This Is Not a Novel, readers meet an author, called only "Writer," who is weary unto death of making up stories...
Record Palace
Set in Chicago during the late 1970s, Record Palace is an eccentric debut novel about jazz, art, race, and identity.
