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A curator of Dutch drawings at the Albertina surveys the work of Rembrandt, Jacob van Ruisdael, Meindert Hobbema, Philips Koninck, and others, presenting the various forms of art that dominated the scene in seventeenth-century Holland. 112 colour illustrations
"In the royal and princely courts of Europe, artworks made of multicolored semiprecious stones were passionately coveted objects. Known as pietre dure, or hardstones, this type of artistic expression includes?paintings in stone,? which were composed of intricately cut separate pieces that were made into magnificent tabetops, cabinets, and wall decorations. Other works included vessels and ornaments carved with virtuosic skill from a single piece of rare and brilliant lapis lazuli, chalcedony, jasper, or similarly prized substance; exquisite objects such as boxes, clocks, and jewelry; and portraits of nobles sculpted in variously colored stones. Derived from ancient Roman decorative stonework...
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"In addition to commentary on each painting, the book brings to light Poland's long-overlooked cultural history."--BOOK JACKET.
"Richard Lukas presents the eyewitness accounts of these and other Polish Christians who suffered at the hands of the Germans. They bear witness to unspeakable horrors endured by those who were tortured, forced into slavery, shipped off to concentration camps, and even subjected to medical experiments. Their stories provide a somber reminder that non-Jewish Poles were just as likely as Jews to suffer at the hands of the Nazis, who viewed them with nearly equal contempt.".
Winters introduces Richard Flagg and Erma Flagg's collection of some hundred objects made during 1450 to 1900. Most of the beautifully crafted, highly decorative, yet functional pieces are examples of Renaissance and Baroque marvels; they include clocks (a particularly varied and sumptuaous collection), sculpture, inlaid boxes, china and glassware, tankards, metalwork, and furniture. Each of the 77 individual chefs-d'oeuvres documented in this catalog, celebrating the gift of the Flaggs to the Milwaukee Art Museum, are exceptional examples of artisty combined with technical achievement. Such is the case with a 15th-century Cassone from Florence replete with intarsia and coat of arms, signali...
"Largely as a result of Leonardo's innovative work for the Sforza court in Milan, a rich vein of naturalism developed in North Italian art during the late fifteenth century. Questioning the strongly classicizing, idealized style dominant in areas south of the Apennines, artists in the region of Lombardy turned to an investigation of the natural world based on direct observation and adherence to strict visual truth. This heritage of realism continued to be of key importance for more than two hundred years, finding its greatest expression in the art of Caravaggio and eventually influencing the course of Baroque painting throughout Europe. Religious scenes, portraits, and landscapes were all tr...
Published to accompany an exhibition held in Sept. 2002 by the Albany Institute of History and Art.
Featuring more than 150 treasures from several of the world’s most prestigious collections, Making Marvels explores the vital intersection of art, technology, and political power at the courts of early modern Europe. It was there, from the sixteenth through eighteenth centuries, that a remarkable outpouring of creativity and learning gave rise to exquisite objects that were at once beautiful works of art and technological wonders. By amassing vast, glittering collections of these ingeniously crafted objects, princes flaunted their wealth and competed for mastery over the known world. More than mere status symbols, however, many of these marvels ushered in significant advancements that have had a lasting influence on astronomy, engineering, and even international politics. Incisive texts by leading scholars situate these works within the rich, complex symbolism of life at court, where science and splendor were pursued with equal vigor and together contributed to a culture of magnificence.
Empress Elisabeth of Austria (1837-1898), wife of Habsburg Emperor Francis Joseph I, was celebrated as the most beautiful woman in Europe. Glamorous painted portraits by Franz Xaver Winterhalter and widely collected photographs spread news of her beauty, and the twentieth-century German-language film trilogy Sissi (1955-57) cemented this legacy. Despite the enduring fascination with the empress, art historians have never considered Elisabeth’s role in producing her public portraiture or the influence of her creation. The Celebrity Monarch reveals how portraits of Elisabeth transformed monarchs from divinely appointed sovereigns to public personalities whose daily lives were consumed by spectators. With resources ranging from the paintings of Gustav Klimt and Elisabeth’s private collection of celebrity photography to twenty-first century collages and films by T. J. Wilcox, this book positions Elisabeth herself as the primary engineer of her public image and argues for the widespread influence of her construction on both modern art and the emerging phenomenon of celebrity.