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Reframing Western Comics in Translation
This book adopts an intermedial, translational, and transnational approach to the study of the Western genre in European Francophone comics and their English and Spanish translations, offering an innovative form of analysis with potential applications in future research on the translation of comics. Martinez takes the application of Bourdieu’s work on the sociology of culture to translation studies to explore the role of diverse social agents in shaping the products, processes, and reception of translations of Western comics. The book focuses on Jean-Michel Charlier and Jean Giraud’s iconic Blueberry Western comic book series as a lens through which to examine agency and sociocultural norms that influence translations and the degrees to which cartoonists, editors, translators, and censors frame the genre on a global scale. The volume both extends the borders of translation studies research beyond interlingual translation and showcases the study of comics and graphic narratives as an area of inquiry in its own right within the field. This book will be of interest to scholars in translation studies, comics studies, visual culture, and cultural studies.
Mediaeval Commentaries on the Sentences of Peter Lombard
The work published in this third, and final, volume of Brill’s handbook on the tradition of the Book of Sentences breaks new ground in three ways. First, several chapters contribute to the debate concerning the meaning of medieval authority and authorship. For some of the most influential literature on the Sentences consisted of study aids and compilations that were derivative or circulated anonymously. Consequently, the volume also sheds light on theological education “on the ground”—the kind of teaching that was dispensed by the average master and received by the average student. Finally, the contributors show that Peter Lombard’s textbook played a much more dynamic role in later medieval theology than hitherto assumed. The work remained a force to be reckoned with until at least the sixteenth century, especially in the Iberian Peninsula. Contributors are Claire Angotti, Monica Brinzei, Franklin T. Harkins, Severin V. Kitanov, Lidia Lanza, Philipp W. Rosemann, Chris Schabel, John T. Slotemaker, Marco Toste, Jeffrey C. Witt, and Ueli Zahnd.
Peter Lombard (2 vols.)
An in-depth study of Peter Lombard's thought, treating his exegesis, the systematic theology developed in his Sentences in the context of the intellectual debates of his time, and the reasons for his immediate and enduring medieval influence.
Masks - Volume 2 - The Eclipse Mask
The team's quest to find more young people with masks faces new challenges when one of their masks is stolen and two more pop up in Australia—including a powerful Eclipse Mask, which threatens to swallow everything up. Meanwhile, some of the members of the masked team attempt to deal with more personal issues while another needs to figure out how his mask works in time to save the world... Nothing like a little pressure!
Representing the Crusades
How are the Crusades portrayed in popular culture today? Have the medieval images of chivalric and military heroes survived the eras of Orientalism and decolonization? The first of its kind, this comparative study examines representations of the Crusades in both European and Arab medieval texts and in 20th and 21st century transmedia recreations. It follows the cartography and illuminated manuscripts of the Middle Ages through modern, hybridized narratives in novels, film, comics and gaming. The shifting literary tastes, political agendas and cultural exchanges of audiences on both sides of the Mediterranean reflect their anxieties and ideals.
The Clear Line in Comics and Cinema
Historical and theoretical analysis of the “clear line” style in comics and cinema The “clear line”, a term coined in 1977 by Dutch essayist and artist Joost Swarte, has become shorthand in the field of comics studies for the style originally developed by Hergé and the École de Bruxelles. It refers to certain storytelling strategies that generate a deceptively simple, lucid, and hygienic narration: in Philippe Marion’s words, it is a style “made out of light, fluidity and limpid clarity”. By cataloguing and critically analysing clear line comics from historical and theoretical perspectives, this book offers a new outlook on the development of the style in the 20th and 21st ce...
The Revenge of Count Skarbek - Volume 1 - Two Golden Hands
1843, Paris. A sensational trial stuns the art world and has the streets of the capital buzzing. Is the famous art dealer Daniel Northbrook nothing but a swindler? Count Skarbek, a rich Polish businessman, will do everything he can to prove it. A gripping romantic thriller and a poignant story of love, hatred, passion, and revenge in the vein of the great popular fiction by Hugo and Dumas.
