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A visual artist who lives poetry in Saigon, an illusionist who works theatres and boardrooms across the US, a journalist-translator who mediates new media, in this collection these three prominent voices in contemporary Vietnamese poetry bring to world literature the diversity and richness of poetic expressions in a fast-changing world. Nguyen Thuy Hang's poems enter the realm of stasis, rearrange and reconstruct dream sequences to bring out a language that moves and dances, rejects and embraces, taking the audience with her movements in a tour de force. With puns and wit, Do Le Anhdao's satirical poems speak strongly for many of her generation on transitory-ness, race and gender politics, confusion and dislocation. Satire at its most effective and timely, her poems are anarchistic, mischievous: a show of strength that takes masquerades and irony by the scruff. Le Dinh Nhat-Lang's poems are meditations on a kaleidoscope of the past and now; they are packed with indelible images and drawn with a delicate touch. This twelth volume in the Asia Pacific Poetry Series from Vagabond Press gives readers three of the most formidable voices from the current generation of Vietnamese poets.
Thoang choc, da het mot nam voi nhieu no luc va co gang chay _ua theo buoc thoi gian voi nhieu met nhoc cua moi nguoi? Bay gio thin am moi Ky Hoi 2019 da den nhu mot coi bo bot su ganh nang trong nam cu da qua?Chi con nhin ve phia truoc cua nam moi.Voi nhieu lo toan tuong to, va di nhien la co nhieu noi lo khac hon. Nhung noi lo toan mang tinh ky vong vao tuong lai, doi khi cung co tinh mong cau vao su may man thoi van? Tap chi van Hoc Moi kinh chuc toan the qui tac gia, than huu va qui ban doc mot nam moi: Doi dao suck hoe, an khang va thinh vuong trong niem hy vong va lac quan tren buoc duong di toi?Ta chi Van Hoc Moi chan thanh cam on den tat ca qui vi ung ho? Cung cam on su don nhan va hop tac mot cach hang hai va nong nhiet cua goi sang tac cua qui ban doc ke tu so dau tien ra mat cho den nay? That la hanh phuc vo cung, ngoai bai vo hung hau cua qui tac gia goi den cho toa soan Van Hoc Moi (den noi phai hen lai de dang cho so bao sau) VHM So 2 tuong niem Nha tho Tran Van Nam
Winner of the American Comparative Literature Association's Rene Wellek Prize (2004) As one of the founding poets and editors of the Language School of poetry and one of its central theorists, Barrett Watten has consistently challenged the boundaries of literature and art. In The Constructivist Moment, he offers a series of theoretically informed and textually sensitive readings that advance a revisionist account of the avant-garde through the methodologies of cultural studies. His major topics include American modernist and postmodern poetics, Soviet constructivist and post-Soviet literature and art, Fordism and Detroit techno—each proposed as exemplary of the social construction of aesthetic and cultural forms. His book is a full-scale attempt to place the linguistic turn of critical theory and the self-reflexive foregrounding of language by the avant-garde since the Russian Formalists in relation to the cultural politics of postcolonial studies, feminism, and race theory. As such, it will provide a crucial revisionist perspective within modernist and avant-garde studies.
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